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Aldean, Lady Antebellum, Shelton take ACM honors

Friday, March 22, 2013 – Jason Aldean, Lady Antebellum and Blake Shelton were among early winners named Friday for the 48th annual Academy of Country Music awards.

Aldean won the Crystal Milestone Award, while Shelton took the Gene Weed Special Achievement Award. Lady Antebellum took home the Jim Reeves International Award.

Other winners were:

Cliffie Stone Pioneer Award: The Judds and Keith Whitley

Poet's Award: Guy Clark and Hank Williams

Mae Boren Axton Award: Tommy Wiggins

Casino: Red Rock Casino & Resort, Las Vegas

Nightclub: Joe's Bar, Chicago

Venue: Ryman Auditorium, Nashville

Don Romeo Talent Buyer: Jerry Hufford (Buck Owens' Crystal Palace)

Promoter: Ed Warm (Joe's Bar)

Producer: Jay Joyce

Audio Engineer: Chuck Ainlay

Bass: Jimmie Lee Sloas

Percussionist/Drummer: Matt Chamberlain

Fiddle: Aubrey Haynie

Guitarist: J.T. Corenflos

Piano/Keyboards: Michael Rojas

Specialty Instrument: Ilya Toshinsky

Steel Guitar: Mike Johnson

Songwriter: Dallas Davidson

The ACMs will be held April 7 in Las Vegas

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CD reviews for Jason Aldean

Old Boots, New Dirt CD review - Old Boots, New Dirt
Arguing whether or not Jason Aldean's kinda (country) party is, in fact, anything remotely related to true country music is pointless. Aldean is so entrenched in the mainstream country marketplace now, we just need to accept him as he is, the same way we reluctantly accept Taylor Swift as "country." It's mighty tempting to subtitle a review of Aldean's new "Old Boots, New Dirt" release as 'Pickup Trucks & Pickup Lines,' as Aldean spends a little time »»»
Night Train CD review - Night Train
Jason Aldean is getting used to the view from the top. His last album "My Kinda Party" spawned 5 Top 10 singles and has charted for almost 2 years. Driven by rocking country coupled with rap and a power ballad, that album seemed to rise to the top of the charts organically. With his fifth release, "Night Train," he seems to be taking dead aim at the summit. Aldean is at his best as a studly outlaw, but the majority of the material on "Night Train" is clichéd »»»
My Kinda Party CD review - My Kinda Party
Jason Aldean covers plenty of familiar ground in his latest offering, moving with ease from tanned-leg Georgia dreams to square cornfields to a fairly even mix of church pews and bar stools. If anything, the album is a bit too seamless, one song melding into the next, the words on many evaporating into thin air. But it all adds up to a very good time - exactly what you'd hope for with an album with "party" in its title. Don't Wanna Stay , a duet with Kelly Clarkson (of all »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Outlaw likes it hot – Sam Outlaw noted a few times how hot it was inside the small club with about 50 people cramming in near the stage. Outlaw was talking about the warmth of the venue, but he could just as well - he would have had to have been egotistical, of course - have been talking about the quality of his music as well. Once again, the traditionally-based west coast... »»»
Concert Review: AmericanaFest stays ahead of the curve – If the Americana Festival and Conference proves anything, it's that anything and everything born of genuine roots can be classified as Americana. It doesn't matter whether it originates from the heartland, the swamps of the south, the outer reaches of California, the mountains of Appalachia, or as far afield as the Australian outback and the... »»»
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