Sign up for newsletter
 

Underwood sells out

Wednesday, April 3, 2013 – Carrie Underwood's "Blown Away Tour" has sold out all 22 tour dates performed so far this year.

The Blown Away Tour broke records at the WFCU Centre in Windsor, Canada as the fastest sell-out to date for the arena, as well as record-breaking attendance. The tour, which launched last June, has played across the United States, Canada, the United Kingdome, Ireland and Australia, and will perform a total of 111 dates in less than a year before wrapping on May 23 in Abbotsford, British Columbia, Canada.

After performing last night in St. John, New Brunswick, Canada, Underwood will head to Los Angeles to debut the fourth single off her platinum-selling "Blown Away" album, See You Again, on American Idol, Thursday, April 4. On Sunday, April 7, Underwood will perform on the ACM Awards in Las Vegas, where she is nominated in the Female Vocalist of the Year and Album of the Year ("Blown Away") categories.

In 2012, Underwood performed for over half a million fans on the first leg of the "Blown Away Tour."

A donation of $1 from each ticket sold on the North American leg of the tour continues in 2013 to support Red Cross disaster relief.

More news for Carrie Underwood

CD reviews for Carrie Underwood

Greatest Hits: Decade #1 CD review - Greatest Hits: Decade #1
Greatest hits albums are often derided as creative placeholders, or worse yet, contractual obligations. In Carrie Underwood's case, the album subtitled "Decade #1" is a chance to take a somewhat awe inspired look at what a successful career this American Idol alumnus has already had to date. One of its two new songs, the single "Something in the Water," is a wonderfully gutsy move on Underwood's part. Country is one of the rare genres where a Christian can sing of »»»
Blown Away CD review - Blown Away
Carrie Underwood's calling card remains intact - her ultra strong set of pipes. "Blown Away" is almost a tale of two CDs. The first half or so tends to be far more pop oriented and at times rocks, while the other half veers far more towards country and even gets traditional on a song or two. The lead-off hit first single, Good Girl, rocks far more than anything else. It sounds good, catchy, but with Underwood singing hard, the song is geared for arena rock, not anything remotely »»»
Play On CD review - Play On
Through three releases, the one constant about Carrie Underwood is her big voice. It's an instrument in and of itself no matter whether going for somewhat of a country sound, a pure pop bent or a tougher, rocking edge. She can add the right touch to sad songs such as Temporary Home in part about a young boy who has to shuffle from home to home or the tough sounding Quitter. Underwood would not be accused of being heavy-duty country. She actually displayed more signs of that on her last CD, »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Making perfect sense of Striking Matches, The Secret Sisters – The pairing of Striking Matches and The Secret Sisters on tour makes perfect sense. Both are duos, although the Matches are male/female and the Secrets truly are sisters (Rogers is the name, not Secret). Both emphasize keen vocal interplay. And perhaps most importantly, they shared a very famous producer, T Bone Burnett. But when it came to the live... »»»
Concert Review: Whitehorse changes gears – Whitehorse, the Canadian husband-and-wife duo of Melissa McClelland and Luke Doucet, has changed gears. In years past, they were more on the roots side, but you would have scratched your head wondering where that went during their show at what is billed as a folk club. Only Whitehorse couldn't be accused of being folk oriented either in a tour... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Thanks to Wills, AATW remains the king After over 40 years of touring and recording as the founder, lead guitar and front-man for Western Swing music's standard-bearers, Asleep At The Wheel, Ray Benson has a lot of irons in the fire these days. In fact, with his TV show Texas Music Scene a hit throughout the southwestern U.S. and touring in support of AATW's new release, "Still the King: Celebrating the Music of Bob Wills and His Texas Playboys," he is as busy now as ever.... »»»
Pug turns writer's block into "Windfall" In his life and career, Joe Pug has never done anything halfway. So when Pug experienced a crippling lack of creative inspiration after his punishing road schedule to promote 2012's "The Great Despiser," he didn't consider the possibility of taking a short break. Joe Pug was on the verge of throwing in the towel.... »»»
Giddens takes her turn A great deal has transpired in the 10 years between Rhiannon Giddens, Dom Flemons and Justin Robinson connecting at North Carolina's Black Banjo Gathering and the release of Giddens' brilliant debut solo album, "Tomorrow is My Turn." Giddens and Flemons formed the very successful Sankofa Springs. Robinson met and was mentored by black string band legend Joe Thompson, and ultimately, Giddens, Flemons and Robinson formed the bluegrass/folk/blues powerhouse, the Carolina Chocolate Drops. ... »»»
Sundown Over Ghost Town CD review - Sundown Over Ghost Town
It's not an overstatement to say that Eilen Jewell is Johnny Cash reincarnate - at least, that's the sound she puts forth on her seventh album, "Sundown Over Ghost Town." Jewell's melancholy vocals and simplistic instrumentation betray just enough to show each song's depth and autobiographical roots. »»»
Monterey CD review - Monterey
The Milk Carton Kids may be one of the most unlikely Americana contenders of the past few years. Relying solely on dual acoustic guitars and close-knit harmonies, they look and sound like an introspective folk duo circa the mid '60s - think Simon and Garfunkel, Peter and Gordon, or Chad and Jeremy »»»
The Malpass Brothers CD review - The Malpass Brothers
The North Carolina-based Malpass Brothers' passion for the classic country of past decades is nicely displayed on their latest self-titled release. Christopher and Taylor Malpass are most effective when they tackle brotherly harmonies as with covers of the Wilburn Brothers' "Which One Is To Blame" and the Louvin Brothers' "Satan and the Saint," »»»