Adkins aims for love on new CD
Monday, March 25, 2013
– Trace Adkins' 11th studio album, "Love Will...," is set for May 14 release on Show Dog-Universal Music. The album about love will feature Colbie Caillat, the Harlem Gospel Choir and Exile.
Fans can pre-order the CD via online retailers on April 2nd. All who pre-order on iTunes will immediately receive an instant download of Watch The World End featuring Caillat.
Each week through album release, fans can hear a new song at www.TraceAdkins.com. New this week, fans can stream Watch The World End.
The Harlem Gospel Choir backs Trace on the title track in the Gospel tradition of spreading love and inspiration. Exile joined on a new version of one of the big Exile hit, Kiss You All Over.
"What is love, if not a collaboration between unique individuals?" asks Adkins. "Regardless of genre, I'm a fan of strong songwriting and vocal ability - I can't say enough about what Colbie, the Harlem Gospel Choir and Exile brought to the table in their own way. It is an honor to have such talented performers, songwriters and producers join me on the most inspiring, satisfying album of my career."
Producers included Tony Brown, Mark Wright, Frank Rogers, Kenny Beard and Mickey Cones.
Songs on the CD are:
1. When I Stop Loving You*
2. So What If I Do**
3. Come See Me***
4. Right Now**
5. Every One Of You**
6. The Altar Of Your Love***
7. Kiss You All Over (Featuring Exile)***
8. If The Sun Comes Up***
9. Say No To A Woman
10. Watch The World End (Featuring Colbie Caillat)
11. Love Will (Featuring Harlem Gospel Choir)
Produced by Frank Rogers
*Produced by Tony Brown & Mickey Jack Cones
**Produced by Mark Wright, Kenny Beard & Mickey Jack Cones
***Produced by Kenny Beard & Mickey Jack Cones
More news for Trace Adkins
CD reviews for Trace Adkins
Live Country DVD
"Live Country" is a concert film featuring Trace Adkins performing his biggest hits at The Paramount in Huntington, N.Y. Anticipation was high for this one because Adkins, along with Josh Turner, is one of our very best low-voiced singers. Perhaps poor audio quality is to blame, but Adkins' singing isn't nearly as powerful in this live setting as it is on CD.
From the cheesy stage props to the casually dressed backing singers (one even has a headband that leaves her looking »»»
The King's Gift
Trace Adkins, with that wonderfully deep voice of his, is always a pleasure. He's like an actor (well he has acted actually) that never gives a bad performance, even in a poor movie. When it comes to evaluating Adkins' albums, it's all about the music he surrounds himself with and the songs he's given to sing. And with "The King's Gift," Adkins is placed in a nearly can't miss situation; he's singing mostly familiar Christmas carols, with a mainly »»»
Trace Adkins is all about love here. Not exactly a new topic in the canon of (country) music, but Adkins capably addresses the issue. He goes traditional from the get go on perhaps the best song here - When I Stop Loving You, penned by neo-traditionalist Marty Brown and Even Stevens. Adkins' silky, full-throttled baritone owns the song.
Adkins always has been a strong singer with a big, full sounding voice easy on the ears. He takes a decent song - The Altar of Your Love which he helped »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Cadillac Three, Sellers do it their own way
The way The Cadillac Three lead singer Jaren Johnston told it, the band could have had their choice of opening tours this year for the likes of Kenny Chesney, Dierks Bentley and Jake Owen. No go though because the long-haired singer fronting the rough-and-most-definitely ready trio said the band wanted to do it their own way.
Based on this most... »»»
Concert Review: Folk Alliance binds past, present and future
Glance back 50 years and the idea of a folk music festival would bring to mind a gathering dominated by tie-dye, Birkenstocks and people who might otherwise find work as stunt doubles for Peter, Paul and Mary. In a sense, that's still the perception for those unawares, but at the 29th Folk Alliance International conference there was far more of a... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today...
Independent singer/songwriter Aaron Watson's "Vaquero" is an ambitious 16-song mix of Texas country and mainstream Nashville with mostly good results. The strongest tracks are those that embrace the Tex Mex style of the title track, which imparts some sound advice delivered by an "old Mexican cowboy" the singer meets in a bar ("don't live your life like a sad country song/ A fool on a stool still a fool right or wrong"). »»»
Old 97s' "Graveyard Whistling" is a slight return to form after 2014's "Most Messed Up," which was heavy on profanity, but far too light on charming country songs. "Graveyard Whistling" is a little more innocent and a lot more fun than its predecessor. "Bad Luck Charm," for instance, finds lead vocalist Rhett Miller playing a familiar role - that of lovable loser. »»»
Rhiannon Gidden's "Freedom Highway" takes an expansive look at the Black experience in America. "Better Get It Right the First Time" utilizes a gospel-y call and response format to tell the tragic story of a Black life that mattered. However, Giddens goes all the way back to slavery days for the lyrics to "At the Purchaser's Option." »»»
Notes of Blue
Son Volt's "Notes of Blue" is said to be influenced by the blues (among other musical styles), and the blues is most at the fore during "Cherokee St.," a stomping, electric guitar-driven blues rocker. The song has the stripped-down sound of a Blind Willie Johnson sermon, although lead vocalist Jay Farrar is by no means the gravelly singer Johnson was. »»»
In the Ground
The family band is a longstanding conceit of bluegrass and mountain music, including the Carters, the Osbornes, the McReynolds, the Whites, The Stanleys and even the progenitors of bluegrass Bill and Charlie Monroe. The trope continues to the present with The Gibson Brothers carrying on this tradition admirably. »»»
Brett Young had a hit out of the box with "Sleep Without You," as ear candy of a song. His soulful vocals carry the percolating song that seemed designed with airplay in mind. If Young were a band, this is the type of song that Rascal Flatts might cover. In fact, the airplay bent could be said of most of the dozen songs on the Californian's major label debut after five indie releases. »»»