LBT wins video award at ACM prelims
Sunday, April 7, 2013
– Little Big Town won Video of the Year for Pontoon
at the Academy of Country Music Awards on Sunday.
The announcement came during the red carpet segment of the awards show and was broadcast online. Also taking home the honor with LBT was producer Iris Baker and director Shane Drake.
Drake thanked the band for taking the idea for the video and going with it.
LBT took it over:
Creepin' - Eric Church Producer: Iris Baker Director: Peter Zavadil
Merry Go 'Round Producer: Perry Bean, Kacey Musgraves Director: Perry Bean
Wanted - Hunter Hayes Producer: Stephanie Reeves, Eric Williams Director: Traci Goudie, Patrick Hubik
We Are Never Ever Getting Back Together - Taylor Swift Producer: John Nguyen Director: Declan Whitebloom
The Wind - Zac Brown Band Producer: Ben Kalina Director: Mike Judge
More news for Little Big Town
CD reviews for Little Big Town
For some, listening to Little Big Town will be an act of searching for something at least half as catchy as "Pontoon," yet without success. Whenever a group creates such a fantastically memorable single, the prospect of following it up successfully can be a bit of a handicap. With that said, though, "Pain Killer" is a pretty good pop-country album, as pop-country albums go.
Although Little Big Town has never been known to be rockers, the rollicking "Save Your Sin" »»»
When the chorus to Leavin' in Your Eyes kicks in with some lovely layered vocals, it's tempting to compare Little Big Town to Fleetwood Mac. After better sense kicks in, though, it's more reasonable to categorize LBT as Fleetwood Mac-lite, at best. All that '70s cocaine and infidelity made Fleetwood Mac so much darker than anything modern day Nashville could ever produce. To its credit, though, Fleetwood Mac could never produce anything nearly as catchy as Pontoon, easily the »»»
The Reason Why
Little Big Town has bounced around the country music industry through no fault of their own, but when it comes to the music, LBT moves beyond its role as the country successor to Fleetwood Mac. Similar to that touchstone, LBT has the two male, two-female line-up, including a married couple (Karen Fairchild and Jimi Westbrook). More importantly, soaring harmonies rule as evidenced from the get go on the bouncy title track.
But on their third label (Monument Nashville for their self-titled debut »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Aldean and friends stretch it out, way out
Jason Aldean's tour, "Six String Circus," gets its name from his recent single, "Lights Come On." And titling his tour after a guitar - and more appropriately an electric guitar - makes all the sense in the world. Each act on the bill, which also included A Thousand Horses and Thomas Rhett, use a lot of guitars - but mostly in... »»»
Concert Review: The Jayhawks remain in top form
It's usually a good time to catch a band right after they've released one of their better albums, and "Paging Mr. Proust" is one of The Jayhawks' best. Comprised of smart songs, which consistently put lead singer Gary Louris' engaging vibrato to proper use and instrumental textures that oftentimes stretch the Minnesota act... »»»
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