Tritt resurfaces, The Deadly Gentlmen debut, Murphey mixes it up
Tuesday, July 9, 2013
– Travis Tritt returns with his first disc in six years, sort of. "The Calm After..." is out today on his own label. The disc actually is a reissue of his 2007 disc, "The Storm," which embroiled the Georgia singer in a protracted lawsuit with his label Category 5. The label went under thanks to a cloud of legal issues surrounding its owner, who eventually went to jail. The disc contains two new songs, including one with his daughter, Tyler Reese, 15, who sing the Patty Smyth/Don Henley hit Sometimes Love Just Ain't Enough.
Veteran Michael Martin Murphey also releases an album, "Red River Drifter," on his own label. The music is varied including country and blues.
Boston-based quintet The Deadly Gentlemen make its Rounder debut with "Roll Me, Tumble Me." The disc, its third overall, contains 10 songs from a band including Greg Liesz on banjo, Sam Grisman on bass, mandolinist Dominick Leslie, fiddle player Mike Barnett and guitarist Stash Wyslouch.
CD reviews for The Deadly Gentlemen
Roll Me, Tumble Me
With their third release, the Boston-based the Deadly Gentlemen deliver a mix of bluegrass, folk, pop and rock. Banjoist Greg Liszt (formerly of Crooked Still and Bruce Springsteen's touring band) wrote all 10 songs for the project, including re-workings of some past compositions.
Though not as overtly comical as the Austin Lounge Lizards much of Liszt's writing is humorous, including the title track (previously recorded for their 2008 album "The Bastard Masterpiece") »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Alabama Shakes, Elvis celebrate music
Donald Trump was nowhere to be seen at the final day of the Newport Folk Festival, but that didn't mean he was ignored. Maybe it was the political roots of folk music. The Republican presidential candidate was mentioned at least three times - all by foreign musicians - during the finale. No one exactly endorsed his candidacy either.... »»»
Concert Review: Newport Folk Fest retains its beauty
With acts ranging from Ray LaMontagne to The Staves to Case/Lang/Veirs, the Newport Folk Festival ran the gamut from tried and true to not so well known to brand new (sort of) acts.
And that was the beauty of day one of the festival in enabling attendees to sample a wide range of music and genres, albeit little of it folk as we once knew it.... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
Four years after forming in Boston and a year after receiving their first major award (an IBMA Momentum nod), when most bands might be expected to have two or three already in circulation, the Lonely Heartstring Band finally has its first full-length CD release "Deep Waters" (Rounder) out on the street.... »»»
Sam Bush is back with a new record, "Storyman," not that he ever went anywhere. Identified with The Telluride Bluegrass Festival, which he has played in one form or another for each year but one, he helped define the new grass sound. Starting with Poor Richard's Almanac (along with Alan Munde and Wayne Stewart) in 1970, continuing to turns with New Grass Revival and Nash Ramblers, Bush has played fiddle, mandolin and mandolin variants (including slide mandolin) solidly since that time.... »»»