And female vocalist goes to...
Sunday, April 7, 2013
– Miranda Lambert continued her good run tonight at the ACMs by taking the Female Vocalist of the Year Award.
Lambert took it over Carrie Underwood, Taylor Swift, Martina McBride and Kacey Musgraves.
"I thought for sure Carrie had it this year, and she sure deserved it," Lambert said. She then talked about a dream concert she saw the previous night with Reba McEntire, Faith Hill and Kelly Clarkson performing. An emotional Lambert then let the tears flow.
Show host and husband Blake Shelton then came out and said, "Whew" with apparent joy about the win.
More news for Miranda Lambert
CD reviews for Miranda Lambert
Cynics might think that Miranda Lambert is presumptuous in entitling her fifth disc "Platinum" and, in effect, assuming she'll get her plaque for selling 1 million units. But Lambert says that isn't the case, but more a matter of style, looks and feel.
Lambert also wrote and discovered a lot of excellent songs that fit her quite well in an album in which she exposes her inner self as she matures. That may never more apparent than in the country rocker Lambert wrote »»»
Every once in a while an album comes along that restores your faith in mainstream country music. Miranda Lambert's "Revolution" is just such a recording. It's not revolutionary, as the title might suggest. Instead, this CD is chock full of topnotch songs that are both memorable and sincere and never sound slick or overproduced. (Come to think of it, such old school values as these may in fact be revolutionary around Nashville).
Lambert vocalizes a bit like a little girl at »»»
Even though it sounds like a cliche from the big book of country songwriting, the truth is that, when the timing's right, a loser can end up being the biggest winner of all. Today's object lesson comes from Miranda Lambert and her sophomore album, the follow-up to her 2005 near-platinum debut, "Kerosene."
Imagine for a moment if the then-19-year-old had actually taken the crown in 2003's Nashville Star and then been forced into the studio within weeks to be primped and »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Drive-By Truckers finds little to celebrate
While introducing "Guns of Umpqua," off the new "American Band" album, Drive-By Truckers' Patterson Hood wondered out loud - in a profanity-laced observation - why he can never seem to see a flag not at half-mast anymore. "We can do better, people!" he admonished the crowd. In an election year with two of the most... »»»
Concert Review: Simpson rides the night out in style
Sturgill Simpson came to Beantown with a deserved music reputation after three albums and a well-received, albeit quite adventurous release earlier this year, "A Sailor's Guide to Earth." He doesn't have hits per se or much of a commercial presence. His rep has been built on quality.
While the Kentuckian's first two discs... »»»
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Currently at the CST blogs
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White Christmas Blue
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create pure country music. Lynn's "White Christmas Blue" album may feel like a Christmas miracle to many traditional country fans. »»»
For Better, Or Worse
With "For Better or Worse," John Prine follows up his "In Spite of Ourselves" album with more male/female duets. And this one is a true A-list effort, as it finds Prine trading lines with the likes of Miranda Lambert, Kacey Musgraves and Alison Krauss. Once again, though, Iris DeMent steals the show with the angry and sarcastic "Who's Gonna Take the Garbage Out," the same way she did with the prior album's title cut. »»»
Bob Weir's "Blue Mountain" opens with a song titled "Only a River," which borrows liberally from the old folk song "Shenandoah." In fact, much of this album, which Weir wrote with producer Josh Kaufman and singer Josh Ritter takes its inspiration from timelessly meditative Americana folk songs. The aforementioned album opener's lyric finds Weir repeating the line, "Only a river gonna make things right." »»»