Bjorklund backs White
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Bjorklund backs White

Monday, March 12, 2012 – Maggie Bjorklund, the Danish pedal steel player, will tour with Jack White on his first-ever solo headlining tour.

The backing spot has thus far brought her in front of sold-out audiences in Nashville and Chattanooga, and onto the stage of Saturday Night Live, performing Interruption.

Bjorklund will join White on the road on selected dates throughout the spring and summer promoting his new record "Blunderbluss," out in April via Third Man Records. In between she will also be headlining two shows in the Netherlands, supporting Laura Gibson in Belgium and performing at Bloodshot's official showcase at Red Eyed Fly on Saturday, March 17 during Austin's SXSW festival.

After the tour, Bjorklund will return to the studio in the U.S. to record the follow-up album to "Coming Home."

Bjorklund's label, Bloodshot, is giving a second free MP3 from her "Coming Home" CD." The Anchor Song features vocalist Rachel Flotard, Joey Burns and John Convertino of Calexico, Barrett Martin of Screaming Trees and others.

More news for Maggie Bjorklund

CD reviews for Maggie Bjorklund

CD review - Shaken As soon as the first track of pedal steel guitarist Maggie Bjorkland's "Shaken" begins, listeners are invited to a spectral ballet that does little to prepare them for the eclectic and emotional sounds ahead. Alternating between instrumentals and lyrical songs, Bjorkland's album plays like the eerie soundtrack to an indie film - plot-driven, but with a keen investment in the humanity behind it. Elements of horror, redemption and sadness carry through the melodies and poetry of the album. ...
CD review - Coming Home When a session player steps out front for their solo debut, you expect to discover who they really are as an artist. With steel guitarist Maggie Bjorklund, that sense of "this is who I am, and here's how I write, play and sing" never quite comes through. As a collection, the album is fine, but no song among the 11 quite defines her artistic individuality. Perhaps it's the dreamy, ethereal nature of the songs. Since the album never really kicks into a higher gear, one song blends into the next. ...

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