Lambert wins big at CMT Music Awards
Wednesday, June 5, 2013
– Miranda Lambert won the big award at the CMT Music Awards in Nashville on Wednesday with Performance of the Year for Over You.
Lambert and Florida Georgia Line took two awards apiece.
Video of the Year: Carrie Underwood, Blown Away
Male Video of the Year: Blake Shelton, Sure Be Cool If You Did
Female Video of the Year: Miranda Lambert, Mama's Broken Heart
Group Video of the Year; Lady Antebellum, Downtown
Duo Video of the Year: Florida Georgia Line, Cruise
Breakthrough Video of the Year: Florida Georgia Line, Cruise
Collaborative Video of the Year: Jason Aldean with Luke Bryan and Eric Church, The Only Way I Know
CMT Performance of the Year: Miranda Lambert, Over You
More news for Miranda Lambert
CD reviews for Miranda Lambert
Every once in a while an album comes along that restores your faith in mainstream country music. Miranda Lambert's "Revolution" is just such a recording. It's not revolutionary, as the title might suggest. Instead, this CD is chock full of topnotch songs that are both memorable and sincere and never sound slick or overproduced. (Come to think of it, such old school values as these may in fact be revolutionary around Nashville).
Lambert vocalizes a bit like a little girl at »»»
Even though it sounds like a cliche from the big book of country songwriting, the truth is that, when the timing's right, a loser can end up being the biggest winner of all. Today's object lesson comes from Miranda Lambert and her sophomore album, the follow-up to her 2005 near-platinum debut, "Kerosene."
Imagine for a moment if the then-19-year-old had actually taken the crown in 2003's Nashville Star and then been forced into the studio within weeks to be primped and »»»
There's a maturity to be found on Miranda Lambert's big-label debut that comes out as much in her writing as in her singing. It will likely surprise most that this Texas singer/songwriter is only 21 and admits that her own life experiences and trip to the big time really hasn't been all that difficult. But since her parents are private investigators, what she hasn't experienced she's heard and that's reflected in the diversity and depth of the 11 songs she wrote or co-wrote. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Hurray for the Riff: more than just a great name
Hurray for the Riff Raff is one well-named group. Not that it signifies all that much musically, but at least it's catchy and makes you want to root for the underdog. With a lot to live up moniker wise, the band in concert - which, in reality, is lead singer Alynda Lee Segarra from New Orleans and her backing mates - more than lived up to the "pressure.... »»»
Concert Review: Carolina Chocolate Drops easily weather changes
The personnel in the Carolina Chocolate Drops may have changed drastically over the last few years - two of its three founding members are no longer - but that apparently has not had any impact whatsoever on the group both when it comes to the musical direction and the ability to come through in concert.
Rhiannon Giddens, who plays fiddle... »»»
Country News Digest
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Currently at the CST blogs
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Turn It Up
Josh Thompson's sophomore release, "Turn It Up" is his first on Toby Keith's Show Dog label. It seems to be a good match because both artists are cut from the same cloth. Thompson is also known as a champion of the everyman. Turns out they both have the same tendency to go over the top. Thompson excessively showcases the blue collar lifestyle the way Keith champions patriotism. »»»
Jerrod Niemann's new "High Noon" album is better than the annoying single, "Drink to That All Night," might lead you to believe. Fortunately, the album is not completely a Luke Bryan sound-alike. Even so, there are moments where Niemann sometimes sounds a little too much like his musical contemporaries. »»»