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Loveless celebrates 25 years at the Opry

Monday, June 17, 2013 – The Grand Ole Opry honored Patty Loveless on her 25th anniversary as an Opry member this past weekend with performances by Loveless and fellow Opry members Vince Gill and Loretta Lynn.

Loveless was inducted as an Opry member on June 11, 1988.

Following an hour of Loveless solo hits, vocal collaborations, and performances by friends of the guest of honor in front of a sold-out Opry House Saturday night, Opry Vice President and General Manager Pete Fisher honored the 25-year member with a commemorative print and words about her career. "This has been an absolutely magical night at the Grand Ole Opry. I think we have heard everything that makes country music great," Fisher said. "If I was to describe what makes country music great, I would use the name Patty Loveless," he continued, describing Loveless as doing everything with "grace, humility, and excellence."

Loveless responded, saying, "It's hard to believe it's been 25 years. I know my family is listening in tonight, and I'm sure they are very, very proud of this moment for me. My dreams were their dreams as well."

The night concluded with Loveless and Gill collaborating on their beloved 1995 release Go Rest High On That Mountain. The two were joined by a number of other artists who had appeared on stage earlier in the evening.

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CD reviews for Patty Loveless

Mountain Soul II CD review - Mountain Soul II
Patty Loveless' first venture into bluegrass, "Mountain Soul," along with a performance slot on the popular Down From the Mountain tour in 2001, helped Loveless to find a spotlight of her own in bluegrass. Eight years later, Loveless lends her still supple voice to a blend of bluegrass songs, traditional gospel tunes and even several self-penned songs, with solid, if not superb, results. Loveless' voice occasionally shows signs of age here, but that very element brings a »»»
Sleepless Nights CD review - Sleepless Nights
Quite simply, Patty Loveless is one of the finest traditional country singers in the past 15 years, and this covers collection that sometimes goes way back in time on a new label does nothing to dispel that fact one iota. She may be in middle age - and perhaps considered "old" by modern radio standards - but no need to worry about quality. The voice still reigns supreme. She wrings the lyrics for much emotion without overdoing it ("why did you go/don't you know I need »»»
Dreamin' My Dreams CD review - Dreamin' My Dreams
Patty Loveless hit her peak popularity well over a decade ago now, with hits like "Timber, I'm Falling in Love" and "I Try to Think About Elvis." But in recent years, she's quietly recorded some of her best music, turning to bluegrass on "Mountain Soul" and now returning to more standard country fare. Loveless' success has been based on two factors. First is incredible song selection - Loveless and her husband/producer Emory Gordy Jr. have a knack for finding songs that express the joy and pain »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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