Sign up for newsletter
 

Fulks returns home

Tuesday, June 4, 2013 – Robbie Fulks is going home. The one-time Bloodshot Records label artist will return to the Chicago-based country roots label with a release due in August.

"Gone Away Backward" drops Aug. 27. The 12-song album - and his first on the label since 2001 - was recorded and mixed by Steve Albini (Nirvana, Pixies, The Breeders) at Electrical Audio in Chicago, and will be available on CD/LP/digital.

"As opposed to this idea that I'm 'coming back to Bloodshot' (the verb 'crawling' has also been muttered behind sleeves) I don't feel like I ever left," said Fulks with his trademark humor. "For sure, I never slammed the door behind me in proud, valedictory defiance. Well, not since 1997 anyhow. Since then, I've co-released two records with them ("Very Best of [me]" in 1999 and "13 Hillbilly Giants" in 2001), doing separate runs on my imprint and theirs. I used their retail distribution network and other resources on "Couples in Trouble" in 2001. I contributed to compilations they put out in 1999, 2000, 2002, 2004, and 2006, and played for their 15th anniversary in 2011. Also in '11 they helped me market my little tribute to Michael Jackson."

"Most people would pick 'Put out a Michael Jackson tribute record' as the best definitive answer to the question, 'How do I make Bloodshot Records go away?' However, Bloodshot Records won't go away. I see them at shows and seminars and parties and, in the case of Rob (part owner Rob Miller), wherever liquor is sold. When I go down to the Bloodshot office to buy records from my catalogue, there they are. Bloodshot. One reason I see Nan and Rob with some frequency is that we live in the same general area. Chicago is a big place, but the country music community is quite small. When you exclude style-hopping working stiffs who occasionally slap on Stetsons,and the usual corporately polished radio-imitation nonsense, there's maybe 10 of us. No, there's 9 - Kelly [Hogan] went to Wisconsin. So fate has really thrown us into the same cramped cauldron. Not a bad place to be at all. At this point, I think we're kind of impressed, with each other and ourselves, that we're still in the game; the smart money 20 years ago was on our being wards of the state by now."

The disc features Mike Bub (banjo, bass fiddle, vocals), Robbie Gjersoe (guitar, mandolin, vocals), Jenny Scheinman (fiddle) and Ron Spears (bass fiddle, mandolin, vocals).

Songs on the CD are:
I'll Trade You Money for Wine
Where I Fell
Long I Ride
That's Where I'm From
When You Get to the Bottom
Snake Chapman's Tune
Imogene
Pacific Slope
Sometimes the Grass is Really Greener
Guess I Got It Wrong
The Many Disguises of God
Rose of the Summer

Fulks, 50, released 1 album on Geffen ("Let's Kill Saturday Night" in 1998) and three on Yep Roc.

More news for Robbie Fulks

CD reviews for Robbie Fulks

Gone Away Backward CD review - Gone Away Backward
Robbie Fulks is going backwards in more ways that one - not that that's a negative. For starters, he's back with Bloodshot - the label where he released four of his first six albums, but none since "13 Hillbilly Giants' in 2001. Also evident of his coming home feel is that he may hearken back even further to his time with bluegrass band Special Consensus as Fulks opts for an acoustic, often bluegrass sound, sometimes country or folk on these dozen songs. »»»
Revenge! CD review - Revenge!
With a highly regarded live show, it's about time Robbie Fulks finally put out a record of it. Actually, this is a 2-disc, 23-track record that brings together two performances from last year. The first disc, recorded in Champaign, Ill., with Fulks' excellent road band, starts with the new and very funny "We're On the Road," which gets things off to a good-natured, goofy start complete with a fake call from Yep Roc's head telling him he's past due for a new release. »»»
Georgia Hard CD review - Georgia Hard
Robbie Fulks' reputation as an insurgent might provide an ironic clash to this record's commercial sound, if the sound wasn't a 30-year throwback. The singer who once penned "Fuck This Town," appears to have reconsidered Music City, and poured himself into a truly fine set of country songs. From the tight bluegrass harmonies and Sam Bush's mandolin trimmings on the opener, to the String Machine ballad "Leave it to a Loser," Fulks connects with the heart and soul of Nashville's mid-'70s commercial country sound. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Morlix overcomes album covers – Guitarist Gurf Morlix seemed ultra concerned when talking about his CD covers. Who could blame him when the two of his album covers - the just released "Eatin' At Me" and "Toad Of Titicaca" - received their share of criticism, which had nothing to do with the music contained therein? In fact, Morlix pointed out that he made... »»»
Concert Review: At Shaky Boots day 2, soggy weather doesn't dampen music – Some things are too good to last, and in Atlanta, that includes a rain-free weekend. The skies that were so clear and sunny on Shaky Boots' first day turned to rain on the second, but even that couldn't dampen the good mood of the attendees - or the good music. John and Jacob, a new group from Alabama, won the award for best-dressed... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Thanks to Wills, AATW remains the king After over 40 years of touring and recording as the founder, lead guitar and front-man for Western Swing music's standard-bearers, Asleep At The Wheel, Ray Benson has a lot of irons in the fire these days. In fact, with his TV show Texas Music Scene a hit throughout the southwestern U.S. and touring in support of AATW's new release, "Still the King: Celebrating the Music of Bob Wills and His Texas Playboys," he is as busy now as ever.... »»»
Pug turns writer's block into "Windfall" In his life and career, Joe Pug has never done anything halfway. So when Pug experienced a crippling lack of creative inspiration after his punishing road schedule to promote 2012's "The Great Despiser," he didn't consider the possibility of taking a short break. Joe Pug was on the verge of throwing in the towel.... »»»
Giddens takes her turn A great deal has transpired in the 10 years between Rhiannon Giddens, Dom Flemons and Justin Robinson connecting at North Carolina's Black Banjo Gathering and the release of Giddens' brilliant debut solo album, "Tomorrow is My Turn." Giddens and Flemons formed the very successful Sankofa Springs. Robinson met and was mentored by black string band legend Joe Thompson, and ultimately, Giddens, Flemons and Robinson formed the bluegrass/folk/blues powerhouse, the Carolina Chocolate Drops. ... »»»
Monterey CD review - Monterey
The Milk Carton Kids may be one of the most unlikely Americana contenders of the past few years. Relying solely on dual acoustic guitars and close-knit harmonies, they look and sound like an introspective folk duo circa the mid '60s - think Simon and Garfunkel, Peter and Gordon, or Chad and Jeremy »»»
The Malpass Brothers CD review - The Malpass Brothers
The North Carolina-based Malpass Brothers' passion for the classic country of past decades is nicely displayed on their latest self-titled release. Christopher and Taylor Malpass are most effective when they tackle brotherly harmonies as with covers of the Wilburn Brothers' "Which One Is To Blame" and the Louvin Brothers' "Satan and the Saint," »»»
Banditos CD review - Banditos
It takes a certain raw instinct to make music that's as unhinged and unruly as that purveyed by Banditos. Originally from Alabama and now ensconced in Nashville, this scruffy looking bunch of 20-somethings makes a sound that's wholly raw, raucous and unrefined, a perfect anecdote to the polite, plaintive melodies that defines much of what's typecast as Americana these days. »»»
Della Mae CD review - Della Mae
The time has come to drop the label "female bluegrass band" as applied to Della Mae. With their second, self-titled, Rounder Records release, Della Mae is simply one of the most accomplished bluegrass acts on the circuit. The four Dellas (they are down to a quartet with Mark Schatz standing on bass) have total command of their instruments (vocal and otherwise).  »»»
The Traveling Kind CD review - The Traveling Kind
Listening to Emmylou Harris and Rodney Crowell sing together on "The Traveling Kind," their second recent duet album together, is like visiting with old friends. Crowell is a seasoned songwriter, while Harris is relatively new - but nevertheless a quick study - to the writing game, and the songwriting is strong on this album, from start to finish. »»»
I Can't Imagine CD review - I Can't Imagine
Shelby Lynne really needs to figure out who she is if she ever wants to be something more than the answer to the trivia question "What artist won a Grammy for best new artist after releasing 6 albums over 12 years?" Is she a country singer? Blues? Is she Dusty Springfield reincarnated? Why can't she find a style and stick with it?" »»»