George Jones dies at 81
Friday, April 26, 2013
– George Glenn Jones, considered by many to be the greatest country singer ever, died today at Vanderbilt University Medical Center in Nashville. He was hospitalized April 18 with fever and irregular blood pressure.
The man with the golden baritone and colorful life was the singer behind such hits as She Thinks I Still Care, The Grand Tour, Walk Through This World With Me, Tender Years and He Stopped Loving Her Today, the latter of which is often at the top of industry lists of the greatest country music singles of all time.
"A singer who can soar from a deep growl to dizzying heights, he is the undisputed successor of earlier natural geniuses such as Hank Williams and Lefty Frizzell," wrote Bob Allen in the Country Music Hall of Fame and Museum's "Encyclopedia of Country Music."
Jones, known as "The Possum," was born in Saratoga, Texas on Sept. 12, 1931. He played on the streets of Beaumont for tips as a teenager. He served in the U.S. Marine Corps before returning to Texas and recording for the Starday label in Houston. In 1955, his Why Baby Why became his first Top 10 country single, peaking at number 4. That was the first of more than 160 charting singles, more than any other artist in any format in the history of popular music.
Jones' first number 1 hit came in 1959 with White Lightning, a Mercury Records single that topped Billboard country charts for 5 weeks. He moved on to United Artists and then to Musicor, notching hits including She Thinks I Still Care, The Race Is On, A Good Year for the Roses and Walk Through This World With Me.
Jones signed with Epic Records in 1971 and worked with producer Billy Sherrill to craft a sound at once elegant and rooted, scoring with The Grand Tour and Bartenders Blues. Sherrill also produced duets between Jones and his then-wife Tammy Wynette, and in the 1970s they scored top-charting hits including "We're Gonna Hold On, Golden Ring and Near You.
By the time Golden Ring and Near You hit in 1976, Jones and Wynette were divorced, and Jones was battling personal problems. He was considered unreliable in showing up for concerts, earning the moniker "No Show" Jones, something he would later joke about when he pulled his life back together.
His solo career cooled until 1980, when he recorded He Stopped Loving Her Today, a ballad penned by Curly Putman and Bobby Braddock that helped Jones win Country Music Association prizes for best male vocal and top single. The song revived a flagging career, and Jones won the CMA's top male vocalist award in 1980 and 1981. He also earned a Grammy for best male country vocal performance.
In 1983, Jones married the former Nancy Ford Sepulvado. The union, he repeatedly said, began his rehabilitation from drugs and alcohol and prolonged his life. He signed with MCA Records in 1990 and began a successful run, and he was inducted into the Country Music Hall of Fame in 1992. His guest vocal on Patty Loveless' You Don't Seem To Miss Me won a CMA award for top vocal event in 1998, and it became his final Top 20 country hit.
In 1999, Jones nearly died in a car wreck, but he recovered and resumed touring and recording. He continued touring and collected the nation's highest arts award, the Kennedy Center Honor for lifetime achievement, in 2008.
In late 2012, Jones announced his farewell tour, which was to conclude with a sold-out, star-packed show at Nashville's Bridgestone Arena on Nov. 22. Alan Jackson, Garth Brooks, Randy Travis, Charlie Daniels, Kenny Rogers, Sam Moore, The Oak Ridge Boys and many others were set to perform at Jones' Bridgestone show.
Jones is survived by his loving wife of 30 years Nancy Jones, his sister Helen Scroggins, and by his children, grandchildren, nieces and nephews.
More news for George Jones
CD reviews for George Jones
George Jones tends to rely on his past these days, so it's not surprising that "The Hits" is his new CD. The 24-song set does include a few previously unreleased songs, but that may not be enough to persuade all but the diehards to buy this.
Jones recorded Eddy Raven's I Should Have Called and Al Anderson-Steven Bruton's I Ain't Ever Slowing Down about five years ago with Keith Stegall producing, and both appear here for the first time. The former is a bit poppy, »»»
Step Right Up 1970-1979: A Critical Anthology
As retrospectives go, this new 28-track collection of George Jones' work from the 1970s is a bit of an anomaly. While most other compilations present chart-topping singles in chronological order, this single-disc set from the Australian reissue specialists at Raven Records provides an overview of Jones' total artistic output for the entire decade, regardless of chart position. This approach works well in this case because it covers songs not usually included on George Jones compilations. »»»
George Jones: Burn Your Playhouse Down, the unreleased duets
There are few revelations in this George Jones duets collection culled primarily from "The Bradley Barn Sessions" (1993 recordings). Producers have their reasons. Perhaps the biggest surprise is when Jones is outsung by one of his duet partners, Georgette Jones, the only child of his marriage to Tammy Wynette. Georgette may have the best singing genes in history, but it is time as much as anything that pushes Dad into a subordinate role on You and Me and Time. The revelation, then, is a »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Gibson Brothers join "Brotherhood" in style
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While the younger Gibson, Leigh, sure gave Eric a ton of grief throughout the show - all in jest, of... »»»
Concert Review: Moorer, Gauthier pull for each other
In their own right, Allison Moorer and Mary Gauthier did not really need the other because each is most capable of headlining.
But in one of those geniuses of booking, fans had the chance to see the two in a most enjoyable and alternative setting - a good, old-fashioned guitar pull.
That meant that the two were seated in comfortable chairs on... »»»
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