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Jones Museum opens

Friday, April 24, 2015 – The George Jones Museum, celebrating the life and work of one of the singer, opened with a gala event Thursday with more than 800 people attending.

aomi Judd, Ricky Skaggs, Lee Greenwood, Moe Bandy, Joe Stampley, T. Graham Brown, John Rich, T.G. Sheppard, Dierks Bentley and Lorrie Morgan were among those showing up. Jan Howard shared first-hand stories of the years she knew Jones.

The museum is the result of years' worth of effort by Jones's wife, Nancy, who announced the museum's creation last fall. The grand opening corresponds to the second anniversary of Jones's passing, April 26. The museum documents Jones's life and his position in country music.

"I was so touched to see how all of George's friends came out tonight," said Nancy Jones. "George always thought he didn't have any friends and he'd tell me to build a museum but no one would come. Well, here we are, and everybody came."

Spanning more than 44,000 square feet, the museum features displays of memorabilia and photos, video displays and interactive experiences. The museum also includes a 40-seat, rocking chair theatre that shows clips from Jones's television broadcasts, concert appearances and interviews

The museum opened to the public today. Tickets are $20 for adults and $15 for children ages 6-15. The George Jones Museum is located at 128 Second Ave. North, just one block off of Broadway.

More news for George Jones

CD reviews for George Jones

The Hits CD review - The Hits
George Jones tends to rely on his past these days, so it's not surprising that "The Hits" is his new CD. The 24-song set does include a few previously unreleased songs, but that may not be enough to persuade all but the diehards to buy this. Jones recorded Eddy Raven's I Should Have Called and Al Anderson-Steven Bruton's I Ain't Ever Slowing Down about five years ago with Keith Stegall producing, and both appear here for the first time. The former is a bit poppy, »»»
Step Right Up 1970-1979: A Critical Anthology CD review - Step Right Up 1970-1979: A Critical Anthology
As retrospectives go, this new 28-track collection of George Jones' work from the 1970s is a bit of an anomaly. While most other compilations present chart-topping singles in chronological order, this single-disc set from the Australian reissue specialists at Raven Records provides an overview of Jones' total artistic output for the entire decade, regardless of chart position. This approach works well in this case because it covers songs not usually included on George Jones compilations. »»»
George Jones: Burn Your Playhouse Down, the unreleased duets CD review - George Jones: Burn Your Playhouse Down, the unreleased duets
There are few revelations in this George Jones duets collection culled primarily from "The Bradley Barn Sessions" (1993 recordings). Producers have their reasons. Perhaps the biggest surprise is when Jones is outsung by one of his duet partners, Georgette Jones, the only child of his marriage to Tammy Wynette. Georgette may have the best singing genes in history, but it is time as much as anything that pushes Dad into a subordinate role on You and Me and Time. The revelation, then, is a »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote – On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day. The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music – John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia. But lest you think that the Alabama... »»»
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