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Aldean plays to fight breast cancer

Friday, October 4, 2013 – Jason Aldean kicks off National Breast Cancer Awareness Month with the announcement that his eighth annual "Concert for the Cure" will be Oct. 25 in New Orleans at his 2013 Night Train Tour stops at the New Orleans Arena.

Throughout the year, Aldean sets aside 50 cents of each concert ticket sold, then selects one show market in October and donates all proceeds to their local Susan G. Komen Affiliate.

"Last year, the Komen New Orleans team needed a little over $1 million to meet all their needs, but they were only able to fund about half of that," said Aldean. "If we raise the half a million that we did last year in Dallas, we'll be able to help these women meet their goal and provide the services the town needs. I can't wait to see an arena full of pink in support of such a great cause."

More news for Jason Aldean

CD reviews for Jason Aldean

Old Boots, New Dirt CD review - Old Boots, New Dirt
Arguing whether or not Jason Aldean's kinda (country) party is, in fact, anything remotely related to true country music is pointless. Aldean is so entrenched in the mainstream country marketplace now, we just need to accept him as he is, the same way we reluctantly accept Taylor Swift as "country." It's mighty tempting to subtitle a review of Aldean's new "Old Boots, New Dirt" release as 'Pickup Trucks & Pickup Lines,' as Aldean spends a little time »»»
Night Train CD review - Night Train
Jason Aldean is getting used to the view from the top. His last album "My Kinda Party" spawned 5 Top 10 singles and has charted for almost 2 years. Driven by rocking country coupled with rap and a power ballad, that album seemed to rise to the top of the charts organically. With his fifth release, "Night Train," he seems to be taking dead aim at the summit. Aldean is at his best as a studly outlaw, but the majority of the material on "Night Train" is clichéd »»»
My Kinda Party CD review - My Kinda Party
Jason Aldean covers plenty of familiar ground in his latest offering, moving with ease from tanned-leg Georgia dreams to square cornfields to a fairly even mix of church pews and bar stools. If anything, the album is a bit too seamless, one song melding into the next, the words on many evaporating into thin air. But it all adds up to a very good time - exactly what you'd hope for with an album with "party" in its title. Don't Wanna Stay , a duet with Kelly Clarkson (of all »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Avett Brothers come home – For the 30th anniversary of the "Traditional Plus" MerleFest music festival, there might not be a more appropriate act to anchor the opening night than the Avett Brothers. Born of a desire to bring rock 'n' roll energy to traditional music and formed by devotees to Doc Watson, The Avetts may have outgrown their acoustic roots over... »»»
Concert Review: Turnpike Troubadours leave no doubt – Turnpike Troubadours have not released an album since mid-September 2015. Don't look for any new release hitting the streets any day now either. The last time the Oklahoma-based band played Boston, they were in a pretty, 1,200-seat theatre. So, one could have been outwardly skeptical about the band when it downsized to a venue on the outskirts... »»»
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Currently at the CST blogs

The Avett Brothers come home to MerleFest For The Avett Brothers, MerleFest is a coming home of sorts. This year's edition of the MerleFest "traditional-plus" music festival in Wilkesboro, N.C., the event's 30th anniversary, a milestone sure to be marked by many different special appearances and commemorations during the festival's four-day run, is no exception.... »»»
Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
The Harmed Brothers CD review - The Harmed Brothers
Let's put it succinctly. The Harmed Brothers may be the best band no one has ever heard of. Well, maybe that's an exaggeration. They do have their ardent admirers, so let's not discount their following entirely. Still, for those who are unaware, the band's new eponymous effort ought to make it clear that this is a group with a wealth of resources at their command. »»»
West Coast Town CD review - West Coast Town
Chris Shiflett is best known as a guitarist in Foo Fighters, but he's also has some authentic traditional country in his bones. Inspired, in part, by much of the fine vintage country music created in California, "West Coast Town" lets Shiflett show off his country music skills. »»»
Something's Going On CD review - Something's Going On
Trace Adkins' wonderful low singing voice can be a little deceptive because he could easily sing utter crap and still somehow sound great. It's why the critical ear must pay close attention to specifically what he's saying in his songs whenever evaluating his work. Adkins doesn't write his own songs, so he's entirely dependent upon stellar writers.  »»»