The Light (Boo Clap, 2015)
Uncle Lucius
Reviewed by Lee Zimmerman
In truth, Uncle Lucius cling tightly to the past, funneling several specific rural rock influences and generally echoing a ragged, Dixie-fried sound and a communal embrace. Attitude and aptitude are intertwined, with singer Kevin Galloway's gruff vocals setting the tone for their non-nonsense observations.
They mostly pocket their venom in favor of a less venomous approach that's rollicking but rarely rabid. Songs like "Age of Freedom," "Gulf Coast Gypsies" and "Find Then Fade Away" keep to a deliberate, somewhat pensive pace that maintains its determination without the need to goad its listeners into ascending a higher plateau. This is a decidedly down to earth bunch, clearly capable of stirring up a backwards ballad like the humble and homespun "Taking in the View" or a track flush with pensive reflection in the form of "Nothing to Save." It's a decidedly disciplined approach that tows the line between resilience and restraint.
That's not to say Uncle Lucius is lacking in either energy or enthusiasm. The rollicking rhythms that underscore such songs as "The End of 118" and "Someday Is a Far Cry" attest to their ability to pump up the proceedings and assert their populist leanings. If anything they take their cue from bands like the Allman Brothers, whose blend of funk and astute instrumentation is key to a savvy approach.
Indeed, Uncle Lucius has a sound with a distinctive rural rock feel, resulting from a road-tested ensemble possessing just the right amount of sway and swagger. There's clear confidence manifest in the way they move the music forward, but the lack of bravado and indulgence betrays better instincts that seem to serve them well. Call it southern rock with a knowing stance. By any description, their efforts are admirable.
CDs by Uncle Lucius
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