Paisley, Aldean burn up the charts
Thursday, September 4, 2014 – Brad Paisley debuted atop the Billboard Top Country Albums chart for the week ending Sept. 13 with "Moonshine in the Trunk." Jason Aldean's "Burnin' It Down" again led the Hot Country Songs chart.
The albums chart found Luke Bryan in second with "Crash My Party," Chase Rice, last week's number one artist, third with "Ignite the Night," the "Nashville Outlaws: A Tribute to Motley Crue" fourth and Brantley Gilbert's "Just As I Am" fifth.
Cole Swindell's self-titled debut jumped from 13 to 8. Lenny Cooper debuted at 17 with "The Grind." George Strait jumped from 36 to 23 with "Love Is Everything." Duo Dan + Shay were up 3 to 24 with "Where It All Began."
On the songs chart, Florida Georgia Line was second with "Dirt," Kenny Chesney third with "American Kids," Lady Antebellum fifth with "Bartender" and Dierks Bentley fifth with "Drunk on a Plane."
Swindell climbed three to ninth with "Hope You Get Lonely Tonight." Darius Rucker debuted at 25 with "Homegrown Honey," the first single from his next disc.
Nickel Creek and Alan Jackson continued their one-two domination of the Bluegrass Albums chart with "A Dotted Line" and "The Bluegrass Album" respectively. Della Mae was third with "This World Oft Can Be." Steep Canyon Rangers held fourth with "Tell the Ones I Love." Jonathan Widger, Sarah Moore and Randy Nichols rounded out the top five with "Timeless Treasures: Bluegrass Gospel."
The Billboard Top 200 saw Paisley in 2nd, Bryan 15th, Rice 18th, the Motley Crue tribute 22nd and Gilbert 25th. Americana duo Shovels & Rope debuted at 21 with "Swimmin' Time."
More news for Brad Paisley
CD reviews for Brad Paisley
Wheelhouse
Brad Paisley isn't content to keep doing the same old. In fact, this is probably the least traditional country outing in his career. Yet, a few things remain intact - great guitar playing and singing and a sense of humor without being too kitschy.
In fact, Paisley manages to combine the ultra serious with his typical sense of humor. The seriousness is never more apparent from Paisley than on the controversial Accidental Racist with LL Cool J, who helped write and perform it. »»» |
Hits Alive
Brad Paisley's new live hits CD is a bit of a tease. That's because it only goes half way in replicating the true live Paisley experience. Watching the accompanying concert videos at a Paisley show, whether the venue screen is showing Andy Griffith during Waitin' on a Woman or the montage of recently-deceased celebrities that accompanies When I Get Where I'm Going, reveal how Paisley simply must be seen to be fully enjoyed.
Nevertheless, Paisley in concert and captured on »»» |
American Saturday Night
Brad Paisley has grown up on his eighth album. Yes, the West Virginian maintains a sense of humor, but apparently aging has left its mark on a maturing singer who has never forsaken his country roots. That is ever so apparent in songs like Anything Like Me and Oh Yeah, You're Gone. The former finds Paisley looking at the passage of time through his son's life in a tender, but not sappy look. On the latter, he's a five-year-old boy who doesn't get what he wants, which his grandfather notices. »»» |
Editorial: Walking the talk –
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote –
On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day.
The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music –
John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia.
But lest you think that the Alabama... »»»
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