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Campbell signs with Red Bow

Monday, December 1, 2014 – Craig Campbell announced on Monday that he signed with Red Bow Records, part of the Broken Bow label group.

Campbell, who had a hit with "Keep Them Kisses Comin'" and "Family Man," had been on the Bigger Picture label, but that shut down in May. The Georgia native is on the more traditional side of country.

In an interview with Billboard, Campbell said, "It's an amazing feeling. I've had my eyes on them, and am just in awe of how they have been breaking artists and are having so much success in being a powerhouse record label. Some people would call them an independent, but they have been kicking everybody's butt. I wanted what they have, and after Bigger Picture closed, I made a call and the Good Lord shined love down on me, and got me a meeting with them, and the rest is history. I'm so excited."

Campbell worked "Keep Them Kisses Comin'" himself on country radio after Bigger Picture folded.

Campbell said that Thompson Square led the way to his signing with Red Bow. "I've been buddies with Thompson Square for a long time, and when the label closed, I got a call from Kiefer [Thompson] who asked me what was going on. I told him, and he said, '[Label owner] Benny Brown is all about good music, and he would be lucky to have you. Do you want me to make a call?' I told him that if he felt comfortable, that would be awesome. For another artist to come to me and tell me that they wanted me to be a part of their label, that was pretty cool."

"Benny is a music man, and he's got a great track record of picking great songs. He loves country music, and that's what I am. I don't want to pigeonhole myself into being a more traditional sound, but I do feel that is where I fit. He gets it. He understands me and my music, and that's another reason I wanted to be over there."

No date was set for releasing new music.

Campbell co-wrote "All American Kid" on Garth Brooks' new disc, "Man Against Machine." This was the first time another artist recorded one of Campbell's songs.

More news for Craig Campbell

CD reviews for Craig Campbell

Never Regret CD review - Never Regret
Chances are good people will think they've heard an unknown Dierks Bentley song on the radio, when in fact it was actually a Craig Campbell tune. That's because Campbell sounds a whole lot like Bentley during "Never Regret." About the only chief difference between Campbell and Bentley songs, however, is how Bentley adds so much humor to his tunes. He also has a far more expressive singing voice. One of the few places Campbell adds in some humor is during My Baby's »»»
Outta My Head CD review - Outta My Head
Think of Craig Campbell's "Outta My Head" EP as a batter in the on deck circle. The title track will be the lead single on his upcoming sophomore album with Bigger Picture. Coming in at just over 16 minutes, its brevity is matched only by its catchiness. Each of the five tracks has lead single potential. Styles range from the reggae tinged My Baby's Daddy to the rocking Keep Them Kisses Comin.' Having spent time playing with Tracy Byrd, Campbell is cut from the traditionalist cloth. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote – On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day. The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music – John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia. But lest you think that the Alabama... »»»
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