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Firefighters benefit show sells out

Friday, July 12, 2013 – The Country Cares Concert to benefit The Granite Mountain Hot Shots, organized by Dierks Bently, sold out with more than 6,000 tickets sold for the July 22 event in Prescott Valley, Ariz. at Tim's Toyota Center.

The New KMLE Country @ 107.9 and 92.9 KAFF Country organized the concert with Bentley and after the sell out this morning, special guests The Band Perry, Randy Houser and David Nail joined on to help raise money for the families of the 19 firefighters who lost their lives in last week's wildfires.

"Country fans are the best, and when their friends need help, they show up," said Bentley. "This is my hometown, and I feel a huge pull to go back and be there with them and do what I can to help. I've had some friends speak up and say they wanted to come help, so we're going to put together a special night of music, raise some money and hopefully leave these families and this community with some positive memories."

"We feel very blessed this concert sold out so quickly," said KMLE Country @ 107.9 Program Director Tim Richards. "Thanks to these artists for putting together such an amazing event in such a short amount of time. We hope families of the firefighters know how much the Arizona community cares about them."

All proceeds from the concert will go to the United Phoenix Firefighters Charities who will distribute directly to the families of the 19 fallen firefighters.

More news for Dierks Bentley

CD reviews for Dierks Bentley

Black CD review - Black
Dierks Bentley seems intent on expanding his musical boundaries, but he may have overreached too much in eschewing where he came from. That most evident by the dominating textured beats. Producer Ross Copperman and Bentley seem hell bent on injecting odd meters and sounds, sharp detours from past efforts. Unfortunately, the atmospheric beats muddy up the vocal delivery on "Freedom," a song that stretches far too long at almost four minutes. Bentley also channels U2 with its »»»
Riser CD review - Riser
Change was in store for Dierks Bentley when it came to recording his seventh album, "Riser." On the personal front, he lost his father and added to his family, clearly affecting the subject matter of his latest. On the musical front, he traded long-time producer Brett Beavers, producer of every disc except "Up on the Ridge," for Ross Copperman, who has enjoyed more success as a writer, including several previous tracks for Bentley. Bentley embraces current trends in country »»»
Up on the Ridge CD review - Up on the Ridge
Dierks Bentley takes a left, turn, sort of, on his fifth studio disc. Bentley has built a solid reputation as a country artist with a slew of hits and catchy songs with edge. But here, Bentley goes bluegrass or at least 12 songs steeped in that sound. This is nothing new for Bentley, who previously has recorded bluegrass songs. Much to his credit, Bentley does not come off as a dilettante, but, instead, someone who feels comfortable with the music from the lead-off title track to the closing sad »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Aldean and friends stretch it out, way out – Jason Aldean's tour, "Six String Circus," gets its name from his recent single, "Lights Come On." And titling his tour after a guitar - and more appropriately an electric guitar - makes all the sense in the world. Each act on the bill, which also included A Thousand Horses and Thomas Rhett, use a lot of guitars - but mostly in... »»»
Concert Review: The Jayhawks remain in top form – It's usually a good time to catch a band right after they've released one of their better albums, and "Paging Mr. Proust" is one of The Jayhawks' best. Comprised of smart songs, which consistently put lead singer Gary Louris' engaging vibrato to proper use and instrumental textures that oftentimes stretch the Minnesota act... »»»
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