Sign up for newsletter
 

The Gibson Brothers lead IBMA nomiantions

Wednesday, August 14, 2013 – The Gibson Brothers lead the International Bluegrass Music Association nominations, announced Wednesday, with eight.

Balsam Range had seven nominations, and The Boxcars, Alison Krauss & Union Station and Russell Moore & IIIrd Time Out six nominations

The awards will be handed out Sept. 26 as part of the World of Bluegrass Week in Raleigh, N.C.

Individually and as an ensemble, members of The Gibson Brothers received eight nominations, including Entertainer of the Year, Vocal Group, Album of the Year ("They Called It Music"), Song of the Year (They Called It Music) and Gospel Recorded Event. Eric Gibson received two nominations, as songwriter for Song of the Year (They Called It Music, along with co-writer Joe Newberry) and in the Bluegrass Songwriter category. Band member Jesse Brock also earned a nomination for Mandolin Player of the Year

Balsam Range captured seven nominations, including Entertainer of the Year, Vocal Group, two Song of the Year nods - "Any Old Road (Will Take You There)" and "Papertown" - Album of the Year (Papertown), Gospel Recorded Event and Recorded Event (band member Buddy Melton for "What'll I Do" with Terry Baucom).

2013 HALL OF FAME INDUCTEES
Tony Rice
Paul Warren

2013 DISTINGUISHED ACHIEVEMENT AWARD RECIPIENTS
Keith Case
The East Mountain Boys
Vic Jordan
The McLain Family Band
Charley Pennell

ENTERTAINER OF THE YEAR
Balsam Range
Blue Highway
Dailey & Vincent
The Gibson Brothers
The Del McCoury Band

VOCAL GROUP OF THE YEAR
Balsam Range
Blue Highway
Dailey & Vincent
The Gibson Brothers
Doyle Lawson & Quicksilver

INSTRUMENTAL GROUP OF THE YEAR
Blue Highway
The Boxcars
Sam Bush Band
Punch Brothers
Frank Solivan & Dirty Kitchen

SONG OF THE YEAR
"Any Old Road (Will Take You There)," Balsam Range, written by Carl Jackson, Marc Pruett & Jerry Salley
"Gentle on my Mind," Russell Moore & IIIrd Tyme Out, written by John Hartford
"Papertown," Balsam Range, written by Milan Miller
"The Story of the Day that I Died," Junior Sisk & Ramblers Choice, written by Ashby Frank
"They Called It Music," The Gibson Brothers, written by Eric Gibson & Joe Newberry

ALBUM OF THE YEAR
Dear Sister, Claire Lynch, produced by Garry West, Compass Records
Hammer Down, The SteelDrivers, produced by The SteelDrivers & Luke Wooten, Rounder Records
The Old School, Peter Rowan, produced by Alison Brown, Compass Records
Papertown, Balsam Range, produced by Balsam Range, Mountain Home
They Called It Music, The Gibson Brothers, produced by Eric & Leigh Gibson and Mike Barber, Compass Records.

GOSPEL RECORDED PERFORMANCE OF THE YEAR "Beulah Land," Marty Raybon, written by Squire Parsons, produced by Marty Raybon, Rural Rhythm "Home on the River," The Gibson Brothers, written by Austin Taylor, produced by Eric & Leigh Gibson and Mike Barber, Compass Records
"Row by Row," Balsam Range, written by Ashleigh Caudill, produced by Balsam Range, Mountain Home
"Say Hello to Heaven," Doyle Lawson & Quicksilver, written by Lewis N. Hyatt, produced by Doyle Lawson, Mountain Home
"When He Beckons Me Home," Darin & Brooke Aldridge, written by George Shuffler, produced by Darin & Brooke Aldridge, Mountain Home.

INSTRUMENTAL RECORDED PERFORMANCE OF THE YEAR
"By the Waters of the Clinch," Doyle Lawson & Quicksilver, written by Doyle Lawson, produced by Doyle Lawson, Mountain Home
"Foggy Mountain Rock," Tom Adams, Ron Block, J.D. Crowe, Charlie Cushman, Kenny Ingram, Jim Mills, Joe Mullins, Larry Perkins, Craig Smith, Ron Stewart, David Talbot & Tony Trischka, written by Louise Certain & Gladys Stacey, produced by Tim Austin, Rounder Records.
"New Jerusalem," Ricky Skaggs & Kentucky Thunder, written by Ricky Skaggs, produced by Ricky Skaggs, Skaggs Family Records
"Newton's Grove," Audie Blaylock & Redline, written by Richard Underwood, produced by Audie Blaylock, Rural Rhythm
"NoraBelle," Darrell Webb Band, written by Darrell Webb, Rural Rhythm
"Pilgrim's Knob," Alan Bibey & Wayne Benson, written by Bill Monroe, produced by Alan Bibey & Wayne Benson, Pinecastle

RECORDED EVENT OF THE YEAR
"Another Night," Alan Bibey, Wayne Benson and Russell Moore, produced by Alan Bibey & Wayne Benson, Pinecastle
"Golden Ring," Russell Moore & IIIrd Tyme Out with Sonya Isaacs, produced by Barry Bales, Cracker Barrel
"On the Edge of Letting Go," Frank Solivan & Dirty Kitchen with Tim O'Brien and Rob Ickes, produced by Frank Solivan & Brent Truitt, Compass Records
"This Old Guitar and Me," Grasstowne with Ronnie Bowman, produced by Ronnie Bowman & Grasstowne, Mountain Fever Records
"What'll I Do;" Terry Baucom with Sam Bush, Jerry Douglas, Wyatt Rice, Steve Bryant & Buddy Melton; produced by Terry Baucom, Cindy Baucom and Ed Lowe; John Boy & Billy label

EMERGING ARTIST OF THE YEAR
Della Mae
Flatt Lonesome
Frank Solivan & Dirty Kitchen
The Spinney Brothers
The Darrell Webb Band

MALE VOCALIST OF THE YEAR
Jamie Dailey
Russell Moore
Tim O'Brien
Marty Raybon
Junior Sisk

FEMALE VOCALIST OF THE YEAR
Dale Ann Bradley
Sonya Isaacs
Claire Lynch
Amanda Smith
Rhonda Vincent

INSTRUMENTAL PERFORMERS OF THE YEAR

BANJO
J.D. Crowe
Mike Munford
Sammy Shelor
Ron Stewart
Scott Vestal

BASS
Barry Bales
Mike Bub
Missy Raines
Mark Schatz
Marshall Wilborn

FIDDLE
Jason Carter
Michael Cleveland
Stuart Duncan
Bobby Hicks
Ron Stewart DOBRO
Mike Auldridge
Jerry Douglas
Rob Ickes
Randy Kohrs
Phil Leadbetter

GUITAR
Jim Hurst
Tony Rice
Kenny Smith
Bryan Sutton
Josh Williams

MANDOLIN
Wayne Benson
Jesse Brock
Sam Bush
Sierra Hull
Adam Steffey

BLUEGRASS BROADCASTER OF THE YEAR
Joe Mullins, WBZI, Xenia, Ohio
Ronnie Reno, Reno's Old Time Music Festival, BlueHighways TV and RFD
Wayne Rice, KSON, San Diego, California
David Smith, North Dakota's Prairie Public Radio
Tim White, Song of the Mountains, PBS

BLUEGRASS EVENT OF THE YEAR
The 2013 Bluegrass First Class, Asheville, North Carolina
The 2012 Father's Day Festival, Grass Valley, California
The 2012 Huck Finn Jubilee, Ontario, California
The 2012 Jenny Brook Bluegrass Festival, Tunbridge, Vermont
Bill Monroe Bean Blossom Bluegrass Festival, Bean Blossom, Indiana

BEST GRAPHIC DESIGN FOR A RECORDED PROJECT
Dak Alley, Carl Jackson & Jimmy Metts (designers); Grace Notes; Carl Jackson; Voxhall Records
Erick Anderson (designer), Music To My Ears, Ricky Skaggs, Skaggs Family Records
Sue Meyer (designer), Doctor's Orders, Don Rigsby, Rebel Records
Pharis Romero (designer), In Good Company, Bill Evans, Native & Fine Records.
Tom Rozum, Catherine Manning & Dave Weiland (designers); Chicken on a Rocketship; Chad Manning; Manning Music and Arts label

BEST LINER NOTES FOR A RECORDED PROJECT
Tom Adams; Foggy Mountain Special; Tom Adams, Ron Block, J.D. Crowe, Charlie Cushman, Kenny Ingram, Jim Mills, Joe Mullins, Larry Perkins, Craig Smith, Ron Stewart, David Talbot & Tony Trischka; Rounder Records
Fred Bartenstein, They're Playing My Song, Joe Mullins & the Radio Ramblers, Rebel Records
Jamie Lynn Brinkman, God Didn't Choose Sides, Various Artists, Rural Rhythm Records
Carl Jackson, Grace Notes, Carl Jackson, Voxhall Records
Don Rigsby, Doctor's Orders, Don Rigsby, Rebel Records.

BLUEGRASS PRINT/MEDIA PERSON OF THE YEAR
Fred Bartenstein, editor, Bluegrass Bluesman: A Memoir by Uncle Josh Graves (book)
Derek Halsey, writer for the Herald Dispatch in Huntington, West Virginia and Bluegrass Unlimited magazine
Chris Jones, writer for Bluegrass Today
Ted Lehman, blogger for Ted Lehmann's Bluegrass, Books & Brainstorms
Amy Reitnouer, editor of The Bluegrass Situation

BLUEGRASS SONGWRITER OF THE YEAR
Louisa Branscomb
Paula Breedlove
Mark "Brink" Brinkman
Eric Gibson
Donna Ulisse

MOMENTUM AWARDS

INDUSTRY, NEW PROFESSIONAL
Danny Clark, The Bluegrass Bus & LeRoy Troy PR
Martha Dantzic, Quicksilver Productions
Amy Reitnouer, The Bluegrass Situation

INDUSTRY, NEW FESTIVAL OR VENUE
Bluegrass on the Plains, Auburn, AL
The Festy, Roseland, VA
The Outer Banks Bluegrass Festival, Roanoke Island, NC

INDUSTRY, MENTOR
Stephen Mougin
Denise Stiff
Jon Weisberger

PERFORMANCE, VOCALIST
Amber Collins, Amber Collins & Turning Point
Robert Greer, Town Mountain
Sarah Harris, Trinity River Band
Isaac Moore, The Moore Brothers
Celia Woodsmith, Della Mae

PERFORMANCE, BAND
The Bankesters
Cumberland River
Front Country
Snyder Family Band
Town Mountain

PERFORMANCE, INSTRUMENTALIST
Bobby Britt, Town Mountain
Kimber Ludiker, Della Mae
Chris Luquette, Frank Solivan & Dirty Kitchen
Bryan McDowell, Claire Lynch Band
Zeb Snyder, Snyder Family Band

The IBMA Awards Show will be broadcast live on Sirius XM Satellite Radio (Bluegrass Junction) and syndicated to more than 300 U.S. markets and 14 foreign networks.

More news for The Gibson Brothers

CD reviews for The Gibson Brothers

They Called It Music CD review - They Called It Music
It's now two full decades since Eric and Leigh Gibson, natives of the farthest reaches of upstate New York (not much more than a couple of stones throws from the Canadian border) debuted on the bluegrass circuit in their early twenties, instantly winning fans with tight harmonies that drew immediate and enthusiastic comparisons to the great tradition of "brother duets" in country music - the Louvins, McReynolds, Delmores, Osbornes, Bollicks (Blue Sky Boys) - well, the list is pretty »»»
Help My Brother CD review - Help My Brother
Born less than a year apart, Eric (the elder) and Leigh Gibson aren't quite twins, but from their earliest exposure as twentysomething bluegrass prodigies they've drawn legions of fans for the striking echoes in their vocal sound that hearken back to the classic brother acts of country and bluegrass. They've drawn comparisons to just about everyone from the Louvins to the McReynolds to the Delmores. Now pushing 40, this 10th release from the upstate New York natives finds them »»»
Ring the Bell CD review - Ring the Bell
In many ways, the Gibson Brothers parallel another famous brother band in bluegrass, the Osborne Brothers. Both groups worked in the bluegrass market yet they grew to encompass elements of country, folk and roots music as well, without leaving behind their own roots. Perhaps it is the duo format that allows for this experimentation, as maybe the compromises of a more democratic lineup don't lend themselves to taking chances. Whatever the reasons, Eric and Leigh Gibson created a collection of »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Trampled by Turtles leads stellar night – The animals ruled, for the most part, led by Trampled by Turtles, in a superb trifecta of music long on musicianship and quality songs. Trampled by Turtles, who headlined the sterling bill that also included Elephant Revival and Hurray for the Riff Raff (not animalistic unless the "riff raff" act that way), are going through some major sonic changes.... »»»
Concert Review: Goodnight, Texas gets on the map – Goodnight, Texas is a town with a small population - 28 according to the band's web site. So, if anything is going to put the unincorporated dot on the map, it may be the bi-coastal country band that stole the name. Avi Vinocur, who dwells in San Francisco, and Patrick Dyer Wolf, of North Carolina, are the mainstays of the band with them... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Trampled by Turtles get wild Trampled By Turtles is an indie folk group, an alt.-country band or a bluegrass act - depending on how you choose to look at them. Perhaps it's best to view the outfit as the ultimate combo platter consisting of just about everything that's good about American music. They play wonderfully, yet they also write intelligent songs that draw everyone from Townes Van Zandt to Nirvana to Ralph Stanley. It's all good, and some (or all) of these influences can be spotted in most of Trampled By Turtles' enjoyable sounds.... »»»
Don't try labeling Parker Millsap If you move in alt.-country/Americana circles, you simply cannot get away from the name Parker Millsap. He's certainly one of the biggest buzz artists of 2014. Better still, his self-titled album lives up to all the hype. He's a smart songwriter and a passionate singer and is essential listening for anybody looking for high quality contemporary music. Millsap also creates music appealing to a wide variety of musical tastes. You can make a case that he's a country guy, but you can also hear a lot of blues and folk. And if you attempt to put a label on him, he'll quickly tear it right off.... »»»
Simpson gets metamodern What a difference a year can make. Last year, Sturgill Simpson was overly anxious about the arrival of his debut album, "High Top Mountain." This year, Simpson is simultaneously anticipating the birth of his debut child and his just-released sophomore album, "Metamodern Sounds in Country Music," and his mood couldn't be more relaxed and joyous.... »»»
Mary Sarah builds "Bridges" What is not expected is for a virtually unknown artist, turning 19 on the day before her album release and finishing high school during the recording of the album, to be the featured artist, with Dolly Parton, Vince Gill and the late Ray Price lending not only their vocals, but also their most-beloved standards in country music. Texas-turned-Tennessee songbird Mary Sarah Gross - Mary Sarah is her stage name - saw that dream realized on her sophomore album "Bridges."... »»»
The Secret Sisters put a new one down In October 2010, The Secret Sisters released their down home country meets the Everly Brothers debut to much acclaim. Positive reviews ensued. Having T Bone Burnett executive produce your introduction to the music world didn't hurt. Laura and Lydia Rogers hit the road hard, opening dates for the likes of Ray LaMontagne. The Rogers sisters may not have enjoyed any hits from their self-titled disc, but they put their name on the map. ... »»»
Lowrey gets personal Levi Lowrey is best known for co-writing "Colder Weather," a number one hit, and "The Wind," both for his friends, Zac Brown Band. Lowrey also wrote "Day For The Dead," from last year's "The Grohl Sessions Vol. 1." In fact, Lowrey is often on the road opening for the group, but he also has his own career going. Lowrey just released his third disc, a self-titled effort on Brown's label, Southern Ground.... »»»
Cash goes back home Rosanne Cash may be the daughter of a famous country music icon, but like her late father, Cash is an artist first, and 'country artist' is just one of the many labels applied to what she does. She's first and foremost a songwriter, and her latest album, "The River & the Thread," touches upon country, folk, blues and even gospel styles, with a lyrical focus that placed Cash face to face with her Southern roots.... »»»
The Way I'm Livin'
Six years later, Lee Ann Womack is finally back. Her traditional country sounds were not quite working with Nashville, which was veering increasingly pop. Now, the Texas native returns with a new label, but the same lovely voice. Originally intended for her old label, MCA Nashville, Womack was given the marching orders to make the type of disc she wanted to listen to. »»»
Three Bells CD review - Three Bells
It must be frustrating to resophonic artists of the stature of these three that even they still have to on occasion answer the question "What is that thing you're playing?" The number of well-known Dobro players has always seemed to lag behind even the banjo, and even in the "Golden Years" of '50s and '60s country music, the only widely known names were Josh Graves and Pete "Brother Oswald" Kirby. »»»
The Earls of Leicester CD review - The Earls of Leicester
In 1946, Lester Flatt and Earl Scruggs were integral parts of Bill Monroe's Blue Grass Boys when they recorded a series of singles that most historians of the music consider the "birth of bluegrass" as we know it. Upon leaving to form their own band, The Foggy Mountain Boys (much to Monroe's consternation), they spent most of the 1950s recording one landmark single after another. »»»
The Cowboy Rides Away: Live From AT&T Stadium CD review - The Cowboy Rides Away: Live From AT&T Stadium
George Strait has been one of the most dependable country music stars for three decades. In this day and age, the Texan is a certifiable throwback. He's low key, not a self-promoter. All's he has done is churn out hit after hit for decade after decade. He has not been the kind of artist who put his finger up in the air either or trading his cowboy hat for a baseball cap. When looking up the definition of traditional country, George Strait sits at the top. »»»
Where It's At CD review - Where It's At
Dustin Lynch is a throwback on his sophomore release thanks to the good-looking Tennessee native sporting a straw cowboy hat, Now that's something you don't see these days unless you happen to be King George Strait. Instead, the hat acts of yesteryear - the moniker, in reality, was a dig at those who were part of the same milk toast country sounds that were being put out in the '90s - traded them in for baseball caps. »»»
I Don't Dance CD review - I Don't Dance
The cover of "I Don't Dance" features a glam shot of Lee Brice standing in a spotlight, looking more like a pop artist than a country singer. Listeners who prefer their country on the gritty side might be scared off by the pretty cover shot. The music matches the image: pop influenced mainstream country music, in the vein of contemporaries Jake Owen and Kip Moore.  »»»
Angels Among Us Hymns & Gospel Favorites CD review - Angels Among Us Hymns & Gospel Favorites
The threads of faith and family are intrinsically woven throughout the fibers of country music, but the results of such albums are not always successful, with some records feeling dry and inspired while others take the bull by the horns and really engage the material. Alabama's latest offering, "Angels Among Us: Hymns & Gospel Favorites," falls into the latter category. »»»
Walking Song CD review - Walking Song
For more than 20 years, the shorthand description of Ron Block has been "Alison Krauss' banjo player", but as his stage and recorded work has amply demonstrated over the years, he's also plays a mean guitar. His new solo release, "Walking Song," amply demonstrates that on cuts like Ivy, where he overdubs himself to striking effect. »»»
Bakersfield CD review - Bakersfield

If ever an artist matched the material he was covering, then Vince Gill along with Paul Franklin's "Bakersfield" hits the nail on the head. Gill, who has earned his spurs for being a great country singer, performer and guitarist, tackles 10 songs that put the California city on the map thanks to Buck Owens and Merle Haggard. Fortunately, Gill does not mimic either Owens or Haggard on these songs originally recorded between 1961 and 1974.  »»»

Hell & Half of Georgia CD review - Hell & Half of Georgia
Produced by the inimitable R.S. Field (John Prine, Justin Townes Earle and Todd Snider, among others), "Hell and Half of Georgia" carries us on a journey through the halls of honky tonk and roadhouse rock, led by one of its kings, Mike Stinson. »»»
Amelita CD review - Amelita
With The Dixie Chicks seemingly on recording hiatus, this has been a productive year for the trio in other configurations. For sisters Emily Robison and Martie Maguire, that translates into the second volume of the California sunshine pop sounds under the moniker The Court Yard Hounds three years after its debut. And once again, Maguire and Robison know a thing or two about sisterly harmonies, bright sounding songs and a few twists and turns. »»»