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Lynne gives "Thanks" in November

Tuesday, October 1, 2013 – Shelby Lynne will release "Thanks," a five-song EP, on Nov. 19 through her EVERSO Records, the independent label she founded in 2010.

The EP features five new songs written and produced by Lynne.

"As a musician, these songs are a way to express my love and gratitude to the universe and to all of the music appreciating souls out there for the friendship and fellowship that music brings us...all in the name of love and sharing," she said.

"Southern blues music and gospel music go together...church raising optional," she said. "Sam Cooke, Otis Redding and James Brown came straight out of the Georgia churches...and went straight onto the charts singing the blues that came from gospel revivals across the south. Maybe it's in the water, but I feel a certain freedom when I sing spirituals. I have no certain church or religion that I have taken to. My personal relationship with my creator is personal and a personal relationship it shall remain."

Songs on the E are:
1. Call Me Up
2. Forevermore
3. Walkin'
4. This Road I'm On
5. Thanks

Lynne recorded "Thanks" at EVERSO Studio in Palm Desert, Cal. with co-producer Ben Peeler, who also played lap steel and guitars and contributed background vocals. In addition, the EP features Maxine Waters on piano and vocals, Michael Jerome on drums/percussion and Ed Maxwell on upright and electric bass, Wurlitzer, Moog and background vocals.

"Thanks" follows 2011's "Revelation Road."

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I Am Shelby Lynne (Deluxe Version) CD review - I Am Shelby Lynne (Deluxe Version)
The ironies surrounding Shelby Lynne's sixth album, 1999's "I Am Shelby Lynne," were as thick as mutant kudzu at the time. After a quintet of albums that garnered Lynne a ton of peer respect and negligible sales, the singer/songwriter extricated herself from a Nashville star machine that seemed determined to sculpt her talent in its witless image. Lynne moved to California, reinvented herself as herself, enlisted the talents of producer Bill Bottrell »»»
Revelatiom Road Deluxe Edition
It's been 14 years since Shelby Lynne released her soulful, country-tinged album "I Am Shelby Lynne." And over the course of that time, Lynne has had her share of ups and a few creative downs. However on this latest (reissued here with bonus tracks, a live club recording and a second live disc from London plus a DVD about the making the disc), Lynne tends to go into another soulful but equally roots-y realm on the opening title track. It's not a surprise she taps into this »»»
Revelation Road CD review - Revelation Road
It's not too difficult to imagine Shelby Lynne producing her last few albums at the dawn of her career. She was fiercely independent even then and every bit as influenced by Dusty Springfield when she started as she is today. And yet, it's almost as if Lynne divined from the universe that she needed to experience the ridiculous corporate soap opera of her first few albums and be galvanized in the forge of label mismanagement and creative experimentation before tentatively finding her »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Lowe gets on with tour – Nick Lowe made reference to the downer that's been a most unfortunate part of his Quality Holiday Revenue, not exactly the time of year when music, particularly of the holiday variety, should be sad. But veteran British keyboardist Ian McLagan, who was slated to open the tour, died of a stroke as the tour was opening two weeks ago.... »»»
Concert Review: Romano makes sad songs sound good – Daniel Romano perhaps couldn't help himself in commanding the stage. After all, he was only up on the small stage accompanied by his backing band, The Trilliums, consisting of a fellow acoustic guitarist and a pedal steel player. So, you knew this was not going to be an ear splitting gig unless the band was pounding it - and they did not.... »»»
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