Sign up for newsletter
 

Paisley, Underwood co-host CMAs

Monday, August 12, 2013 – Brad Paisley and Carrie Underwood will be returning to host the Annual CMA Awards for the sixth consecutive time in November.

The 47th Annual CMA Awards airs live from the Bridgestone Arena in Nashville on Wednesday, Nov. 6 at 8 a.m. eastern on ABC.

The hosts used "CMA Music Festival: Country's Night to Rock" television special to make the announcement. "Carrie and Brad are the consummate hosts," said Ed Hardy, President of the CMA Board of Directors. "They have the respect of our industry, artistic credibility, critical acclaim, and a quick-witted, genuine rapport that makes them popular with our audience and the viewers at home. We are delighted to have them back as hosts for the sixth year."

The CMA Awards nominees and winners are determined by more than 7,000 industry professional members of CMA, which was the first trade organization formed to promote an individual genre of music in 1958.

Winners will be determined in a final round of voting by eligible voting members of CMA. The eligibility period for the 2013 CMA Awards is July 1, 2012 to June 30, 2013.

The second ballot will be emailed to CMA members Tuesday, Aug. 20. Voting for the second ballot closes at Friday, Aug. 30 at 6 p.m. eastern. The final nominees in each of the 12 categories will be announced in September.

Winners will be determined in a final round of voting by eligible CMA members. The third and final ballot will be emailed on Thursday, Oct. 10. Voting for the CMA Awards final ballot ends Monday, Oct. 28 at 6 p.m. eastern.

More news for Brad Paisley

CD reviews for Brad Paisley

Wheelhouse CD review - Wheelhouse
Brad Paisley isn't content to keep doing the same old. In fact, this is probably the least traditional country outing in his career. Yet, a few things remain intact - great guitar playing and singing and a sense of humor without being too kitschy. In fact, Paisley manages to combine the ultra serious with his typical sense of humor. The seriousness is never more apparent from Paisley than on the controversial Accidental Racist with LL Cool J, who helped write and perform it. »»»
Hits Alive CD review - Hits Alive
Brad Paisley's new live hits CD is a bit of a tease. That's because it only goes half way in replicating the true live Paisley experience. Watching the accompanying concert videos at a Paisley show, whether the venue screen is showing Andy Griffith during Waitin' on a Woman or the montage of recently-deceased celebrities that accompanies When I Get Where I'm Going, reveal how Paisley simply must be seen to be fully enjoyed. Nevertheless, Paisley in concert and captured on »»»
American Saturday Night CD review - American Saturday Night
Brad Paisley has grown up on his eighth album. Yes, the West Virginian maintains a sense of humor, but apparently aging has left its mark on a maturing singer who has never forsaken his country roots. That is ever so apparent in songs like Anything Like Me and Oh Yeah, You're Gone. The former finds Paisley looking at the passage of time through his son's life in a tender, but not sappy look. On the latter, he's a five-year-old boy who doesn't get what he wants, which his grandfather notices. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Perhaps not country, but Urban stars – After Keith Urban scorched a version of "Days Go By," a man in his mid-50s in a Led Zeppelin T shirt said to his rhinestone clad lady friend, "This is not country music, that guy's a rock star." Indeed, the chart topping Aussie further contributes to country's multiple personality disorder, but in a category other than pop.... »»»
Concert Review: Loveless translates her sound well – Once upon a time, Lydia Loveless was part of the country, maybe alt.-country movement, but over time the Ohio-based singer has strayed further from those roots. That was made ever more clear by her rocking - with edge - performance on this evening. That's not to say that there's anything wrong with Loveless' direction - it's just... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
For Shires, home is where the family lies Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today... ... »»»
The Earls of Leicester rattle and roar Something old is new again. The Earls of Leicester, fresh from their first release in late 2014 and the IBMA Entertainer of the Year Award for 2015, followed that remarkable success with "Rattle and Roar."... »»»
Gunslinger CD review - Gunslinger
If naming your release "Gunslinger," you'd better let it rip and go for a harder country sound, especially if donning a black cowboy hat on the cover. The reality does not exactly match that sentiment for Garth Brooks, but at times he comes mighty close. »»»
Christmas Together CD review - Christmas Together
Listening to Garth Brooks' and Trisha Yearwood's new holiday album of (mostly) duets, one is once again reminded how Yearwood is one of the most underrated country artists, whereas - if we're being honest - Brooks is a little on the overrated side. »»»
The Life and Songs of Emmylou Harris CD review - The Life and Songs of Emmylou Harris
Perhaps no artist is so ingrained in the very fibre of modern Americana more than Emmylou Harris. Her presence is everywhere - in the music she makes on her own, in the music she shares with others, in the music that feature finds her simply settled in the background sharing supporting vocals or merely lending inspiration. »»»
Mountain Voodoo CD review - Mountain Voodoo
Balsam Range has been at the heart of mainstream bluegrass music since its debut in 2007. "Mountain Voodoo" is an ambitious, and successful, summation of the first decade. Vocal harmonies provide the core of Balsam Range's music. It's mountain music, to be sure, with lots of vocal range. »»»
Cosmic Hallelujah CD review - Cosmic Hallelujah
The gospel, per Kenny Chesney's pseudo-spiritually-titled album, "Cosmic Hallelujah," is that the world is too crazy to make any sense of, and the only logical response is to drink more alcohol. (So, don't be surprised if there are more arrests for public intoxication at the performer's upcoming concert dates). »»»
Highway Prayer, A Tribute to Adam Carroll CD review - Highway Prayer, A Tribute to Adam Carroll
Adam Carroll doesn't boast anywhere near the recognition factor of, say, Bob Dylan, Townes Van Zandt or any of the other far more famous singer/songwriters that astute insiders frequently compare him to.  »»»