Bentley gig raises almost $500K for Arizona firefighters' families
Tuesday, July 23, 2013
– A benefit concert last night organized by Dierks Bentley raised almost $500,000 for the families of the 19 firefighters who died in Arizona fighting wild fires.
Bentley staged the Country Cares Concert at Tim's Toyota Center in Prescott Valley, Ariz. for the families of the Granite Mountain Hot Shots.
With just over a week to organize the event, Arizona native Bentley led the charge to raise more than $476,000 with the help of The New KMLE Country @ 107.9, 92.9 KAFF Country and The Band Perry, Randy Houser and David Nail.
Family members of the 19 firefighters and the sole surviving firefighter were in attendance.
Bentley honored the fallen firefighters with a photo tribute during his first-ever performance of brand new song Here On Earth and kicked off a special version of Home with a bagpipe intro by the Rural Metro Pipe and Drum Corp.
All money raised from the event will go to the United Phoenix Firefighters Charities who will directly distribute to the families of the 19 fallen firefighters.
More news for Dierks Bentley
CD reviews for Dierks Bentley
Change was in store for Dierks Bentley when it came to recording his seventh album, "Riser." On the personal front, he lost his father and added to his family, clearly affecting the subject matter of his latest. On the musical front, he traded long-time producer Brett Beavers, producer of every disc except "Up on the Ridge," for Ross Copperman, who has enjoyed more success as a writer, including several previous tracks for Bentley.
Bentley embraces current trends in country »»»
Up on the Ridge
Dierks Bentley takes a left, turn, sort of, on his fifth studio disc. Bentley has built a solid reputation as a country artist with a slew of hits and catchy songs with edge. But here, Bentley goes bluegrass or at least 12 songs steeped in that sound. This is nothing new for Bentley, who previously has recorded bluegrass songs.
Much to his credit, Bentley does not come off as a dilettante, but, instead, someone who feels comfortable with the music from the lead-off title track to the closing sad »»»
Feel That Fire
Like it or not, music is a business. And when an artist as vital to the country world (so-called commercial country and beyond) as Dierks Bentley releases a new record, you can be sure that somewhere, someone in a suit is looking at graphs. So, in that unholy spirit, let's look at "Feel That Fire" in those terms. If it were a pie chart, it'd be dominated by two equally big old slices, one labeled Rockers and one labeled Ballads. The songs making up the former never fail to work »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Washburn, Fleck give reasons to be happy
"I sing because I'm happy," sang Abigail Washburn toward the end of her show with fellow banjo picker (not to mention, husband) Bela Fleck in the closing number of the night "His Eye is on the Sparrow."
Washburn had a lot of reason to be on this night in a beautiful setting at Harvard University. The two held court over two... »»»
Concert Review: For The Jayhawks, no reissues needed
The Jayhawks have not released any new music since 2011's "Mockingbird Time," but, well actually, there are reasons for one of the key contributors to the alt.-country music.
In July, "Sounds of Lies" (1997), "Smile" (2000) and "Rainy Day Music" (2003) saw the light of day again in expanded reissue versions.... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
Jake Brown can't stop writing about music. Over the past 10 years, he's published 35 books, ranging from "Rick Rubin: In the Studio" and "Suge Knight: The Rise, Fall and Rise of Death Row Records" to "Heart: In the Studio." In 2012, he won the Association for Recorded Sound Collections Awards in the category of Excellence in Historical Recorded Sound Research.... »»»
Perhaps there are few more beloved names in the world of country and bluegrass music than Ricky Skaggs and his wife Sharon of the country music family act The Whites. The two have been close friends since their teenage years through music, first meeting at a festival where White was performing with her father Buck White and sister Cheryl, and Skaggs was playing with Keith Whitley.... »»»
Taking a second look at the two-album deal he had recently signed with the Rounder/Concord group, and then at his busy upcoming touring schedule, Jerry Douglas suddenly realized he didn't have a lot of time to waste. The first album, "Three Bells," a collaboration with fellow resophonic guitar (aka "Dobro") titans Rob Ickes of Blue Highway and the late Mike Auldridge was pretty much ready to go, the sessions having been completed shortly before Auldridge's passing in December 2012 following a lengthy struggle with cancer.... »»»
Rock & Roll Time
One of the seminal figures in the development - some would say, the assault - of early rock 'n' roll, Jerry Lewis always possessed pure country credence as well. His initial outings mined the full spectrum of his rural Louisiana roots, bringing them to bear in a daring, often outrageous display of unrepentant madness and machismo that rivalled Little Richard and even Elvis himself in terms of sheer bravado. »»»
The title of Florida Georgia's second full length is accurate. For the duo of Tyler Hubbard and Brian Kelly, that means girls, girls and more girls plus an ultra dose of partying. That is evident from the refrain of the title track, which, of course, focuses on Friday night activities. "I brought the songs and you brought the party/Only one way to do it up right..."
Old Boots, New Dirt
Arguing whether or not Jason Aldean's kinda (country) party is, in fact, anything remotely related to true country music is pointless. Aldean is so entrenched in the mainstream country marketplace now, we just need to accept him as he is, the same way we reluctantly accept Taylor Swift as "country." It's mighty tempting to subtitle a review of Aldean's new "Old Boots, New Dirt" release as 'Pickup Trucks & Pickup Lines," »»»