Sign up for newsletter
 

King goes for "three chords and the truth"

Tuesday, September 17, 2013 – James King will about "Three Chords and the Truth" when the bluegrasser's next disc is out Sept. 30 on Rounder. King covers 12 songs from the country music canon, including compositions by Hank Williams, Don Gibson, Vern Gosdin, Leon Payne, Bobby Braddock and Curly Putnam, Warner Mack, Billy Joe Shaver and Harlan Howard.

Devil's Train, from an obscure Hank Williams recording, is the earliest song here, and Riding With Private Malone, the 2001 hit by David Ball, is the most recent. In between are Jason's Farm, a 1975 hit for Cal Smith; Talking To The Wall, a Warner Mack number from 1966; Blue Blue Day, a chart topper for its composer, Don Gibson, in 1958; Shadows Of My Mind, a middling hit for traditional country singer Vernon Oxford in 1975; Sunday Morning Christian by Harlan Howard, who performed his composition in 1971; and Old Five and Dimers, Shaver's imaginative, blues-tinged masterpiece.

King also covered Vern Gosdin's Chiseled In Stone and George Jones classics Things Have Gone To Pieces and He Stopped Loving Her Today.

King was backed by fiddler Jimmy Mattingly, guitarist Josh Williams, banjoist and harmony fiddler Ronnie Stewart, mandolinist Jesse Brock and bassist Jason Moore. King's band mates in the bluegrass supergroup Longview, Dudley Connell and Don Rigsby, lend their vocal harmonies.

More news for James King

CD reviews for James King

Three Chords and the Truth CD review - Three Chords and the Truth
On his Grammy-nominated album (Best Bluegrass Album 2013), James King, the "Bluegrass Storyteller" offers his own renditions of classic country songs, illustrating through his straight-ahead guitar delivery and emotionally expressive voice the simple yet complex truth of Harlan Howard's famous definition of country music: "It's three chords and the truth." Gathering around him some of the best young bluegrass musicians around - mandolinist Jesse Brock, bassist Jason »»»
Gardens in the Sky: The Bluegrass Gospel of James King CD review - Gardens in the Sky: The Bluegrass Gospel of James King
When bluegrasser James King wraps his vocals around a gospel song either as a solo artist or with the supergroup Longview, it's been a hand-in-glove fit. Yet there wasn't quite enough in King's extensive traditional bluegrass catalog to compile a much-requested all-gospel record. With the help of producer Ken Irwin, King solved that. In early 2007, King recorded 6 new numbers - primarily contemporary gospel songs - and the result is, well, heavenly. In fact, the new stuff not »»»
The Bluegrass Storyteller CD review - The Bluegrass Storyteller
Following a studio absence of 3 years, James King returns for his 5th release on Rounder, a collection of 13 tunes that is possibly his most complete effort to date. As the title suggests, it's a baker's dozen of songs old and new from a who's who of writers that tell classic stories of love lost and love found, sin and redemption, good luck and bad luck, and a classic tearjerker or two thrown in for good measure. Long known as one of the most forceful and direct vocalists in bluegrass, King »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Elephant Revival becomes a headscratcher – Elephant Revival is not the easiest band to sonically pinpoint. Typically grouped in the bluegrass/jam band arena, in the live setting, the Colorado band stretched its musical boundaries. Folk and jazz overtones were part of the mix as well for the veterans. No matter the style, Elephant Revival easily absorbed and mastered the music.... »»»
Concert Review: Mellencamp flexes his creative muscles – For his "Sad Clowns & Hillbillies" tour, John Mellencamp brought along Carlene Carter - the night's self-described hostess who appears on the recent album, as well as Emmylou Harris. Each iconic woman performed her own set, as well as joining in with the headliner's set. With Mellencamp dressed rather formally, this man introduced... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Lane assumes mantle of "Highway Queen" For most artists, eight years is a fair amount of time in their careers. For Nikki Lane, eight years represents the entirety of her recorded history, and she's filled that relatively short time span with a highlight reel of impressive accomplishments, not the least of which would be actually... »»»
The Avett Brothers come home to MerleFest For The Avett Brothers, MerleFest is a coming home of sorts. This year's edition of the MerleFest "traditional-plus" music festival in Wilkesboro, N.C., the event's 30th anniversary, a milestone sure to be marked by many different special appearances and commemorations during the festival's four-day run, is no exception.... »»»
Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves... »»»
Mayhayley's House CD review - Mayhayley's House
For years, Lonesome River Band was proud to be "Carrying The Tradition" of bluegrass music. Then, with last year's release they began the process of "Bridging The Tradition" of bluegrass to something a little more progressive, a little more modern. Now, "Mayhayley's House" proves that LRB is continuing across that bridge. »»»
Positively Bob Willie Nile Sings Bob Dylan CD review - Positively Bob Willie Nile Sings Bob Dylan
The reasons musicians elect to record full-album tributes are as varied as the results. Willie Nile's previous album "World War Willie" was a fiery collection of roots rock that didn't delve far from the approach that served him across 35 years as a recording artist. Inspired by his invitation to perform at a Dylan tribute show, Nile has taken it upon himself to refocus attention on the influence the Dylan songbook had on his development. The results are appreciated... »»»
So You Wanna Be An Outlaw CD review - So You Wanna Be An Outlaw
If Steve Earle had never done another album after "Guitar Town" and "Copperhead Road," he'd still have cemented his place in the musical firmament for skillfully creating a ragged and beautiful tapestry from the stray threads of rootsy rock and authentic country. And that may well be why his catalog over the past three decades has been so compelling and satisfying; »»»
Heart Break CD review - Heart Break
Lady Antebellum may cause you to throw out many of your country music principles. They don't sing and play traditional country music, for starters. They're not cool like more rocking Americana artists. In fact, they're huge mainstream country stars. So, why are some of us still suckers for their sound? And why does the new "Heart Break" sound so good on the ears? Well, it's simple, but complicated. »»»