Folk Singer Vol. 1 (Acony, 2014)
Willie Watson
Reviewed by Jeffrey B. Remz
Watson, who has an imposing vocal presence that belies the simplicity of the delivery - it's almost always him accompanied by whatever instrument he is playing - starts off with probably the best known song on the disc. Watson turns in a soulful reading of the traditional "Midnight Special" with a solo acoustic delivery. He picks it up more than a few notches as the song reaches its conclusion.
Watson goes back to his youthful days with the bluegrassy "John Brown's Dream," which he learned from Bascom Lamar Lunsford, a western North Carolina performer who died more than 30 years ago. Watson turns to the blues on "Mother Earth," a 12-bar blues tune recorded by Memphis Slim in 1951. While the originals to these various songs may have provided Watson with a deeper understanding and appreciation of folk, he also wasn't anchored by the versions.
The recording style - David Rawlings produced and kept it ultra spare and simple musically throughout - put the focus squarely on Watson's vocal delivery. He has a bit of a quiver in his voice ("Midnight Special"), a sense of tension ("Stewball") and high lonesome ("Mexican Cowboy") with his banjo driving the song.
Watson has learned his folk - and that's an expansive term these days - music lessons well. And since this is called "Vol. 1," that can only mean one thing. Bring it on.
CDs by Willie Watson
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