Bentley gig raises almost $500K for Arizona firefighters' families
Tuesday, July 23, 2013
– A benefit concert last night organized by Dierks Bentley raised almost $500,000 for the families of the 19 firefighters who died in Arizona fighting wild fires.
Bentley staged the Country Cares Concert at Tim's Toyota Center in Prescott Valley, Ariz. for the families of the Granite Mountain Hot Shots.
With just over a week to organize the event, Arizona native Bentley led the charge to raise more than $476,000 with the help of The New KMLE Country @ 107.9, 92.9 KAFF Country and The Band Perry, Randy Houser and David Nail.
Family members of the 19 firefighters and the sole surviving firefighter were in attendance.
Bentley honored the fallen firefighters with a photo tribute during his first-ever performance of brand new song Here On Earth and kicked off a special version of Home with a bagpipe intro by the Rural Metro Pipe and Drum Corp.
All money raised from the event will go to the United Phoenix Firefighters Charities who will directly distribute to the families of the 19 fallen firefighters.
More news for Dierks Bentley
CD reviews for Dierks Bentley
Change was in store for Dierks Bentley when it came to recording his seventh album, "Riser." On the personal front, he lost his father and added to his family, clearly affecting the subject matter of his latest. On the musical front, he traded long-time producer Brett Beavers, producer of every disc except "Up on the Ridge," for Ross Copperman, who has enjoyed more success as a writer, including several previous tracks for Bentley.
Bentley embraces current trends in country »»»
Up on the Ridge
Dierks Bentley takes a left, turn, sort of, on his fifth studio disc. Bentley has built a solid reputation as a country artist with a slew of hits and catchy songs with edge. But here, Bentley goes bluegrass or at least 12 songs steeped in that sound. This is nothing new for Bentley, who previously has recorded bluegrass songs.
Much to his credit, Bentley does not come off as a dilettante, but, instead, someone who feels comfortable with the music from the lead-off title track to the closing sad »»»
Feel That Fire
Like it or not, music is a business. And when an artist as vital to the country world (so-called commercial country and beyond) as Dierks Bentley releases a new record, you can be sure that somewhere, someone in a suit is looking at graphs. So, in that unholy spirit, let's look at "Feel That Fire" in those terms. If it were a pie chart, it'd be dominated by two equally big old slices, one labeled Rockers and one labeled Ballads. The songs making up the former never fail to work »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Millsap shows complete package
Parker Millsap could not be accused of rushing when it came to dropping his meaty, new "The Very Last Day," his third release. The Okie finished recording one year ago, but the disc only saw the light of day in late March. Not only was the wait worth it when it came to the product, but also fleshing it out live.
Millsap delivered the... »»»
Concert Review: Underwood leaves shallow shine at Stagecoach
Saturday night of Stagecoach 2016 had arguably the best lineup of all three days, with three stages chock full of many 'can't miss' performers and a headliner in country queen, Carrie Underwood. And as always, some of the day's best musical moments occurred just out of the reach of the folding-chair-and-beer-koozie crowd.... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
James Reams is one of bluegrass music's unconventional stalwarts. A son of Kentucky, Reams' journey has taken any number of unusual pathways since the mid-seventies. Producing albums for more than 20 years, Reams' ninth release of personable bluegrass, "Rhyme and Season," is a relaunch for Reams, an artist who has never followed a singular route.
After scoring a 2015 IBMA nomination for Best Bluegrass Album for "Cold Spell," Frank Solivan tried something a little different this time around - an album of songs recorded by "Family, Friends and Heroes" (Compass). In an earlier musical life, Solivan served as stalwart in Country Current, the Navy's touring bluegrass band. Solivan left the service and formed Dirty Kitchen, a hat-tip to his background and continuing efforts as a chef.... »»»
Aubrie Sellers just may be onto something on her debut - garage country. After all, we've already witnessed traditional country, new country, neo-traditional, country rock, pop country and bro country. Sellers, a 25-year-old Nashvillian with a big time musical pedigree who released her debut, "New City Blues," in January, said the moniker came to mind as her bio was being written.... »»»
Stephen King tells us "Talent is cheaper than table salt." And what a shaker-full is contained on Martina McBride's latest. Songwriters? Hillary Lindsey, Sarah Buxton and Liz Rose are amongst the world's finest. For a producer, how about Faith Hill's or Taylor Swift's? And lest we forget - McBride herself possesses the best, hemi-powered soprano of any working singer today. This is gaudy, Dream Team level stuff. So, why isn't it better? »»»
Del and Woody
For two years we've been hearing of this recording, a project where original lyrics from Woody Guthrie were to be reinvented as bluegrass songs by the legendary Del McCoury. Like previous sets from Billy Bragg & Wilco (3 volumes of "Mermaid Avenue" released between 1998-2012), Jay Farrar, et al ("New Multitudes," 2012) and The Klezmatics (a pair of 2006 releases), lyrics stored within the Woody Guthrie Archives were turned over to McCoury to be repurposed. »»»
Coming on the heels of her last album, the tellingly titled "Quicksand," Reagan Boggs' latest continues to affirm her reputation as a master of emotion, a performer whose sound and delivery leave no sentiment unturned. Consequently, "Empty Glasses" becomes an equally expressive handle, given that much of the album bears a deliberately downcast disposition. That can also be discerned by reading the names of certain songs -- "Honey I'm Lost"... »»»