Sign up for newsletter

Articles and Interviews – 2020


"It had been a while since I'd given my fans any new solo music," Pam Tillis explains, when asked about the motivation behind recording her album "Looking for a Feeling." Until recently, Tillis mostly busied herself by recording and touring with fellow country star Lorrie Morgan. "I had a batch of songs that I felt good about," she continues, "and, you know, you just get that itch."

"Looking for a Feeling" is an album that most satisfyingly scratches that itch, so to speak, with its fine batch of songs. Tillis gets writing credit for helping to pen half of these songs, all of which are built upon sturdy, traditional country instrumentation.

One of the standout songs is "Dolly 1969." Written by Bob Regan, it's a rewardingly nostalgic look back to that time when Dolly Parton was still a relatively new country star. "I got this black and white picture on my wall," the song begins, "of Dolly Parton standing by a Sedan de Ville/And it looks to be in the late Sixties/Cause... »»»

Sierra Hull would be the first to tell you that releasing a new CD in the teeth of a global pandemic is a challenge. "It's very strange…just adjusting to being home and knowing what that feels like. It's the most I've been home since I was a kid. I left home when I was 17, you know, to go to Berklee College of Music, and I've done a lot of traveling ever since. So, it's the longest stretch sleeping in my own bed I think I've ever had."

Hull's new release, "25 Trips," presciently takes on the concept of time in its collection. Hull addresses the passage of time, living in the moment and looking back to other time threads. "25 Trips" refers to her age, and the number of trips around the sun she has travelled.

Bluegrass music is travelers' music, at its core. Bluegrass is the story of journeys, large and small, across distance, memory or space. "The music for me on this record," she explains, "feels maybe even more relevant now than when I wrote it. It's funny how those melodies and lyrics and things can sort of change meaning in perspective."... »»»

Linda Gail Lewis has several interesting bullet points on her lengthy resume. She released her first singles in 1963 at age 16, and her first solo album, "The Two Sides of Linda Gail Lewis," in 1969 when she was just 22; her follow up album wouldn't appear until 1990.

Since then, Lewis has recorded an additional 23 studio and live albums, including duet sets with Van Morrison and Robbie Fulks, and a pair of albums with her daughters, MaryJean Ferguson and Annie Dolan, as the Lewis 3. "The Complete Recordings," a compilation of the first Lewis 3 album, was just released digitally.

And she's recorded, toured and intermittently wrangled with her older brother, Jerry Lee Lewis, the legendary archetype in seminal '50s rock and '60s/'70s country. Her first duo album was 1969's "Together" with Jerry Lee, coming just a year after his astonishingly successful country reinvention; their single "Don't Let Me Cross Over" just missed the top 10 on Billboard's country singles chart.... »»»

Wayne Hancock exhibits his well-defined self-deprecation while describing the nature of his vinyl/digital only release, "Man of the Road."

"Yeah, greatest hits," he says with a raspy chortle, the sound that every smoke-filled, whiskey-soaked roadhouse he's ever loaded into would make if it could laugh.

Perhaps "retrospective" is a better label to paste on the album's shrinkwrap, given that Hancock has never actually notched something that would qualify as a certifiable hit, at least by the narrow yardstick the music industry uses to measure such releases. And that is, in fact, just fine with him. He'll be the first to tell you that he didn't get into the music racket to have a swimming pool shaped like a mudflap girl installed behind his 30-room Texas mansion. Wayne Hancock has only ever wanted to play good music to people who like it.

"I'm just trying to keep the ticket prices at a reasonable level so working people can afford to see the show and I can afford the... »»»

Ten years on, Della Mae has covered a lot of ground in the world of bluegrass, and the band is meeting the challenges of building a sustaining, long-term career with its latest release "Headlights."

The new record displays features of new and old. Kimber Ludiker, fiddle player and founding member of the band, along with co-Dellas Celia Woodsmith (lead vocals) and Jenny Lynn Gardner (mandolin), explains, "It's been a long time coming. You kind of get in the zone of making the recording, and you're excited about it, but you wonder how you know how the world's going to receive it so … people enjoy it so far which means a lot to us."

"Headlights" has a rich, strong perspective. Della Mae has always been a solid bluegrass band, but with experience and wisdom, a distinct female point of view is evident on "Headlight," even more so than in their earlier work.

Ludiker is self-effacing when saying that Della Mae is "nine years into our five-year plan." In fact, they have... »»»