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Rucker leads Billboard songs chart, Shelton debut at top of album chart

Thursday, April 4, 2013 – Darius Rucker sits atop the Billboard Country Songs chart with Wagon Wheel, taking over for Blake Shelton's Sure Be Cool If You Did, which fell to second for the week ending April 13. On the album chart, Shelton was debuted in first with "Based on a True Story." He took over for newcomer Kacey Musgraves' debut "Same Trailer Different Park," which fell to seventh.

On the song chart, Lady Antebellum was third with Downtown, one ahead of Miranda Lambert's Mama's Broken Heart. Florida Georgia Line was fifth again with Get Your Shine On. Thompson Square went from 10 to 7 with If I Didn't Have You. FGL also was up three, to eighth, with Cruise.

Jason Aldean jumped from 20 to 13 with 1994. Shelton's new single, Boys 'Round Here, featuring Pistol Annies (which includes Lambert) and Friends, skyrocketed from 44 to 15 in its second week out.

Kip Moore's new single, Hey Pretty Girl, climbed 5 spots to 22nd.

On the albums chart, Alan Jackson debuted in second with "Precious Memories: Volume II," a collection of religious songs. Luke Bryan was third with "Spring Break...Here to Party." Thompson Square debuted in fourth with "Just Feels Good." Taylor Swift was fifth with "Red."

Bryan's "tailgates & tanlines," was eighth, up three. The compilation "Official 2013 Academy Of Country Music Awards 'ZinePak" debuted in 11th. Maggie Rose debuted at 36 with "Cut to Impress." Every other album between 11 and 40 was the same or mainly down except for the "Nashville" TV show soundtrack, which was up 1 to 22.

On the Bluegrass Albums chart, Steven Curtis Chapman remained first with "Deep Roots." Old Crow Medicine Show was second again with "Carry Me Back." Punch Brothers jumped from 10 to 3 with "Who's Feeling Young Now?" The Gibson Brothers debuted in fourth with "They Called It Music," one ahead of Russell Moore & IIIrd Tyme Out's "Timeless Hits From the Past: Bluegrassed."

On the overall top 200, Shelton debuted in 3rd, Jackson 5th, Bryan 12th, Thompson Square 13th and Swift 20th.

More news for Darius Rucker

CD reviews for Darius Rucker

Southern Style CD review - Southern Style
Although opener "Homegrown Honey" has a few hip-hip sonic elements fueling it, "Southern Style" is a fairly traditional - well, as traditional as Darius Rucker can get - album. "Homegrown Honey," along with the title cut and "Half Full Dixie Cup," make a play for Rucker's Southern credentials, and for the most part support these claims. Rucker is an easygoing vocalist, and this latest effort goes down smoothly. It's still taboo for country »»»
Home for the Holidays CD review - Home for the Holidays
When it came time for Darius Rucker to throw his hat into the holiday album ring, he was clearly aiming for the old school, traditional realm of such things. The heavy orchestration for these 12 songs hearkens back to the days when crooners like Dean Martin and Frank Sinatra tracked Christmas projects, rather than anything that might pass for country. With that said, though, Rucker represents himself quite well with this traditional album of (mostly) familiar Christmas songs. »»»
True Believers CD review - True Believers
Darius Rucker remains a great singer. He still has that smiling South Carolina party boy delivery that made him Hootie The Hitmaker. His guitarist, J.T. Corenflos, knows how to knock out a solo or two and his producer, Frank Rogers, does admirable work surrounding D-Ruck's voice with just the right amount of compression. So why is this the front runner for Most Boring Country Album of 2013? Well, for starters, the songs suck. The lyrics are so insipid they make the dialogue from a Hannah »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Avett Brothers come home – For the 30th anniversary of the "Traditional Plus" MerleFest music festival, there might not be a more appropriate act to anchor the opening night than the Avett Brothers. Born of a desire to bring rock 'n' roll energy to traditional music and formed by devotees to Doc Watson, The Avetts may have outgrown their acoustic roots over... »»»
Concert Review: Turnpike Troubadours leave no doubt – Turnpike Troubadours have not released an album since mid-September 2015. Don't look for any new release hitting the streets any day now either. The last time the Oklahoma-based band played Boston, they were in a pretty, 1,200-seat theatre. So, one could have been outwardly skeptical about the band when it downsized to a venue on the outskirts... »»»
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Currently at the CST blogs

The Avett Brothers come home to MerleFest For The Avett Brothers, MerleFest is a coming home of sorts. This year's edition of the MerleFest "traditional-plus" music festival in Wilkesboro, N.C., the event's 30th anniversary, a milestone sure to be marked by many different special appearances and commemorations during the festival's four-day run, is no exception.... »»»
Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
The Harmed Brothers CD review - The Harmed Brothers
Let's put it succinctly. The Harmed Brothers may be the best band no one has ever heard of. Well, maybe that's an exaggeration. They do have their ardent admirers, so let's not discount their following entirely. Still, for those who are unaware, the band's new eponymous effort ought to make it clear that this is a group with a wealth of resources at their command. »»»
West Coast Town CD review - West Coast Town
Chris Shiflett is best known as a guitarist in Foo Fighters, but he's also has some authentic traditional country in his bones. Inspired, in part, by much of the fine vintage country music created in California, "West Coast Town" lets Shiflett show off his country music skills. »»»
Something's Going On CD review - Something's Going On
Trace Adkins' wonderful low singing voice can be a little deceptive because he could easily sing utter crap and still somehow sound great. It's why the critical ear must pay close attention to specifically what he's saying in his songs whenever evaluating his work. Adkins doesn't write his own songs, so he's entirely dependent upon stellar writers.  »»»
Patriots & Poets CD review - Patriots & Poets
From time to time an album comes along with exactly the right message and meaning at exactly the right time - "Patriots & Poets" is one of those albums. Dailey and Vincent initially set out to create a project full of songs they had written independently, together and with close friends. While succeeding mightily in that regard, they also created a beautiful love letter to America and her people... »»»
WildHorse CD review - WildHorse
Someone needs to inform karma that Raelynn is not getting what she deserves. It takes a lot of work to mess this equation up: national TV exposure (from "The Voice"), a monster hit (2014's "God Made Girls") and famous friends who've practically adopted you (like Blake Shelton). This is all atop her twangy Texan charm and very capable singer/songwriter chops. »»»
Way Out West CD review - Way Out West
Marty Stuart's "Way Out West" is, in part, his tribute to the music of California. The title cut gets straight to the point with a psychedelic journey song, which is as much a warning against drug abuse as it is a physical trip to the golden state. "Time Don't Wait" alludes to much of the garage rock that came out of California '60s, and more specifically points back to The Byrds' heyday with its glorious jangling Rickenbacker guitar part.  »»»