Sign up for newsletter

Paisley, Underwood co-host CMAs

Monday, August 12, 2013 – Brad Paisley and Carrie Underwood will be returning to host the Annual CMA Awards for the sixth consecutive time in November.

The 47th Annual CMA Awards airs live from the Bridgestone Arena in Nashville on Wednesday, Nov. 6 at 8 a.m. eastern on ABC.

The hosts used "CMA Music Festival: Country's Night to Rock" television special to make the announcement. "Carrie and Brad are the consummate hosts," said Ed Hardy, President of the CMA Board of Directors. "They have the respect of our industry, artistic credibility, critical acclaim, and a quick-witted, genuine rapport that makes them popular with our audience and the viewers at home. We are delighted to have them back as hosts for the sixth year."

The CMA Awards nominees and winners are determined by more than 7,000 industry professional members of CMA, which was the first trade organization formed to promote an individual genre of music in 1958.

Winners will be determined in a final round of voting by eligible voting members of CMA. The eligibility period for the 2013 CMA Awards is July 1, 2012 to June 30, 2013.

The second ballot will be emailed to CMA members Tuesday, Aug. 20. Voting for the second ballot closes at Friday, Aug. 30 at 6 p.m. eastern. The final nominees in each of the 12 categories will be announced in September.

Winners will be determined in a final round of voting by eligible CMA members. The third and final ballot will be emailed on Thursday, Oct. 10. Voting for the CMA Awards final ballot ends Monday, Oct. 28 at 6 p.m. eastern.

More news for Brad Paisley

CD reviews for Brad Paisley

Wheelhouse CD review - Wheelhouse
Brad Paisley isn't content to keep doing the same old. In fact, this is probably the least traditional country outing in his career. Yet, a few things remain intact - great guitar playing and singing and a sense of humor without being too kitschy. In fact, Paisley manages to combine the ultra serious with his typical sense of humor. The seriousness is never more apparent from Paisley than on the controversial Accidental Racist with LL Cool J, who helped write and perform it. »»»
Hits Alive CD review - Hits Alive
Brad Paisley's new live hits CD is a bit of a tease. That's because it only goes half way in replicating the true live Paisley experience. Watching the accompanying concert videos at a Paisley show, whether the venue screen is showing Andy Griffith during Waitin' on a Woman or the montage of recently-deceased celebrities that accompanies When I Get Where I'm Going, reveal how Paisley simply must be seen to be fully enjoyed. Nevertheless, Paisley in concert and captured on »»»
American Saturday Night CD review - American Saturday Night
Brad Paisley has grown up on his eighth album. Yes, the West Virginian maintains a sense of humor, but apparently aging has left its mark on a maturing singer who has never forsaken his country roots. That is ever so apparent in songs like Anything Like Me and Oh Yeah, You're Gone. The former finds Paisley looking at the passage of time through his son's life in a tender, but not sappy look. On the latter, he's a five-year-old boy who doesn't get what he wants, which his grandfather notices. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Time makes a difference for Striking Matches – What a difference four months makes. When the duo Striking Matches debuted in Boston in late May, Sarah Zimmerman and Justin Davis capably showed off their skills, but somehow it felt like a lot of songs fell just a bit short. Davis and Zimmerman tended to cut a lot of songs abruptly, never letting them breath enough or fleshing them out.... »»»
Concert Review: Home Free sings out – Home Free, the Minnesota-based a capella quintet that first caught the nation's attention by winning the fourth season of NBC's reality competition The Sing-Off in 2013, is one of the most talented and unique acts in modern country music. The question has always been whether or not the group and their all-vocal style, which includes the... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

No matter what you say, it's The Deslondes In the spirit of hard-hitting journalism, it seemed logical to ask Deslondes vocalist/guitarist Riley Downing the Mike-Wallace-from-60-Minutes question that has to be on everyone's mind: How the hell do you say the New Orleans-based band's name? "It's pronounced 'dez lawn,'" says Downing. "I know there's different ways that people have pronounced it over the course of history...... »»»
Watkins Family make time From their first, self-titled, major label release, the Allison Krauss-produced, "Nickel Creek," two-thirds of that trio - musical siblings Sara and Sean Watkins - have been in the musical spotlight continually since 1999. As for working with her brother off and on for most of their lives, Sara says, "We have been lucky...... »»»
Milk Carton Kids find themselves on "Monterey" Joey Ryan, half of acoustic folk duo the Milk Carton Kids, is girding his loins for the long trip from the band's Los Angeles home base to Australia. Although he's made this trip before, he's yet to acclimate completely to it.... »»»
Runaway Train CD review - Runaway Train
To those with even only a passing familiarity with the history of bluegrass, the name of this young band from Florida is an obvious tribute to the pioneers of the music as exemplified in the person of the late, great Lester Flatt. Perhaps more than any other genre of American music, though, bluegrass has lent itself to acts for whom the music is the "family business." »»»
South Broadway Athletic Club CD review - South Broadway Athletic Club
It's been over two decades since The Bottle Rockets vaulted into the wider consciousness with 1994's "The Brooklyn Side," typified by the heartbreaking Appalachian roots folk swing of "Welfare Music" and the scorching Crazy Horse pop of "Gravity Fails." Since then, frontman/primary songwriter Brian Henneman hasn't been afraid to mix things up or to take a break when necessary. »»»
Lost Time CD review - Lost Time
As a follow up to their Grammy nominated reunion set, "Lost Time" treads the same turf, spotlighting the Alvin brothers' take on some familiar - and a few not so familiar - blues standards of a revered heritage. While the blues comes in many hues, it's not always easy to replicate them with the same tone and tenacity that the signature artists conveyed.  »»»
Southern Drawl CD review - Southern Drawl

With all the belly aching about country music not staying true to its roots, maybe instead of a new entry into the landscape, it is time for a re-entry. Many hoped that Alabama's latest, "Southern Drawl" would be the cure to what ails the traditionalists. But the iconic band tried to walk a very fine line on its first release since 2001's "When It All Goes South." »»»

Turnpike Troubadours CD review - Turnpike Troubadours
Over the course of their career, Oklahoma sons Turnpike Troubadours have exhibited a commitment to melding country music traditions with a ragged edge which perfectly exemplifies the roots of Red Dirt Country. With less of a focus on rock sounds than those in the alt.-country movement, they have built a sound designed to invoke images of smoky barrooms and raucous crowds. After three years, it was worth the wait.  »»»