Sign up for newsletter
 

The Civil Wars are number one

Wednesday, August 14, 2013 – The Civil Wars may not be touring or speaking, but the duo's second disc is selling. Selling to the point that its self-titled second studio disc is the top selling disc in the U.S., according to Billboard.

"The Civil Wars" sold 116,000 units and will be number one when the charts are officially released on Thursday.

The duo - Joy Williams and John Paul White - previously had a high of 36,000 for "Barton Hallow" one week after the Grammys last year when they won two.

Of the sales, 69 percent were digital, making it first on the Digital Albums chart.

The Civil Wars took over from Robin Thicke's "Blurred Lines," which was down 63 percent to 65,000, good for third on the charts.

Florida Georgia Line's "Here's to the Good Times" stayed at 10 with 26,000, down eight percent.

More news for The Civil Wars

CD reviews for The Civil Wars

Between the Bars
Music keeps flowing from The Civil Wars, and this four-song EP of covers is not filler. In fact, all four songs - Sour Times, Between the Bars, Billie Jean and Talking in Your Sleep - could easily have wound up on a full-scale release by Joy Lynn Williams and John Paul White. Including Billie Jean should come as no shock to anyone who has seen them live because this was a staple in their live gigs (although probably a surprise if you hadn't seen them before). The Michael Jackson song »»»
The Civil Wars CD review - The Civil Wars
One gets the distinct sense that there's a storm a brewing on the jacket of The Civil Wars major label debut. It appears that a huge plume of black smoke is all that remains. And that depiction may be most accurate in a number of ways for The Civil Wars, the duo of Joy Williams and John Paul White. First and perhaps foremost is that Williams and White seem to be at professional odds. As for the material contained here, for the most part, it's about relationships that either have or »»»
Barton Hollow CD review - Barton Hollow
Upon first listen, The Civil Wars comes off like a more Southern version of She & Him. While She & Him draws upon classic pop elements, The Civil Wars is much more country and folk focused. Charlie Peacock produced "Barton Hollow," giving it a simple, sparse acoustic sound; one that is very different from the man's usual solo music or other productions (early Switchfoot albums, which are all comprised of sharp electric guitar rock, and his own solo work veers closer to blue eyed soul). »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: It's closing time for Philly Folk with Wainwright, Steep Canyon Rangers – Philadelphia Folk Festival Old Pool Farm, Schwenksville, PA August 17, 2014 (Sunday) With five smaller stages going simultaneously and featuring various combinations of the hired talent, it's literally impossible to see everything at the 53rd Philadelphia Folk Festival on closing day, and choosing wisely involves considerable time looking... »»»
Concert Review: Yes, Town Mountain is "really good" – Town Mountain exited the stage after concluding its regular set, and when the applause demanded the deserved encore, a fan yelled out "You guys are really good." That the mainly Asheville, N.C.-based bluegrass quintet demonstrated time and again. Town Mountain merged bluegrass and country sounds with enough alterations during the 81-minute... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Trampled by Turtles get wild Trampled By Turtles is an indie folk group, an alt.-country band or a bluegrass act - depending on how you choose to look at them. Perhaps it's best to view the outfit as the ultimate combo platter consisting of just about everything that's good about American music. They play wonderfully, yet they also write intelligent songs that draw everyone from Townes Van Zandt to Nirvana to Ralph Stanley. It's all good, and some (or all) of these influences can be spotted in most of Trampled By Turtles' enjoyable sounds.... »»»
Don't try labeling Parker Millsap If you move in alt.-country/Americana circles, you simply cannot get away from the name Parker Millsap. He's certainly one of the biggest buzz artists of 2014. Better still, his self-titled album lives up to all the hype. He's a smart songwriter and a passionate singer and is essential listening for anybody looking for high quality contemporary music. Millsap also creates music appealing to a wide variety of musical tastes. You can make a case that he's a country guy, but you can also hear a lot of blues and folk. And if you attempt to put a label on him, he'll quickly tear it right off.... »»»
Simpson gets metamodern What a difference a year can make. Last year, Sturgill Simpson was overly anxious about the arrival of his debut album, "High Top Mountain." This year, Simpson is simultaneously anticipating the birth of his debut child and his just-released sophomore album, "Metamodern Sounds in Country Music," and his mood couldn't be more relaxed and joyous.... »»»
NASHVILLE OUTLAWS: A Tribute To Motley Crue CD review - NASHVILLE OUTLAWS: A Tribute To Motley Crue
If you're expecting down home, countrified versions of metal band Motley Crue songs from "Nashville Outlaws: A Tribute to Motley Crue," you probably don't listen to a whole lot of mainstream "country" music. Most likely, this album's original conception was a rather crass attempt to capitalize on the large contingent of classic rock fans that also listen to and enjoy older rock's continuing influence on contemporary country music. »»»
The No-Hit Wonder CD review - The No-Hit Wonder
After only four albums in a dozen years, there's a certain truthfulness that comes with a title like "The No-Hit Wonder." On the other hand, Cory Branan's apparent attempt at modesty belies a talent that deserves to garner notice, thanks to a wry yet infectious songwriting style that takes pains to share its strengths without ever requiring a second listen. If Branan is reticent to show he's worthy of chart placement, it's certainly not evident here. »»»