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Well-known music writer Chet Flippo dies

Wednesday, June 19, 2013 – Chet Flippo, a longtime music writer at CMT and Billboard, has passed away.

Flippo was born in Fort Worth, Texas and was in the U.S. Navy during the Vietnam War. Flippo worked as Contributing Editor for Rolling Stone and later became Rolling Stone's New York Bureau Chief in 1974.

While covering the Rolling Stones, Bob Dylan, John Lennon and The Who, he also started the magazine's coverage of country music.

He left the magazine in 1980 to write "Your Cheatin' Heart: A Biography of Hank Williams." He subsequently wrote books on Paul McCartney, Graceland, the Rolling Stones and David Bowie.

Flippo later worked for Billboard as its Nashville bureau chief from 1995-2000. He received the Country Music Association's 1998 CMA Media Achievement Award. He also worked for SonicNet.com and was Editorial Director of CMT and CMT.com.

Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Aldean and friends stretch it out, way out – Jason Aldean's tour, "Six String Circus," gets its name from his recent single, "Lights Come On." And titling his tour after a guitar - and more appropriately an electric guitar - makes all the sense in the world. Each act on the bill, which also included A Thousand Horses and Thomas Rhett, use a lot of guitars - but mostly in... »»»
Concert Review: The Jayhawks remain in top form – It's usually a good time to catch a band right after they've released one of their better albums, and "Paging Mr. Proust" is one of The Jayhawks' best. Comprised of smart songs, which consistently put lead singer Gary Louris' engaging vibrato to proper use and instrumental textures that oftentimes stretch the Minnesota act... »»»
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