Sign up for newsletter
 

Lynne gives "Thanks" in November

Tuesday, October 1, 2013 – Shelby Lynne will release "Thanks," a five-song EP, on Nov. 19 through her EVERSO Records, the independent label she founded in 2010.

The EP features five new songs written and produced by Lynne.

"As a musician, these songs are a way to express my love and gratitude to the universe and to all of the music appreciating souls out there for the friendship and fellowship that music brings us...all in the name of love and sharing," she said.

"Southern blues music and gospel music go together...church raising optional," she said. "Sam Cooke, Otis Redding and James Brown came straight out of the Georgia churches...and went straight onto the charts singing the blues that came from gospel revivals across the south. Maybe it's in the water, but I feel a certain freedom when I sing spirituals. I have no certain church or religion that I have taken to. My personal relationship with my creator is personal and a personal relationship it shall remain."

Songs on the E are:
1. Call Me Up
2. Forevermore
3. Walkin'
4. This Road I'm On
5. Thanks

Lynne recorded "Thanks" at EVERSO Studio in Palm Desert, Cal. with co-producer Ben Peeler, who also played lap steel and guitars and contributed background vocals. In addition, the EP features Maxine Waters on piano and vocals, Michael Jerome on drums/percussion and Ed Maxwell on upright and electric bass, Wurlitzer, Moog and background vocals.

"Thanks" follows 2011's "Revelation Road."

More news for Shelby Lynne

CD reviews for Shelby Lynne

I Can't Imagine CD review - I Can't Imagine
Shelby Lynne really needs to figure out who she is if she ever wants to be something more than the answer to the trivia question "What artist won a Grammy for best new artist after releasing 6 albums over 12 years?" Is she a country singer? Blues? Is she Dusty Springfield reincarnated? Why can't she find a style and stick with it?" That's what they say anyway, but maybe they're wrong. Maybe Shelby figured out a long time ago who she was and how she wanted to sing. »»»
I Am Shelby Lynne (Deluxe Version) CD review - I Am Shelby Lynne (Deluxe Version)
The ironies surrounding Shelby Lynne's sixth album, 1999's "I Am Shelby Lynne," were as thick as mutant kudzu at the time. After a quintet of albums that garnered Lynne a ton of peer respect and negligible sales, the singer/songwriter extricated herself from a Nashville star machine that seemed determined to sculpt her talent in its witless image. Lynne moved to California, reinvented herself as herself, enlisted the talents of producer Bill Bottrell »»»
Revelatiom Road Deluxe Edition
It's been 14 years since Shelby Lynne released her soulful, country-tinged album "I Am Shelby Lynne." And over the course of that time, Lynne has had her share of ups and a few creative downs. However on this latest (reissued here with bonus tracks, a live club recording and a second live disc from London plus a DVD about the making the disc), Lynne tends to go into another soulful but equally roots-y realm on the opening title track. It's not a surprise she taps into this »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Aldean and friends stretch it out, way out – Jason Aldean's tour, "Six String Circus," gets its name from his recent single, "Lights Come On." And titling his tour after a guitar - and more appropriately an electric guitar - makes all the sense in the world. Each act on the bill, which also included A Thousand Horses and Thomas Rhett, use a lot of guitars - but mostly in... »»»
Concert Review: The Jayhawks remain in top form – It's usually a good time to catch a band right after they've released one of their better albums, and "Paging Mr. Proust" is one of The Jayhawks' best. Comprised of smart songs, which consistently put lead singer Gary Louris' engaging vibrato to proper use and instrumental textures that oftentimes stretch the Minnesota act... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

The Earls of Leicester rattle and roar Something old is new again. The Earls of Leicester, fresh from their first release in late 2014 and the IBMA Entertainer of the Year Award for 2015, followed that remarkable success with "Rattle and Roar." The Earls of Leicester play the songs popularized by, and in the musical style of Lester Flatt and Earl Scruggs.... »»»
Watkins does all the right things on "Young in All the Wrong Ways" In the nine years since Nickel Creek declared itself on indefinite hiatus, violinist/vocalist Sara Watkins has been relentlessly busy. She discovered a new pathway for her harmonic gifts with Sarah Jarosz and Aoife O'Donovan in the vocal trio I'm With Her.... »»»
Lonely Heartstring Band navigates "Deep Waters" Four years after forming in Boston and a year after receiving their first major award (an IBMA Momentum nod), when most bands might be expected to have two or three already in circulation, the Lonely Heartstring Band finally has its first full-length CD release "Deep Waters" (Rounder) out on the street.... »»»
Redemption & Ruin CD review - Redemption & Ruin
Charles Baudelaire and Verbal Kint separately and astutely noted that the devil's greatest trick is in convincing the world that he doesn't exist. There could be a corollary concerning the reality of The Devil Makes Three; the trio exists in so many different musical forms that they may well have talked us into believing they're a dozen distinct bands when they are in fact just one single, extraordinarily talented unit. »»»
Transatlanticana CD review - Transatlanticana
Bill Kirchen & Austin de Lone open their collaborative album with "Hounds of the Bakersfield," a cheeky play on words with Sir Arthur Conan Doyle's detective story, "The Hounds of the Baskervilles." But rather than looking for perpetrators of crime, Kirchen and de Lone walk in the footsteps of Merle Haggard, Buck Owens and the other Bakersfield greats in search of Central California country music fame.  »»»
Magic Fire CD review - Magic Fire
The difference between current successful Americana road veterans like Mandolin Orange and Mipso, on the one hand, and lamented, late bands like Joy Kills Sorrow and The Deadly Gentlemen, on the other, is razor-thin. "Magic Fire" amply supports The Stray Birds' bid to be an act in for the long haul. "Magic Fire" is a sharp-tongued lyrical success with harmonies and clever arrangements in abundance »»»
Kinda Don't Care CD review - Kinda Don't Care
The title track on Justin Moore's "Kinda Don't Care" album is so good it almost makes you wish the rest of the tracks were this fine. But they're not. Nevertheless, the song's Waylon Jennings thump-thump groove, its steel guitar-electric guitar interplay and lyric about how a broken heart can tempt even a good man to give into available vices - all on account of induced apathy - transforms it into one memorable country song. »»»
Bury Me In My Boots CD review - Bury Me In My Boots
The Cadillac Three may not be much more country than Florida Georgia Line, who help the group out on the track "The South," but they are certainly a better Southern rock band than that hack act. This group incorporates some blues influence from The Black Crowes, mixed in some of The Georgia Satellites' winking sense of humor, to create the enjoyable Southern summer party that is "Bury Me in My Boots." »»»