Old Crow, The Farm, Shaver drop today
Tuesday, July 17, 2012
– A new country trio and a veteran string band merging country and bluegrass are out with new discs today.
Old Crow Medicine Show is out with "Carry Me Back." The disc, the band's first since 2008's "Tennessee Pusher," was recorded at Sound Emporium in Nashville with Ted Hutt producing.
The Farm is comprised of Nick Hoffman, who played fiddle for Kenny Chesney for about a decade, Krista Marie, a one-time Broken Bow artist, and Damien Horne. The band has a hit on its hands with Home Sweet Home. Danny Myrick, a songwriter, produced the 11-song debut with Hoffman.
Billy Joe Shaver has a "Live at Billy Bob's Texas" set out today with 20 live songs on CD and DVD plus two bonus tracks.
More news for Old Crow Medicine Show
CD reviews for Old Crow Medicine Show
Live From the Ryman
The very best way - the only way, really - to see Old Crow Medicine Show is live. Like its namesake, the medicine shows of old that were part preaching, part snake oil sales pitches, part old time music and pure entertainment, the band delivers a high-energy performance that keeps the crowd on its feet the entire show.
This album includes the band's performances recorded between 2013 and 2019 at the Ryman Auditorium in Nashville, and what better place than the Mother Church of country music »»»
Dave Cobb produced "Volunteer" for Old Crow Medicine Show, and while word on the street was that this promised to be a more rocking, less roots music effort, such talk shouldn't dissuade fans of the group's established sound from checking it out. Sure, there may be a little more electric guitar than on past efforts, but this is still very much OCMS music.
While rock and roll is not the best term for these songs, perhaps rambunctious best describes some of them. »»»
50 Years of Blonde on Blonde
Whenever an artist attempts to cover a classic work in whole, it can't help but seem like a somewhat audacious effort from the outset. After all, tackling an album that's stood the test of time, one that's already an integral part of the musical lexicon in its original form, is a formidable task. At best, the original artist's imprint is difficult to supersede, but at worst it can become a regrettable error that yields disastrous results.
Consequently, credit Old Crow »»»