Loveless celebrates 25 years at the Opry
Monday, June 17, 2013
– The Grand Ole Opry honored Patty Loveless on her 25th anniversary as an Opry member this past weekend with performances by Loveless and fellow Opry members Vince Gill and Loretta Lynn.
Loveless was inducted as an Opry member on June 11, 1988.
Following an hour of Loveless solo hits, vocal collaborations, and performances by friends of the guest of honor in front of a sold-out Opry House Saturday night, Opry Vice President and General Manager Pete Fisher honored the 25-year member with a commemorative print and words about her career. "This has been an absolutely magical night at the Grand Ole Opry. I think we have heard everything that makes country music great," Fisher said. "If I was to describe what makes country music great, I would use the name Patty Loveless," he continued, describing Loveless as doing everything with "grace, humility, and excellence."
Loveless responded, saying, "It's hard to believe it's been 25 years. I know my family is listening in tonight, and I'm sure they are very, very proud of this moment for me. My dreams were their dreams as well."
The night concluded with Loveless and Gill collaborating on their beloved 1995 release Go Rest High On That Mountain. The two were joined by a number of other artists who had appeared on stage earlier in the evening.
More news for Patty Loveless
CD reviews for Patty Loveless
Mountain Soul II
Patty Loveless' first venture into bluegrass, "Mountain Soul," along with a performance slot on the popular Down From the Mountain tour in 2001, helped Loveless to find a spotlight of her own in bluegrass. Eight years later, Loveless lends her still supple voice to a blend of bluegrass songs, traditional gospel tunes and even several self-penned songs, with solid, if not superb, results.
Loveless' voice occasionally shows signs of age here, but that very element brings a »»»
Quite simply, Patty Loveless is one of the finest traditional country singers in the past 15 years, and this covers collection that sometimes goes way back in time on a new label does nothing to dispel that fact one iota. She may be in middle age - and perhaps considered "old" by modern radio standards - but no need to worry about quality. The voice still reigns supreme. She wrings the lyrics for much emotion without overdoing it ("why did you go/don't you know I need »»»
Dreamin' My Dreams
Patty Loveless hit her peak popularity well over a decade ago now, with hits like "Timber, I'm Falling in Love" and "I Try to Think About Elvis." But in recent years, she's quietly recorded some of her best music, turning to bluegrass on "Mountain Soul" and now returning to more standard country fare.
Loveless' success has been based on two factors. First is incredible song selection - Loveless and her husband/producer Emory Gordy Jr. have a knack for finding songs that express the joy and pain »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Gibson Brothers join "Brotherhood" in style
The idea of releasing "Brotherhood" by veteran bluegrass band The Gibson Brothers was a natural. The disc paid tribute to a long list of brother acts including the Everlys and lesser known acts like the York Brothers and the Four Brothers.
While the younger Gibson, Leigh, sure gave Eric a ton of grief throughout the show - all in jest, of... »»»
Concert Review: Moorer, Gauthier pull for each other
In their own right, Allison Moorer and Mary Gauthier did not really need the other because each is most capable of headlining.
But in one of those geniuses of booking, fans had the chance to see the two in a most enjoyable and alternative setting - a good, old-fashioned guitar pull.
That meant that the two were seated in comfortable chairs on... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
Young bluegrass artist Nathan Stanley doesn't fall far from the branches of the family tree; he honors the legacy of his grandfather, Dr. Ralph Stanley, by delivering straight ahead traditional bluegrass music, interpreting old classics that have shaped him and his music. At the same time, young Stanley is an original, refusing to sing the old songs in the ways they've been performed before. "If it's been done," he says, "I don't think I'll do it that way."... »»»
Eric Gibson, the elder (by less than a year) of the award winning, New York-born Gibson Brothers says that the new Rounder release by he and brother Leigh, "Brotherhood," was more than a decade in the making. "It seemed like every time we'd get ready to do a new record, we'd have a batch of new songs that we felt we needed to get out there...but (Leigh) really pushed me on this... »»»
When you call yourselves The Mavericks, you have a reputation to live up to. The long-running country band may have addressed that issue from the get go with "Mono," their second disc since reforming in 2011. For non-audiophiles, music is almost exclusively recorded in stereo, considered a higher quality sound.
Canaan Smith EP
Virginia-native, Belmont educated, Canaan Smith was deemed as "One to Watch in 2012" after his debut single "We Got Us" charted that year. Still, it was nearly three years before his next single "Love You Like That" dropped this past summer. With more than 200,000 downloads, it went number 1 on Sirius XM, but fans have been forced to wait until now for an EP release. »»»
Nothing But the Silence
The concept of female/male country duos is not new exactly, but it's a rare breed these days. There's Thompson Square, and there was the far too short-lived The Civil Wars. And now Striking Matches are out with their debut full-length, which skews far closer to Joy Williams and John Paul White than the Thompsons. »»»
Joe Pug is one of those exceptionally astute artists who, despite their best efforts, find themselves inhabiting the marginal fringes of wider acclaim. It's frustrating, but still a fact that he's yet to achieve the wide recognition that's so clearly his due. With "Windfall," Pug imagines the larger goal implied by the album's title, thanks to a set of songs offering emotional resilience and a decidedly emphatic impression. »»»