Paisley sell outs continue
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Paisley sell outs continue

Tuesday, January 27, 2009 – Brad Paisley continued his string of sell-outs for The Paisley Party Tour by playing to capacity crowds this past weekend in Austin, Bossier City, La., Tulsa, Okla. and Lubbock, Texas.

Asleep at the Wheel's Ray Benson joined Paisley on stage to sing Miles and Miles of Texas. Ace guitarist Redd Volkaert also jumped on stage to play.

The tour has sold-out seven of the first eight tour dates on the final leg and extends to this weekend dates in Dayton, Ohio, Moline, Ill. and Omaha, Neb.

The tour has sold more than 225,000 tickets in the first quarter of 2009 for 24 dates. Special guest on the tour is Dierks Bentley with Darius Rucker on the January dates and Crystal Shawanda in February.

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CD review - Wheelhouse Brad Paisley isn't content to keep doing the same old. In fact, this is probably the least traditional country outing in his career. Yet, a few things remain intact - great guitar playing and singing and a sense of humor without being too kitschy. In fact, Paisley manages to combine the ultra serious with his typical sense of humor. The seriousness is never more apparent from Paisley than on the controversial Accidental Racist with LL Cool J, who helped write and perform it. ...
CD review - Hits Alive Brad Paisley's new live hits CD is a bit of a tease. That's because it only goes half way in replicating the true live Paisley experience. Watching the accompanying concert videos at a Paisley show, whether the venue screen is showing Andy Griffith during Waitin' on a Woman or the montage of recently-deceased celebrities that accompanies When I Get Where I'm Going, reveal how Paisley simply must be seen to be fully enjoyed. Nevertheless, Paisley in concert and captured on ...
CD review - American Saturday Night Brad Paisley has grown up on his eighth album. Yes, the West Virginian maintains a sense of humor, but apparently aging has left its mark on a maturing singer who has never forsaken his country roots. That is ever so apparent in songs like Anything Like Me and Oh Yeah, You're Gone. The former finds Paisley looking at the passage of time through his son's life in a tender, but not sappy look. On the latter, he's a five-year-old boy who doesn't get what he wants, which his grandfather notices. ...

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