LBT wins video award at ACM prelims
Sunday, April 7, 2013
– Little Big Town won Video of the Year for Pontoon
at the Academy of Country Music Awards on Sunday.
The announcement came during the red carpet segment of the awards show and was broadcast online. Also taking home the honor with LBT was producer Iris Baker and director Shane Drake.
Drake thanked the band for taking the idea for the video and going with it.
LBT took it over:
Creepin' - Eric Church Producer: Iris Baker Director: Peter Zavadil
Merry Go 'Round Producer: Perry Bean, Kacey Musgraves Director: Perry Bean
Wanted - Hunter Hayes Producer: Stephanie Reeves, Eric Williams Director: Traci Goudie, Patrick Hubik
We Are Never Ever Getting Back Together - Taylor Swift Producer: John Nguyen Director: Declan Whitebloom
The Wind - Zac Brown Band Producer: Ben Kalina Director: Mike Judge
More news for Little Big Town
CD reviews for Little Big Town
Anyone who missed Little Big Town's remarkable 2012 Unplugged performance on CMT should seek it out online. When they sing their monster hit "Pontoon," four hypnotic voices combine to harmonic perfection with no studio tricks - pick from any of the microphones, and it works as the song's lead vocal. But now that the group has ascended to the upper rung of stardom, different challenges arise. How do you compete with yourself fresh from a Grammy for Best Country Song »»»
For some, listening to Little Big Town will be an act of searching for something at least half as catchy as "Pontoon," yet without success. Whenever a group creates such a fantastically memorable single, the prospect of following it up successfully can be a bit of a handicap. With that said, though, "Pain Killer" is a pretty good pop-country album, as pop-country albums go.
Although Little Big Town has never been known to be rockers, the rollicking "Save Your Sin" »»»
When the chorus to Leavin' in Your Eyes kicks in with some lovely layered vocals, it's tempting to compare Little Big Town to Fleetwood Mac. After better sense kicks in, though, it's more reasonable to categorize LBT as Fleetwood Mac-lite, at best. All that '70s cocaine and infidelity made Fleetwood Mac so much darker than anything modern day Nashville could ever produce. To its credit, though, Fleetwood Mac could never produce anything nearly as catchy as Pontoon, easily the »»»
Editorial: Walking the talk
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