Nelson/Hag, Currington release new sounds
Tuesday, June 2, 2015
– Willie Nelson and Merle Haggard team up for their first album in decades, "Django & Jimmie." The first single from the veterans is "It's All Going to Pot." Buddy Cannon produced the 14-song set, which is their sixth collaboration. They recorded the album in three days.
Billy Currington is out with "Summer Forever," his sixth release. Dann Huff produced the dozen songs along with help from Jesse Frasure on the title track, penned by Cole Swindell, Jaren Johnston of The Cadillac Three, Brian Kelley and Tyler Hubbard of Florida Georgia Line and Frasure. Jessie James Decker helps out on "Good Night." The first single was "Don't It."
Bluegrass band The Hillbenders, who are based in Missouri, give an ode to one of the most important albums in rock history, "Tommy" with "Tommy A Bluegrass Opry."
Fellow bluegrassers, Sideline, are out with "Session II" (Mountain Fever). The band features Steve Dilling on banjo, Jason Moore on bass, Skip Cherryholmes on guitar, Brian Aldridge on mandolin and Daniel Aldridge on fiddle.
Roots rock vet Greg Trooper releases "Live at the Rock Room," recorded at an Austin club.
More news for Willie Nelson and Merle Haggard
CD reviews for Willie Nelson and Merle Haggard
There's nothing quite so affecting as witnessing the reunion of two old friends. It's been over 20 years since road warriors Willie Nelson and Merle Haggard joined forces for their epic collaboration "Pancho & Lefty" and set the standard for several all-star pairings to come. This time around, the two pay homage to some of the musicians that preceded them - jazz guitarist Django Reinhardt and the whistling railway man, country musician Jimmie Rogers - as well as old pal, ...
After "Always on My Mind," surprisingly, Chip Moman's production isn't nearly as trite on Willie Nelson and Merle Haggard's 1983 "Pancho & Lefty." The Townes Van Zandt title hit seems to have been purpose-built for Nelson and Haggard, and though Moman slips in strings, synths and stage cymbals, the earthiness of the vocals and Nelson's gut-string picking carry the day. The bulk of the album contrasts Nelson's unusual meters and Sinatra-like phrasings to Haggard's straight-ahead crooning with ...