Curb sues McGraw again
Tuesday, April 30, 2013
– Tim McGraw and Curb Records, his former label, are back at it in court.
The label sued the singer and his new label, Big Machine Records, in U.S. District Court for the Middle District of Tennessee on Monday, for copyright infringement, according to The City Paper of Nashville.
"Curb Records, the recording industry and other industries that rely on personal service contracts...will suffer broad harm if McGraw and others can ignore the provisions of such agreements, selecting which provisions they may choose to follow and refusing to acknowledge others," the suit, filed by Curb attorney Jay Bowen, said.
McGraw won a legal battle over Curb last year involving his "Emotional Traffic" disc and then released his new disc, "Two Lanes of Freedom," on Big Machine.
The story said Curb claimed that the disc should belong to Curb because McGraw recorded the songs while under contract with Curb. McGraw also owes Curb another disc, the suit contends.
The previous suit focused on breach of contract issues and whether Curb recorded the songs in an appropriate time frame.
More news for Tim McGraw
CD reviews for Tim McGraw
Sundown Heaven Town
The banjo comes first out of the speakers, the opening strains of "Overrated," the lead-off song on Tim McGraw's latest. But with a "1-2-3-4" count, the mood changes and goes for a more modern country approach. McGraw does about the same on the follow-up "City Lights" with Michael Landau's steely, but rocking lead guitar taking over near the conclusion as it does later hard on "Sick of Me" where the protagonist contemplates a need to turn his life around. »»»
Two Lanes of Freedom
Tim McGraw's debut on Big Machine, "Two Lanes Of Freedom" is his first record since the announcement that he gave up alcohol five years ago and the first since his acrimonious, litigious split from the only label he had ever known, Curb. The new CD literally and symbolically represents a fresh start. If only the material better reflected his new take on life. What is presented here is about as boiler plate as contemporary country gets. The album is a safe play and takes almost no chances. »»»
Tim McGraw is the ultimate country music Zelig. Match him with a great lyric, and he's like the voice of a prophet. But put him with fluff, and he's no better than a news reader anchorman on a slow news day. McGraw is at his best on Better Than I Used To Be, a song as spiritual as you want it to be. It could easily be applied to the New Testament exhortation to "work out your own salvation with fear and trembling." It can also be taken as a self-help summation. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Making perfect sense of Striking Matches, The Secret Sisters
The pairing of Striking Matches and The Secret Sisters on tour makes perfect sense. Both are duos, although the Matches are male/female and the Secrets truly are sisters (Rogers is the name, not Secret). Both emphasize keen vocal interplay. And perhaps most importantly, they shared a very famous producer, T Bone Burnett.
But when it came to the live... »»»
Concert Review: Whitehorse changes gears
Whitehorse, the Canadian husband-and-wife duo of Melissa McClelland and Luke Doucet, has changed gears.
In years past, they were more on the roots side, but you would have scratched your head wondering where that went during their show at what is billed as a folk club.
Only Whitehorse couldn't be accused of being folk oriented either in a tour... »»»
Country News Digest
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