Nelson, Hag go up in smoke on 420
Monday, April 20, 2015
– Merle Haggard and Willie Nelson appear to be acknowledging the April 20, aka 420, the day promoting marijuana usage, with the release of their single and video "It's All Going to Pot," by Legacy Recordings.
Based in Texas swing, hooks and sing-a-long lyrics about an emerging 21st century cannabis culture, "It's All Going to Pot" offers a first taste of "Django and Jimmie," due later this spring.
"It's All Going to Pot" was co-written by Buddy Cannon, producer of the album.
The music video for "It's All Going to Pot" captures the free-spirited in-the-studio atmosphere of the three and band laying down the song. "Willie sang like he was a teenager," said Haggard after the "Django and Jimmie" sessions.
The disc is Nelson's sixth for Legacy since inking a 2012 deal.
Nelson and Haggard previously released "Pancho & Lefty," a honky-tonk hit in January 1983.
They also recorded 1987's "Seashores Of Old Mexico" album, 2007's double album "Last Of The Breed" with Ray Price, the Merle Haggard-penned "A Horse Called Music" (the lead track on 2012's "Heroes," Nelson's first album for Legacy.
Songs on the CD are:
1. Django and Jimmie - written by Jimmy Melton and Jeff Prince
2. It's All Going To Pot - written by Buddy Cannon, Jamey Johnson and Larry Shell
3. Unfair Weather Friend - written by Marla Cannon-Goodman and Ward Davis
4. Missing Ol' Johnny Cash - written by Merle Haggard
5. Live This Long - written by Shawn Camp and Marv Green
6. Alice In Hulaland - written by Willie Nelson and Buddy Cannon
7. Don't Think Twice, It's Alright - written by Bob Dylan
8. Family Bible - written by Walter M. Breeland, Paul F. Buskirk, and Claude Gray
9. It's Only Money - written by Willie Nelson and Buddy Cannon
10. Swinging Doors - written by Merle Haggard
11. Where Dreams Come To Die - written by Willie Nelson and Buddy Cannon
12. Somewhere Between - written by Merle Haggard
13. Driving The Herd - written by Willie Nelson and Buddy Cannon
14. The Only Man Wilder Than Me - written by Merle Haggard
Ride Me Back Home
Time may be an enemy to most, but Willie Nelson seems a bit impervious to its ravages - a fact made evident on "Ride Me Back Home," a relaxed affair that showcases Nelson's still-strong voice and his sharp-as-ever songwriting and interpreting abilities.
"Ride Me Back Home" is his 13th album for Legacy Recordings since joining the label in 2012 and coincidentally, it is also the 13th collaboration between Nelson and noted producer Buddy Cannon. This partnership, which »»»
Not one to rest on his laurels, Willie Nelson's second studio release of the calendar year finds the artist dipping back into the Great American Songbook. Previous collections, including 1978's stellar Stardust, 2009's "American Classic" and 2016's "Summertime: Willie Nelson Sings Gershwin," established Nelson as one of the finest modern interpreters of American standards. So, it is only fitting that he now pays tribute to the man widely recognized as the »»»
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Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Rising Appalachia buck the mainsteam, and that's fine with them
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Concert Review: Bingham plays with something to prove
Ryan Bingham mainly focused on songs from his sixth album "American Love Song," for this lively show. Backed by a supportive band that also included two female backup singers and a fiddler, Bingham's eclectic setlist touched upon country, singer/songwriter folk, rock and blues.
Bingham reached for lively country sounds early on, with... »»»
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