Porter Wagoner's funeral set for Thursday
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Porter Wagoner's funeral set for Thursday

Monday, October 29, 2007 – The funeral of Grand Ole Opry star Porter Wagoner will be held Thursday at the Grand Ole Opry House in Nashville.

Wagoner, 80, died of lung cancer Sunday night after being diagnosed only several weeks earlier.

Visitation will be held from 2-8 p.m. Wednesday, Oct. 31 at Woodlawn Funeral Home, 660 Thompson Lane, Nashville. The funeral will be at 11 a.m. Thursday. Internment will be at Woodlawn Cemetery following the funeral.

Contributions can be made to the Alive Hospice or the Opry Trust Fund.

The visitation and funeral are open to the public.


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CD reviews for Porter Wagoner

CD review - Wagonmaster Porter Wagoner's latest is a terrific album. It's a collection that fits seamlessly into Wagoner's long and impressive body of musical work, while at the same time representing an artistic stretch on behalf of the artist and his reverential producer, Marty Stuart. The album is bookended with "Wagonmaster 1 & 2," a quick fiddle ditty with producer Stuart introducing the artist, "Wagonmaster's comin..." and Wagonmaster's leavin'... ...
CD review - 18 Grand Old Gospel 2005 This is Porter Wagoner's second gospel collection in two years, perhaps a clear indication that he has found a comfortable home in the genre. Wagoner contributes four of his own compositions to this set, including two recitations, "I Found A Man" and "The Bird That Never Flew." The other 14 offerings are a mix of standards such as "Leaning On The Everlasting Arms" and "In The Sweet Bye and Bye" and newer material with an old time feel. His current singing partner, Pam Gold, joins him on "Ye Of Little Faith. ...
Porter Wagoner's second Shell Point album finds him in fine voice, with supple support from his regular band, The Wagonmasters, and a finely picked collection of tunes. The album title is one to take with a grain of salt, as Wagoner's never been hugely "plugged" in the first place. Still, the electric guitars give way to steel, dobro and acoustic picking, and the drums keep to a polite level. The result would sound as natural in 1962 as it does here in 2002. The near-acoustic backing provides ...


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