Sign up for newsletter
 

After MidNight names Aldean, Bryan, Underwood, Lady A, Owen as hosts

Thursday, July 11, 2013 – Jason Aldean, Luke Bryan, Lady Antebellum, Jake Owen and Carrie Underwood will be the first of 20 artists to take over the After MidNite show after Blair Garner steps down July 31.

Garner is a DJ at Nash FM in New York.

The takeover, which runs from Aug. 1 through the end of 2013 will also feature special performances and interviews.

Underwood will host Aug. 1-2; Aldean the week of Aug. 5; Bryan the week of Aug. 12; Lady Antebellum's Charles Kelley and Dave Haywood the week of Aug. 19 and Jake Owen the week of Aug. 26.

"Premiere Networks has had a successful relationship with Blair Garner for many years and we wish him all the best with his new program," stated Jennifer Leimgruber, Premiere Networks Executive Vice President of Music Programming. "We look forward to announcing a new host for After MidNite in the near future. In the meantime, we're excited to welcome the biggest stars in country music as they put their stamp on After MidNite and help us celebrate this special milestone."

"After MidNite was just my little dream," Garner said. "Now some 20 years later, I'm so proud of what Premiere and I have accomplished. Premiere has been so gracious as I've pursued my new dreams of hosting mornings on Nash FM in NYC. It proves that even in the most competitive environments, two giant companies can work together to make big things happen. I'm so thankful to [Cumulus'] John Dickey and [Premiere's] Julie Talbott for bending over backwards for me through my transition to a morning host. Good people do good things. After MidNite was a wonderful chapter for me. But what lies ahead is the meat of the book, and I'm so glad that my partner in this new chapter is Cumulus. Congratulations to everyone involved."

On Nov. 13, 1993, After MidNite aired for the first time on 12 stations. Within 4 months, more than 100 affiliates were on board. The show is nationally syndicated by Premiere Networks and can be heard on more than 230 affiliates by 2.7 million weekly listeners.

More news for Jason Aldean

CD reviews for Jason Aldean

Old Boots, New Dirt CD review - Old Boots, New Dirt
Arguing whether or not Jason Aldean's kinda (country) party is, in fact, anything remotely related to true country music is pointless. Aldean is so entrenched in the mainstream country marketplace now, we just need to accept him as he is, the same way we reluctantly accept Taylor Swift as "country." It's mighty tempting to subtitle a review of Aldean's new "Old Boots, New Dirt" release as 'Pickup Trucks & Pickup Lines,' as Aldean spends a little time »»»
Night Train CD review - Night Train
Jason Aldean is getting used to the view from the top. His last album "My Kinda Party" spawned 5 Top 10 singles and has charted for almost 2 years. Driven by rocking country coupled with rap and a power ballad, that album seemed to rise to the top of the charts organically. With his fifth release, "Night Train," he seems to be taking dead aim at the summit. Aldean is at his best as a studly outlaw, but the majority of the material on "Night Train" is clichéd »»»
My Kinda Party CD review - My Kinda Party
Jason Aldean covers plenty of familiar ground in his latest offering, moving with ease from tanned-leg Georgia dreams to square cornfields to a fairly even mix of church pews and bar stools. If anything, the album is a bit too seamless, one song melding into the next, the words on many evaporating into thin air. But it all adds up to a very good time - exactly what you'd hope for with an album with "party" in its title. Don't Wanna Stay , a duet with Kelly Clarkson (of all »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Avett Brothers come home – For the 30th anniversary of the "Traditional Plus" MerleFest music festival, there might not be a more appropriate act to anchor the opening night than the Avett Brothers. Born of a desire to bring rock 'n' roll energy to traditional music and formed by devotees to Doc Watson, The Avetts may have outgrown their acoustic roots over... »»»
Concert Review: Turnpike Troubadours leave no doubt – Turnpike Troubadours have not released an album since mid-September 2015. Don't look for any new release hitting the streets any day now either. The last time the Oklahoma-based band played Boston, they were in a pretty, 1,200-seat theatre. So, one could have been outwardly skeptical about the band when it downsized to a venue on the outskirts... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

The Avett Brothers come home to MerleFest For The Avett Brothers, MerleFest is a coming home of sorts. This year's edition of the MerleFest "traditional-plus" music festival in Wilkesboro, N.C., the event's 30th anniversary, a milestone sure to be marked by many different special appearances and commemorations during the festival's four-day run, is no exception.... »»»
Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
The Harmed Brothers CD review - The Harmed Brothers
Let's put it succinctly. The Harmed Brothers may be the best band no one has ever heard of. Well, maybe that's an exaggeration. They do have their ardent admirers, so let's not discount their following entirely. Still, for those who are unaware, the band's new eponymous effort ought to make it clear that this is a group with a wealth of resources at their command. »»»
West Coast Town CD review - West Coast Town
Chris Shiflett is best known as a guitarist in Foo Fighters, but he's also has some authentic traditional country in his bones. Inspired, in part, by much of the fine vintage country music created in California, "West Coast Town" lets Shiflett show off his country music skills. »»»
Something's Going On CD review - Something's Going On
Trace Adkins' wonderful low singing voice can be a little deceptive because he could easily sing utter crap and still somehow sound great. It's why the critical ear must pay close attention to specifically what he's saying in his songs whenever evaluating his work. Adkins doesn't write his own songs, so he's entirely dependent upon stellar writers.  »»»
Patriots & Poets CD review - Patriots & Poets
From time to time an album comes along with exactly the right message and meaning at exactly the right time - "Patriots & Poets" is one of those albums. Dailey and Vincent initially set out to create a project full of songs they had written independently, together and with close friends. While succeeding mightily in that regard, they also created a beautiful love letter to America and her people... »»»
WildHorse CD review - WildHorse
Someone needs to inform karma that Raelynn is not getting what she deserves. It takes a lot of work to mess this equation up: national TV exposure (from "The Voice"), a monster hit (2014's "God Made Girls") and famous friends who've practically adopted you (like Blake Shelton). This is all atop her twangy Texan charm and very capable singer/songwriter chops. »»»
Way Out West CD review - Way Out West
Marty Stuart's "Way Out West" is, in part, his tribute to the music of California. The title cut gets straight to the point with a psychedelic journey song, which is as much a warning against drug abuse as it is a physical trip to the golden state. "Time Don't Wait" alludes to much of the garage rock that came out of California '60s, and more specifically points back to The Byrds' heyday with its glorious jangling Rickenbacker guitar part.  »»»