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Aldean plays to fight breast cancer

Friday, October 4, 2013 – Jason Aldean kicks off National Breast Cancer Awareness Month with the announcement that his eighth annual "Concert for the Cure" will be Oct. 25 in New Orleans at his 2013 Night Train Tour stops at the New Orleans Arena.

Throughout the year, Aldean sets aside 50 cents of each concert ticket sold, then selects one show market in October and donates all proceeds to their local Susan G. Komen Affiliate.

"Last year, the Komen New Orleans team needed a little over $1 million to meet all their needs, but they were only able to fund about half of that," said Aldean. "If we raise the half a million that we did last year in Dallas, we'll be able to help these women meet their goal and provide the services the town needs. I can't wait to see an arena full of pink in support of such a great cause."

More news for Jason Aldean

CD reviews for Jason Aldean

9 CD review - 9
Hollywood may be pushing a broadminded agenda where there are more genders than one can even count, but in Jason Aldean's world, there are only two: tough guys, and the women that love them. There's no confusion it's a guy in the "Camouflage Hat," for example. Also, nothing is said or done without also washing it down with alcohol. The opener,"Tattoos and Tequila," breaks it down into tattoos to remember, and tequila to forget. Within its booze for every »»»
Rearview Town CD review - Rearview Town
If you liked Jason Aldean's three previous number one albums, you'll like "Rearview Town." He sticks to the winning formula that has brought him past success. The 15 tracks are mainly juiced up, muscular numbers with scorching guitar. Ironically, amid the torrid tempos and high volume that dominate the collection, the ballads are the standouts, especially with the duet with the Miranda Lambert on "Drowns The Whiskey." Instead of whiskey drowning a memory, the inverse »»»
Old Boots, New Dirt CD review - Old Boots, New Dirt
Arguing whether or not Jason Aldean's kinda (country) party is, in fact, anything remotely related to true country music is pointless. Aldean is so entrenched in the mainstream country marketplace now, we just need to accept him as he is, the same way we reluctantly accept Taylor Swift as "country." It's mighty tempting to subtitle a review of Aldean's new "Old Boots, New Dirt" release as 'Pickup Trucks & Pickup Lines,' as Aldean spends a little time »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: With or without band, Isbell satisfies – Usually, when an artist performs without his regular backing band, it becomes about mathematics of subtraction. That artist is armed with far fewer artistic weapons at his/her disposal, after all. In Jason Isbell's case, though, when he performed with just his wife and fiddler Amanda Shires, it was more about substitution than subtraction.... »»»
Concert Review: Grammy nominations aside, Yola, Kiah are the real deal – Grammy nominations do not make the artist, but Yola and opener Amythyst Kiah underscored time and again on this night that the honors were well deserved. In fact, Yola and Kiah's other group, Our Native Daughters, are nominated in the same category - Best American Roots. Yola has three other nominations as well. The clear winners... »»»
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9 CD review - 9
Hollywood may be pushing a broadminded agenda where there are more genders than one can even count, but in Jason Aldean's world, there are only two: tough guys, and the women that love them. There's no confusion  »»»
Ocean CD review - Ocean
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