Crow, Allan go Free and Easy
Monday, June 24, 2013
– Sheryl Crow and Gary Allan confirmed this morning they will co-headline the Free And Easy tour this fall.
September shows at The Greek Theatre in Los Angeles, the Santa Barbara Bowl and the Rabobank Theatre in Bakersfield, Cal. were announced today. Tickets for the shows will go on sale this Saturday, June 29.
Crow will released her first country disc, "Feels Like Home," on Sept. 10. Allan's last disc, "Set You Free," came out in January.
"Sheryl and I met while doing some guitar pulls earlier this year and started talking about doing something together. The timing seemed right and 'Free and Easy' just came natural to us both," said Allan. "If we're near you, come on out. It's going to be a good time."
"I love Gary's music," said Crow. "He puts on the kind of show that I like to go see so I am thrilled to be out with him on tour, and really look forward to be able to perform my new music to the country fans this fall."
Sept. 13- Santa Barbara Bowl, Santa Barbara, CA
Sept. 14- The Greek Theatre, Los Angeles, CA
Sept. 15- Rabobank Arena, Bakersfield, CA
Additional dates will be announced later.
More news for Gary Allan
CD reviews for Gary Allan
Set You Free
Gary Allan sets it straight where his musical universe is at when he starts the disc with the words "That was a tough good bye" in Tough Goodbye. You know this is not going to be an easy, joyful ride throughout these dozen songs mainly constricted to heartache and hurting, just as Allan's past would indicate. A look at the song titles - It Ain't the Whiskey, You Without Me, Hungover Heart - makes that abundantly clear.
The number one hit Every Storm (Runs Out of Rain) is a »»»
Get Off on the Pain
The title may not evoke pretty images, and Gary Allan makes it clear where he's coming from, starting with the title. This is not the feel-good, pop country infiltrating the country airwaves these days. Life and especially love ain't easy at all, and Allan makes damn sure you know that in case it wasn't absolutely, positively clear.
Allan's voice is killer, easily one of country's best, and he utilizes that to great effect here (as usual). There's a tremendous »»»
Gary Allan's latest album shows the musician branching out slightly from his roots rock-meets-country feel of previous albums with the pretty, Americana-laced opener "Watching Airplanes" kicking things off. And while the song brings Tim McGraw to mind, Allan puts his own spin on it that comes complete with subtle strings. But the singer is intent on driving the same flavor home with the slow-building "We Touched The Sun" and later on with "Learning How To Bend" »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Yes, Town Mountain is "really good"
Town Mountain exited the stage after concluding its regular set, and when the applause demanded the deserved encore, a fan yelled out "You guys are really good." That the mainly Asheville, N.C.-based bluegrass quintet demonstrated time and again.
Town Mountain merged bluegrass and country sounds with enough alterations during the 81-minute... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
Trampled By Turtles is an indie folk group, an alt.-country band or a bluegrass act - depending on how you choose to look at them. Perhaps it's best to view the outfit as the ultimate combo platter consisting of just about everything that's good about American music. They play wonderfully, yet they also write intelligent songs that draw everyone from Townes Van Zandt to Nirvana to Ralph Stanley. It's all good, and some (or all) of these influences can be spotted in most of Trampled By Turtles' enjoyable sounds.... »»»
If you move in alt.-country/Americana circles, you simply cannot get away from the name Parker Millsap. He's certainly one of the biggest buzz artists of 2014. Better still, his self-titled album lives up to all the hype. He's a smart songwriter and a passionate singer and is essential listening for anybody looking for high quality contemporary music. Millsap also creates music appealing to a wide variety of musical tastes. You can make a case that he's a country guy, but you can also hear a lot of blues and folk. And if you attempt to put a label on him, he'll quickly tear it right off.... »»»
What a difference a year can make. Last year, Sturgill Simpson was overly anxious about the arrival of his debut album, "High Top Mountain." This year, Simpson is simultaneously anticipating the birth of his debut child and his just-released sophomore album, "Metamodern Sounds in Country Music," and his mood couldn't be more relaxed and joyous.... »»»
NASHVILLE OUTLAWS: A Tribute To Motley Crue
If you're expecting down home, countrified versions of metal band Motley Crue songs from "Nashville Outlaws: A Tribute to Motley Crue," you probably don't listen to a whole lot of mainstream "country" music. Most likely, this album's original conception was a rather crass attempt to capitalize on the large contingent of classic rock fans that also listen to and enjoy older rock's continuing influence on contemporary country music. »»»
The No-Hit Wonder
After only four albums in a dozen years, there's a certain truthfulness that comes with a title like "The No-Hit Wonder." On the other hand, Cory Branan's apparent attempt at modesty belies a talent that deserves to garner notice, thanks to a wry yet infectious songwriting style that takes pains to share its strengths without ever requiring a second listen. If Branan is reticent to show he's worthy of chart placement, it's certainly not evident here. »»»
When we last heard from Sunny Sweeney in 2011 with "Concrete," her major label debut on Big Machine showed a very different side of Sweeney, whose album 5 years earlier was appropriately titled "Heartbreakers Hall of Fame." Texas honky tonk and traditional country songs blanketed her debut, but the same could not be said for "Concrete," which was the kind of disc that those bemoaning slicked up country had reason to be right. »»»