LBT wins video award at ACM prelims
Sunday, April 7, 2013
– Little Big Town won Video of the Year for Pontoon
at the Academy of Country Music Awards on Sunday.
The announcement came during the red carpet segment of the awards show and was broadcast online. Also taking home the honor with LBT was producer Iris Baker and director Shane Drake.
Drake thanked the band for taking the idea for the video and going with it.
LBT took it over:
Creepin' - Eric Church Producer: Iris Baker Director: Peter Zavadil
Merry Go 'Round Producer: Perry Bean, Kacey Musgraves Director: Perry Bean
Wanted - Hunter Hayes Producer: Stephanie Reeves, Eric Williams Director: Traci Goudie, Patrick Hubik
We Are Never Ever Getting Back Together - Taylor Swift Producer: John Nguyen Director: Declan Whitebloom
The Wind - Zac Brown Band Producer: Ben Kalina Director: Mike Judge
More news for Little Big Town
CD reviews for Little Big Town
For some, listening to Little Big Town will be an act of searching for something at least half as catchy as "Pontoon," yet without success. Whenever a group creates such a fantastically memorable single, the prospect of following it up successfully can be a bit of a handicap. With that said, though, "Pain Killer" is a pretty good pop-country album, as pop-country albums go.
Although Little Big Town has never been known to be rockers, the rollicking "Save Your Sin" »»»
When the chorus to Leavin' in Your Eyes kicks in with some lovely layered vocals, it's tempting to compare Little Big Town to Fleetwood Mac. After better sense kicks in, though, it's more reasonable to categorize LBT as Fleetwood Mac-lite, at best. All that '70s cocaine and infidelity made Fleetwood Mac so much darker than anything modern day Nashville could ever produce. To its credit, though, Fleetwood Mac could never produce anything nearly as catchy as Pontoon, easily the »»»
The Reason Why
Little Big Town has bounced around the country music industry through no fault of their own, but when it comes to the music, LBT moves beyond its role as the country successor to Fleetwood Mac. Similar to that touchstone, LBT has the two male, two-female line-up, including a married couple (Karen Fairchild and Jimi Westbrook). More importantly, soaring harmonies rule as evidenced from the get go on the bouncy title track.
But on their third label (Monument Nashville for their self-titled debut »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: On Inauguration Day, Alvin unites all
On this night of the presidential inauguration, Dave Alvin could have easily and conveniently filled his between song patter with snarky remarks about the new president, who is not a big favorite among artists. But Alvin is smarter than that. Instead, he mostly kept his personal feelings to himself. He also did something completely wonderful and unexpected.... »»»
Concert Review: In crazy times, a little Williams joy endures
Nearly a week before the inauguration President-elect Donald Trump, Lucinda Williams served notice she's set on counting her blessings (opening her concert with "Blessed"), and determined not to let her joy be stolen by troubled times (closing with "Joy"). With a nearly two-hour set, Williams drew from all points her recording... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today...
Something old is new again. The Earls of Leicester, fresh from their first release in late 2014 and the IBMA Entertainer of the Year Award for 2015, followed that remarkable success with "Rattle and Roar."... »»»
I Sang the Song
Mac Wiseman's album is one of the most unique collaborative efforts in recent memory. While many music figures have released late-career albums made in partnership with producers and musicians best-known for their work in other genres in an effort to either reinvent themselves or to bring their music to a new audience, bluegrass great Wiseman opted to partner with songwriters in order to turn stories from his life into new songs. »»»
Laws of Gravity
The Infamous Stringdusters have always been difficult to categorize. That's part of their charm. Part traditional bluegrass (leaning on sound bluegrass instrumentation, namely guitar, Dobro, banjo, fiddle and standup bass), part jam band (extended sets of songs in their live shows in which one song triggers another), and wholly original with a signature sound and energy that goes on without cease. »»»
Rented Room on Broadway
Emerging from a latter version of The New South, over the past 16 years, Wildfire has quietly established itself as a consistent bluegrass outfit. With original members Robert Hale (guitar) and Curtis Chapman (bass) leading the way, Wildfire returns with "Rented Room on Broadway," their fifth album. John Lewis remains on banjo while bluegrass vagabonds Greg Luck (fiddle and guitar, and another J. D. Crowe alumnus) and Chris Davis (mandolin) make their recording debut. »»»
If naming your release "Gunslinger," you'd better let it rip and go for a harder country sound, especially if donning a black cowboy hat on the cover. The reality does not exactly match that sentiment for Garth Brooks, but at times he comes mighty close. »»»