Sign up for newsletter
 

Lynne gives "Thanks" in November

Tuesday, October 1, 2013 – Shelby Lynne will release "Thanks," a five-song EP, on Nov. 19 through her EVERSO Records, the independent label she founded in 2010.

The EP features five new songs written and produced by Lynne.

"As a musician, these songs are a way to express my love and gratitude to the universe and to all of the music appreciating souls out there for the friendship and fellowship that music brings us...all in the name of love and sharing," she said.

"Southern blues music and gospel music go together...church raising optional," she said. "Sam Cooke, Otis Redding and James Brown came straight out of the Georgia churches...and went straight onto the charts singing the blues that came from gospel revivals across the south. Maybe it's in the water, but I feel a certain freedom when I sing spirituals. I have no certain church or religion that I have taken to. My personal relationship with my creator is personal and a personal relationship it shall remain."

Songs on the E are:
1. Call Me Up
2. Forevermore
3. Walkin'
4. This Road I'm On
5. Thanks

Lynne recorded "Thanks" at EVERSO Studio in Palm Desert, Cal. with co-producer Ben Peeler, who also played lap steel and guitars and contributed background vocals. In addition, the EP features Maxine Waters on piano and vocals, Michael Jerome on drums/percussion and Ed Maxwell on upright and electric bass, Wurlitzer, Moog and background vocals.

"Thanks" follows 2011's "Revelation Road."

More news for Shelby Lynne

CD reviews for Shelby Lynne

I Can't Imagine CD review - I Can't Imagine
Shelby Lynne really needs to figure out who she is if she ever wants to be something more than the answer to the trivia question "What artist won a Grammy for best new artist after releasing 6 albums over 12 years?" Is she a country singer? Blues? Is she Dusty Springfield reincarnated? Why can't she find a style and stick with it?" That's what they say anyway, but maybe they're wrong. Maybe Shelby figured out a long time ago who she was and how she wanted to sing. »»»
I Am Shelby Lynne (Deluxe Version) CD review - I Am Shelby Lynne (Deluxe Version)
The ironies surrounding Shelby Lynne's sixth album, 1999's "I Am Shelby Lynne," were as thick as mutant kudzu at the time. After a quintet of albums that garnered Lynne a ton of peer respect and negligible sales, the singer/songwriter extricated herself from a Nashville star machine that seemed determined to sculpt her talent in its witless image. Lynne moved to California, reinvented herself as herself, enlisted the talents of producer Bill Bottrell »»»
Revelatiom Road Deluxe Edition
It's been 14 years since Shelby Lynne released her soulful, country-tinged album "I Am Shelby Lynne." And over the course of that time, Lynne has had her share of ups and a few creative downs. However on this latest (reissued here with bonus tracks, a live club recording and a second live disc from London plus a DVD about the making the disc), Lynne tends to go into another soulful but equally roots-y realm on the opening title track. It's not a surprise she taps into this »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: On day 3, MerleFest opts for tradition – The biggest day of the MerleFest weekend is always Saturday. There was still plenty of "Plus" to go around, but the highlights of this year's big day focused on the more traditional side of the festival's "Traditional Plus" lineup from headliners Dave Rawlings Machine down to the regional acts on the smaller stages.... »»»
Concert Review: MerleFest showcases diversity on day two – Although primarily thought of as a "roots music" festival, the artists at MerleFest can and do come from a variety of genres and locales. On the first full day of this year's festival, that point was underscored with performances from not just bluegrass and string bands, but also rock 'n' roll, soul and international acts... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Reams leaps into "Rhyme & Season" James Reams is one of bluegrass music's unconventional stalwarts. A son of Kentucky, Reams' journey has taken any number of unusual pathways since the mid-seventies. Producing albums for more than 20 years, Reams' ninth release of personable bluegrass, "Rhyme and Season," is a relaunch for Reams, an artist who has never followed a singular route. ... »»»
Solivan  turns to family, friends, heroes After scoring a 2015 IBMA nomination for Best Bluegrass Album for "Cold Spell," Frank Solivan tried something a little different this time around - an album of songs recorded by "Family, Friends and Heroes" (Compass). In an earlier musical life, Solivan served as stalwart in Country Current, the Navy's touring bluegrass band. Solivan left the service and formed Dirty Kitchen, a hat-tip to his background and continuing efforts as a chef.... »»»
Sellers garages her country Aubrie Sellers just may be onto something on her debut - garage country. After all, we've already witnessed traditional country, new country, neo-traditional, country rock, pop country and bro country. Sellers, a 25-year-old Nashvillian with a big time musical pedigree who released her debut, "New City Blues," in January, said the moniker came to mind as her bio was being written.... »»»
Reckless CD review - Reckless
Stephen King tells us "Talent is cheaper than table salt." And what a shaker-full is contained on Martina McBride's latest. Songwriters? Hillary Lindsey, Sarah Buxton and Liz Rose are amongst the world's finest. For a producer, how about Faith Hill's or Taylor Swift's? And lest we forget - McBride herself possesses the best, hemi-powered soprano of any working singer today. This is gaudy, Dream Team level stuff. So, why isn't it better? »»»
Del and Woody CD review - Del and Woody
For two years we've been hearing of this recording, a project where original lyrics from Woody Guthrie were to be reinvented as bluegrass songs by the legendary Del McCoury. Like previous sets from Billy Bragg & Wilco (3 volumes of "Mermaid Avenue" released between 1998-2012), Jay Farrar, et al ("New Multitudes," 2012) and The Klezmatics (a pair of 2006 releases), lyrics stored within the Woody Guthrie Archives were turned over to McCoury to be repurposed. »»»
Empty Glasses CD review - Empty Glasses
Coming on the heels of her last album, the tellingly titled "Quicksand," Reagan Boggs' latest continues to affirm her reputation as a master of emotion, a performer whose sound and delivery leave no sentiment unturned. Consequently, "Empty Glasses" becomes an equally expressive handle, given that much of the album bears a deliberately downcast disposition. That can also be discerned by reading the names of certain songs -- "Honey I'm Lost"...  »»»
Lovers and Leavers CD review - Lovers and Leavers
A style and sound can be deceptive. So it's little surprise that with his parched vocals, weary demeanor and songs that bear a sense of worn, ragged reflection, Hayes Carll doesn't come across like a man with an ample list of accomplishments. A recent Grammy nomination, a number of chart triumphs and some highly impressive accolades from the public and pundits alike suggest that Carll might be doing far better than he lets on. »»»