Tomorrow burns bright for Chris Young
Monday, July 25, 2011
– Chris Young is on a roll. Tomorrow
will hit number on the Billboard Country Songs chart when it is released later this week, the singer's fourth straight chart topper.
The latest number one occurs less than two weeks following the release of his third album "Neon," which opened at number 4 on the Billboard Top 200 chart to sales of more than 72,000 copies.
"I am completely blown away," said Young. "For 'Neon' to get such an amazing response from the fans and then for Tomorrow to go to number one right after, it feels like I'm living a dream."
Written by Young with Frank Myers and Anthony Smith, Tomorrow is first on the Billboard and Mediabase country airplay charts. The song is certified Gold by the RIAA with more than 615,000 downloads, making it his best-selling digital track to date.
The singer/songwriter's three previous chart toppers include Gettin' You Home, Voices and the title track to his 2009 sophomore album, "The Man I Want To Be."
Young will appear on ABC-TV's Jimmy Kimmel Live! on July 27.
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CD reviews for Chris Young
Chris Young has one of the best country voices, and it's always a pleasure to hear him sing. But it's disappointing when the title cut sounds more like the groove to a Justin Bieber song than anything truly country. When, say, someone like Jason Aldean performs music with barely any resemblance to real country music, it's not that big a deal; he's not a great natural singer to begin with. However, Young's voice is just too good to waste on mere pop. ...
Song selection can sometimes seem fairly inessential whenever chosen by a master singer. Such is the case with "It Must Be Christmas," Chris Young's new holiday collection. He sounds as perfectly comfortable with the jazzy "I'll Be Home for Christmas," where its supper club vibe takes a little of the edge off one seriously sad song, as he does with the Phil Spector rock nugget "Christmas (Baby Please Come Home)."
Young is also helped out by a few special guests. ...
Chris Young has enjoyed steady success from his previous four releases, and there's no reason to suggest that "I'm Comin' Over" won't do the same. But that doesn't mean that Young is doing anything all that different from what's au courant.
Young's go to has always been his full-sounding, big-bodied voice, and that remains intact here throughout these 11 songs, 9 of which he had a hand in writing. His voice is front and center (that's apparent ...