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Young plans Town Ain't Big Enough tour

Tuesday, January 14, 2020 – Chris Young will take his arena/amphitheater "Town Ain't Big Enough World Tour 2020" out on May 28 in Detroit.

Joined by Scotty McCreery and Payton Smith, the first leg of the tour will travel to Atlanta, Charlotte, Chicago, Cleveland, Dallas, Detroit, Indianapolis, Phoenix, Salt Lake City, Seattle and St. Louis with additional dates announcing in the coming weeks.

Young will highlight various Next From Nashville artists at his shows, offering the opportunity for up-and-coming acts to showcase their talents in front of a massive audience. Young and The AMG Management will personally pick opening acts to play each week of the tour.

"Everyone has been asking about this year since the last tour ended, so I'm happy I finally get to tell everybody about these shows," Young said. "The 'Town Ain't Big Enough' tour is gonna be the biggest one yet."

Young kicked off 2020 with the launch of his weekly podcast, "The Quad with Chris Young." The new year will also bring a new album, including current single "Drowning," "Raised On Country" and "Town Ain't Big Enough," featuring Lauren Alaina.

Tour dates are
May 28 Detroit, MI DTE Energy Music Theatre
May 29 Indianapolis, IN Ruoff Music Center
May 30 Chicago, IL Hollywood Casino Amphitheatre
June 10 Salt Lake City, UT USANA Amphitheatre
June 12 Portland, OR Sunlight Supply Amphitheater
June 13 Seattle, WA White River Amphitheater
June 20 Irvine, CA FivePoint Amphitheatre
June 27 Albuquerque, NM Isleta Amphitheater
June 28 Phoenix, AZ Ak-Chin Pavilion
July 9 Cleveland, OH Blossom Music Center
July 10 Bristow, VA Jiffy Lube Live
July 11 Darien Center, NY Darien Lake Amphitheater
July 24 Mansfield, MA Xfinity Center
July 25 Gilford, NH Bank of NH Pavilion
July 30 Brandon, MS Brandon Amphitheater
July 31 Tuscaloosa, AL The Tuscaloosa Amphitheater
Aug. 1 Orange Beach, AL The Wharf Amptheater
Aug. 13 Virginia Beach, VA Veterans United Home Loans Amphitheater at Virginia Beach
Aug. 14 Raleigh, NC Coastal Credit Union Music Park at Walnut Creek
Aug. 15 Charlotte, NC PNC Music Pavilion
Aug. 20 St. Louis, MO Hollywood Casino Amphitheatre
Aug. 21 Rogers, AR Walmart AMP
Aug. 22 Dallas, TX Dos Equis Pavilion
Aug. 28 Saratoga Springs, NY Saratoga Springs Performing Arts Center
Aug. 29 Holmdel, NJ PNC Bank Arts Center
Sept. 11 Wantagh, NY Northwell Health at Jones Beach Theater
Sept. 12 Pittsburgh, PA S&T Bank Music Park
Sept. 25 Atlanta, GA Ameris Bank Amphitheatre
Sept. 26 Cincinnati, OH Riverbend Music Center

Smith is a Houma, La. native, who landed a slot on one of the smaller stages at CMA Fest in 2018. Big Machine Label Group President/CEO Scott Borchetta happened to be walking by that afternoon and shortly thereafter offered him a record deal on the Big Machine Records imprint.

Since Smith first saw Keith Urban perform on the CMA Awards 14 years ago, he has dreamed of playing his own brand of country, one influenced by 90's country and guitar rock. Smith co-wrote a new collection of songs now available via his debut self-titled EP where the self-taught guitarist played every guitar part on each track. He worked with producer James Stroud

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CD reviews for Chris Young

Losing Sleep CD review - Losing Sleep
Chris Young has one of the best country voices, and it's always a pleasure to hear him sing. But it's disappointing when the title cut sounds more like the groove to a Justin Bieber song than anything truly country. When, say, someone like Jason Aldean performs music with barely any resemblance to real country music, it's not that big a deal; he's not a great natural singer to begin with. However, Young's voice is just too good to waste on mere pop. »»»
It Must Be Christmas CD review - It Must Be Christmas
Song selection can sometimes seem fairly inessential whenever chosen by a master singer. Such is the case with "It Must Be Christmas," Chris Young's new holiday collection. He sounds as perfectly comfortable with the jazzy "I'll Be Home for Christmas," where its supper club vibe takes a little of the edge off one seriously sad song, as he does with the Phil Spector rock nugget "Christmas (Baby Please Come Home)." Young is also helped out by a few special guests. »»»
I'm Comin' Over CD review - I'm Comin' Over
Chris Young has enjoyed steady success from his previous four releases, and there's no reason to suggest that "I'm Comin' Over" won't do the same. But that doesn't mean that Young is doing anything all that different from what's au courant. Young's go to has always been his full-sounding, big-bodied voice, and that remains intact here throughout these 11 songs, 9 of which he had a hand in writing. His voice is front and center (that's apparent »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: With or without band, Isbell satisfies – Usually, when an artist performs without his regular backing band, it becomes about mathematics of subtraction. That artist is armed with far fewer artistic weapons at his/her disposal, after all. In Jason Isbell's case, though, when he performed with just his wife and fiddler Amanda Shires, it was more about substitution than subtraction.... »»»
Concert Review: Grammy nominations aside, Yola, Kiah are the real deal – Grammy nominations do not make the artist, but Yola and opener Amythyst Kiah underscored time and again on this night that the honors were well deserved. In fact, Yola and Kiah's other group, Our Native Daughters, are nominated in the same category - Best American Roots. Yola has three other nominations as well. The clear winners... »»»
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