Lucinda Williams cuts her fans a break
Monday, March 30, 2009
– Lucinda Williams is cutting her fans a break due to the economy.
While unable to do anything about fees attached to her concert tickets, the singer will give fans a credit back at her merchandise table.
"I cannot, in good conscience, sit back and watch my fans get blatantly
gouged," said Williams. "As an attempt to offset these fees, we are
going to offer a standing credit at our merchandise table to everyone
attending our upcoming U.S. shows in 2009."
Each fan who attends a Williams show in 2009 will receive a
credit on merchandise sold at the concerts. The credit will be applied
at the merchandise table at each venue. The discount will be
approximately $7 on clothing and $5 on CDs. This credit will also be
extended to her online store at lucindawilliams.com from April 1 to July
31 to accommodate those who may have attended shows prior to this
"I understand that this may only be a small gesture and
in no way solves the problem long term, but I feel that it is important
to try and do something to make it a little easier during this time," she said.
More news for Lucinda Williams
CD reviews for Lucinda Williams
The Ghosts of Highway 20
As impressive as her last album "Down Where The Spirit Meets The Bone" was, this much is true about Lucinda Williams: the next album will be as stellar or even more. That's not to say any of her releases are subpar, but the quality (and now consistency) of her output makes her a precious gem. And this record, an album inspired and influenced by I-20, a winding piece of pavement that cuts throughout her home state of Louisiana, is the usual extraordinary affair you'd expect. »»»
Down Where The Spirit Meets The Bone
There's little left to be said when it comes the link between quality songs and Lucinda Williams. From her early days to her commercial breakthrough with 1998's "Car Wheels On A Gravel Road," Williams has always created her own heartfelt nuggets that can be equally haunting and rocking. And this newest release is perhaps her most ambitious effort to date, a 2-disc, 20-track album, starting with the barren "Compassion" that recalls some precious combination of Linda »»»
Lucinda Williams (25th Anniversary release)
Relistening to Lucinda Williams' 1988 self-titled release, it's initially startling to hear how pure her voice sounds. Williams' vocal cords have taken on so much character over the years, so it's a little like listening to Joni Mitchell then and now. This remastered reissue also includes a Netherlands concert, as well as some bonus cuts. It adds up to around two hours of Williams' music and is certainly worth the time spent listening to it.
Even though her voice was a »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Lambert smiles, dances the night away
Miranda Lambert didn't perform "Tin Man," one of her best, but also one of her saddest songs during this Wildcard tour stop. It's a song sung from the perspective of one who is sad that she has a heart that can be broken. That's not the current condition of Lambert's heart, though. She's apparently in a good... »»»
Concert Review: For Brooks and fans, a most unusual change of pace
To say that this was a change of pace for Garth Brooks - not to mention his fans - would be an understatement of the highest degree. Brooks all but begged during the show to be playing next door at Gillette Stadium where the New England Patriots play.
But, alas, Brooks exuded joy and excitement at the chance to play before about 500 people at a club,... »»»
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
Ten years on, Della Mae has covered a lot of ground in the world of bluegrass, and the band is meeting the challenges of building a sustaining, long-term career with its latest release "Headlights."... »»»
When recording its album "Play the Hits," The Mavericks approached this covers album in much the same way the band creates any of its other studio albums. "Above all, we're always trying to reach a certain musical... »»»
The release of "Onward," his eighth studio album, finds veteran Texas Music/Red Dirt artist Stoney Larue at a crossroads. After almost two decades on the road, playing 200 shows a year across America... »»»
It's not unusual for country artists to include a few party anthems on their albums. These tracks help lighten the mood among a record's heavier moments and make for fun concert numbers. The Cadillac Three »»»
John Moreland's plain, unpretentious title indicates more of the same, but those of you (most of you most likely) expecting another batch of great, but deeply sad songs may find a few surprises on "LP 5." »»»
What I Came Here For
James Steinle is an emerging Texas singer-songwriter, who is already being hailed by Ray Wylie Hubbard and compared to story telling greats like Robert Earl Keen. Given that Bruce Robison produced "What I Came Here For" speaks volumes »»»
The band name may suggest Appalachia and in some respects their sound does, but Lil Smokies hail from Montana, and deliver "Tornillo," their third release, which is named for the town where the studio for this release, Sonic Ranch, is located. »»»
Little Big Town gets billed as a country music vocal group, but "Nightfall" plays out more like a four-headed singer-songwriter effort. Many of these songs hearken back to some of the best '70s introspective songwriter efforts. »»»
Hawktail features some of the finest players of a generation in traditional American acoustic music. The product of their collaboration, "Formations," is a testament to the musical milieu in which they create. »»»