Rose follows a new "Route"
Monday, August 7, 2017
– Traditional country singer Whitney Rose returns in October with a new disc, "Rule 62."
And what is Rule 62? "Don't Take Yourself Too Damn Seriously," which is based on Alcoholics Anonymous view.
The album is due out on Oct. 6 on Six Shooter Records through Thirty Tigers.
This will be Rose's second release this year as she released the "South Texas Suite EP in January, an ode to Texas country music. Days before the EP hit the streets and Rose kicked off a four-month worldwide tour, Rose hit Nashville, where she entered BlackBird Studio A to reconvene with The Mavericks' Raul Malo to produce the new release In one week, Rose, Malo and co-producer Niko Bolas readied the 11-song disc, including 9 self-penned.
"Can't Stop Shakin'" was recorded on Jan. 20. With Malo on harmonies and rhythm guitars, Kenny Vaughn on lead guitar, and saxophones and organ in the mix, "Can't Stop Shakin'" was originally written as an anti-anxiety treatment in Memphis soul dance party form. The meaning has changed.
"'Can't Stop Shakin' started out as something I would sing to calm myself down." Rose said. "We recorded that song on Inauguration day and you could physically feel the divide between the public and the unrest in the air. I was in the studio that week every day for 12 hours on average, so realized my contribution was going to have to take place within the walls of Blackbird. So the song that started as a personal anthem got a rewrite that day."
As for including Bolas on production, "Niko brought a lot to the table in the studio (when he wasn't sitting at his table at Waffle House). It allowed Raul to step down from the producer role from time to time and be a part of the band. That man can play and sing. One of my favorite parts of the album is the guitar solo on 'You Never Cross My Mind' - that's all Raul," Rose said.
Other musicians in the studio included Paul Deakin (The Mavericks) on drums, Jay Weaver (Dolly Parton, Tanya Tucker, The Mavericks) on bass; Jen Gunderman (Sheryl Crow) on piano; Chris Scruggs (Marty Stuart) on steel; Aaron Till (Asleep at the Wheel) on the fiddle; and Vaughn (Marty Stuart, Lucinda Williams) on lead guitar.
The track listing is:
1. I Don't Want Half (I Just Want Out) (3:06)
2. Arizona (3:58)
3. Better to My Baby (3:13)
4. You Never Cross My Mind (4:02)
5. You Don't Scare Me (4:14)
6. Can't Stop Shakin' (4:22)
7. Tied to the Wheel (4:41)
8. Trucker's Funeral (5:04)
9. Wake Me in Wyoming (3:29)
10. You're a Mess (3:48)
11. Time to Cry (3:56)
More news for Whitney Rose
CD reviews for Whitney Rose
South Texas Suite
Whitney Rose firmly establishes herself as a worthy member of the Margo Price and Kacey Musgraves School of Country. There is far more to the connection than Rose sporting a bouffant on the cover. What you're going to hear is what some folks refer to as "real country," aka traditional country. If looking for blaring guitars, drums pounding and singalong anthems, Rose is not going to cut it for you. That's certainly not what this Canadian-born , Austin-based singer is about. »»»
Heartbreaker of the Y ear
On her second album, crooner Whitney Rose, who grew up learning to love classic country like Hank Williams in her grandparents' bar on Prince Edward Island, Canada, where she also got her first listen to The Mavericks and other rock and pop-inflected country. On "Heartbreaker of the Year," she calls on the talents of The Mavs' lead singer Raul Malo to produce as well as backing her on guitar, percussion and vocals. She assembled a group of stellar musicians to back her on this »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: For Brooks and fans, a most unusual change of pace
To say that this was a change of pace for Garth Brooks - not to mention his fans - would be an understatement of the highest degree. Brooks all but begged during the show to be playing next door at Gillette Stadium where the New England Patriots play.
But, alas, Brooks exuded joy and excitement at the chance to play before about 500 people at a club,... »»»
Concert Review: LBT proves more than capable
If you have seen Little Big Town in the last decade, it could have been anywhere from a B stage at a Rib Fest to a 20,000-seat amphitheater as the opener for some of country's top acts. Their current "Nightfall" tour rightfully proves they are more than capable and well deserved being billed as a top headlining act.... »»»
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
When recording its album "Play the Hits," The Mavericks approached this covers album in much the same way the band creates any of its other studio albums. "Above all, we're always trying to reach a certain musical bar that we... »»»
The release of "Onward," his eighth studio album, finds veteran Texas Music/Red Dirt artist Stoney Larue at a crossroads. After almost two decades on the road, playing 200 shows a year across America and abroad, he has had success... »»»
Eleven years ago, Kelly stepped away from music. She had just finished touring on 2007's exquisite "Translated From Love" and felt the angst of being a travelling musician with family at home. At that point, Willis and her husband, musician/producer Bruce Robison,... »»»
It's not unusual for country artists to include a few party anthems on their albums. These tracks help lighten the mood among a record's heavier moments and make for fun concert numbers. The Cadillac Three »»»
John Moreland's plain, unpretentious title indicates more of the same, but those of you (most of you most likely) expecting another batch of great, but deeply sad songs may find a few surprises on "LP 5." »»»
What I Came Here For
James Steinle is an emerging Texas singer-songwriter, who is already being hailed by Ray Wylie Hubbard and compared to story telling greats like Robert Earl Keen. Given that Bruce Robison produced "What I Came Here For" speaks volumes »»»
The band name may suggest Appalachia and in some respects their sound does, but Lil Smokies hail from Montana, and deliver "Tornillo," their third release, which is named for the town where the studio for this release, Sonic Ranch, is located. »»»
Little Big Town gets billed as a country music vocal group, but "Nightfall" plays out more like a four-headed singer-songwriter effort. Many of these songs hearken back to some of the best '70s introspective songwriter efforts. »»»
Hawktail features some of the finest players of a generation in traditional American acoustic music. The product of their collaboration, "Formations," is a testament to the musical milieu in which they create. »»»