Jason Aldean goes for <I>The Truth</I>
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Jason Aldean goes for The Truth

Wednesday, September 23, 2009 – Jason Aldean is releasing The Truth as the third single from his third album "Wide Open" this week with an official add date of Monday, Sept. 28.

"This is one of those songs that I heard the first time and knew I wanted to cut," said Aldean. "It's about a relationship going bad and the guy just losing it over this girl. He's basically begging...saying 'make up whatever story you want, tell 'em I left town or whatever you need to say...just don't tell 'em the truth.' I don't know a guy who hasn't been through that before."

Ashley Monroe and Brett James penned the mid-tempo song. The Truth is the follow-up to Aldean's first two gold certified and multi-week number one hits She's Country and Big Green Tractor. Aldean is currently headlining his Wide Open arena tour.


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CD review - 9 Hollywood may be pushing a broadminded agenda where there are more genders than one can even count, but in Jason Aldean's world, there are only two: tough guys, and the women that love them. There's no confusion it's a guy in the "Camouflage Hat," for example. Also, nothing is said or done without also washing it down with alcohol. The opener,"Tattoos and Tequila," breaks it down into tattoos to remember, and tequila to forget. Within its booze for every ...
CD review - Rearview Town If you liked Jason Aldean's three previous number one albums, you'll like "Rearview Town." He sticks to the winning formula that has brought him past success. The 15 tracks are mainly juiced up, muscular numbers with scorching guitar. Ironically, amid the torrid tempos and high volume that dominate the collection, the ballads are the standouts, especially with the duet with the Miranda Lambert on "Drowns The Whiskey." Instead of whiskey drowning a memory, the inverse ...
CD review - Old Boots, New Dirt Arguing whether or not Jason Aldean's kinda (country) party is, in fact, anything remotely related to true country music is pointless. Aldean is so entrenched in the mainstream country marketplace now, we just need to accept him as he is, the same way we reluctantly accept Taylor Swift as "country." It's mighty tempting to subtitle a review of Aldean's new "Old Boots, New Dirt" release as 'Pickup Trucks & Pickup Lines,' as Aldean spends a little ...


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