Sign up for newsletter
 

Shelton, Bryan remain atop Billboard charts

Thursday, March 21, 2013 – Blake Shelton and Luke Bryan both held onto the top spots of the Billboard Hot Country Songs and Albums charts respectively for the week ending March 30. Shelton reigns with Sure Be Cool If You Did, while Bryan led with "Spring Break...Here to Party."

Lady Antebellum's new single, Downtown, was second, up one, switching spots with Miranda Lambert's Mama's Broken Heart. Carrie Underwood held the fourth spot with Two Black Cadillacs. Darius Rucker jumped from 11 to 5 with Wagon Wheel. Lee Brice moved from nine to six with I Drive Your Truck. Kenny Chesney broke into the top 10 - at 10 - with Pirate Flag.

I Can Take It From There by Chris Young stood at 18 up 3. Tim McGraw's new single, Highway Don't Care, with Taylor Swift, jumped 7 to 19. The Band Perry debuted at 23 with DONE. Jason Aldean's 1994 was at 27, up 4.

Florida Georgia Line was second on the Country Albums chart with "Here's to the Good Times." Swift was third with "Red," Little Big Town fourth with "Tornado" and Tim McGraw fifth with "Two Lanes of Freedom." Eric Church went from 13 to 10 with "Chief."

Brice was 14th with "Hard 2 Love," up 3. Kip Moore was 16th with "Up All Night," moving up 4. Shooter Jennings debuted at 19 with "The Other Life." Jake Owen's "Barefoot Blue Jean Night" was 25, up 5. Scotty McCreery was at 36 with "Clear As Day," jumping 5. Blackberry Smoke went from 48 to 39 with "The Whippoorwill," while Love And Theft's self-titled disc was at 40, up 4.

On the bluegrass albums chart, Christian artist Steven Curtis Chapman debuted in first with "Deep Roots." Russell Moore & IIIrd Tyme Out" were second with "Timeless Hits From the Past: Bluegrassed." Old Crow Medicine Show were third with "Carry Me Back." Old Man Markley fell from first to fourth with "Down Side Up." The SteelDrivers were fifth with "Hammer Down."

On the overall top 200, Bryan was third after being first last week. Florida Georgia Line was 14th, Swift 22nd, Little Big Town 36th and McGraw 37th.

More news for Luke Bryan

CD reviews for Luke Bryan

Kill the Lights CD review - Kill the Lights
When Luke Bryan announces, "I've got that music for your ear" during the single "Kick the Dust Up," listeners should know right off this is not a collection of sounds for every ear. It's targeted toward the young and reckless set instead, where consequences don't seem to matter. There's no better example of this loose approach than the revenge sex expressed through a duet with Little Big Town's Karen Fairchild on "Home Alone Tonight," where »»»
Spring Break...Checkin Out CD review - Spring Break...Checkin Out
The funky keyboard line that introduces the song "Checkin' Out," with its Ray Charles soulful feel, fills the listener with false promise that "Spring Break...Checkin' Out," the latest and last in Luke Bryan's spring break EP series, might mark a more innovative direction in the bro country star's music. The song even includes a wonderful acoustic guitar solo that gives it a loose, freewheeling feel. Unfortunately, this singer is far too aware of which side »»»
Spring Break 6 - Like We Ain't Ever CD review - Spring Break 6 - Like We Ain't Ever
Luke Bryan mock introduces "The Sand I Brought to the Beach" as a "real sad story y'all." It's a breakup song and one where the character in it is forced to admit, "I guess she didn't like the spring break side of me." The same can be said of country audiences that may well have outgrown chasing girls on the beach between college semesters. Bryan claims EPs like this one are meant to give his fans new music between full, official releases, but we know better. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Hard Working Americans more than live up to moniker – Hard Working Americans is a generic enough sounding term, conveying that you're part of the lunch bucket crowd. Part of a faceless pack instead of an individual. In reality, it's something of a misnomer for the sextet of the same name heretofore considered a side project. That's because they or in most cases, their other... »»»
Concert Review: Wolf rolls on with ease – Peter Wolf starts off his first disc in six years, "A Cure for Loneliness," with "Rolling On." Great title for a song, and as he would prove in concert, he lived up to those words. The song starts "You can lay down and die / You can lay up and count the tears you've cried / But baby, that's not me / There's a... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Reams leaps into "Rhyme & Season" James Reams is one of bluegrass music's unconventional stalwarts. A son of Kentucky, Reams' journey has taken any number of unusual pathways since the mid-seventies. Producing albums for more than 20 years, Reams' ninth release of personable bluegrass, "Rhyme and Season," is a relaunch for Reams, an artist who has never followed a singular route. ... »»»
Solivan  turns to family, friends, heroes After scoring a 2015 IBMA nomination for Best Bluegrass Album for "Cold Spell," Frank Solivan tried something a little different this time around - an album of songs recorded by "Family, Friends and Heroes" (Compass). In an earlier musical life, Solivan served as stalwart in Country Current, the Navy's touring bluegrass band. Solivan left the service and formed Dirty Kitchen, a hat-tip to his background and continuing efforts as a chef.... »»»
Sellers garages her country Aubrie Sellers just may be onto something on her debut - garage country. After all, we've already witnessed traditional country, new country, neo-traditional, country rock, pop country and bro country. Sellers, a 25-year-old Nashvillian with a big time musical pedigree who released her debut, "New City Blues," in January, said the moniker came to mind as her bio was being written.... »»»
If I'm Honest CD review - If I'm Honest
Blake Shelton makes it abundantly clear that this is not going to be a light-hearted listen, despite his public demeanor. "I have never recorded a more personal or reflective album in my career," Shelton wrote on the cover insert. He said the 15-song release "touches both the highs and low of past year of my life."  »»»
Couchville Sessions CD review - Couchville Sessions
For those who remain unaware of Darrell Scott, "The Couchville Sessions" is an ideal starting place. Long one of "rock, folk, country (and) blues" (to misquote the lead track, "Down to the River") most esteemed sidemen (Robert Plant's Band of Joy, Guy Clark, Steve Earle), collaborators (Tim O'Brien) and songwriters ("Long Time Gone," "You'll Never Leave Harlan Alive"), Scott has been making outstanding Americana albums... »»»
Playing With Fire CD review - Playing With Fire
If you happened to hear Jennifer Nettles' debut solo record, "That Girl," you may have come away thinking that she was a frustrated torch singer. That effort was chock full of emotive ballads, which, while heartfelt, sure was missing a certain element of F-U-N. Problem solved. From the opening sustain of gospel organ, Nettles storms out of the gate in a sensational tour-de-force.  »»»
Circle Round the Signs CD review - Circle Round the Signs
Credit the new wave of populist nu-folk/newgrass talent and troubadours for having made a profound impression on today's Americana legions. Bands like The Avett Brothers, The Lumineers and Mumford & Sons have influenced any number of artists that have followed in their wake, mostly banjo-thumping, rhythm-ready ensembles ... »»»
Detour CD review - Detour
There is an element of Pee-Wee's Playhouse running through Cyndi Lauper's country album, "Detour." Maybe it's just the way she speaks during certain song segments, with that girly Jersey girl-like voice of hers, which causes the listener to expect Cowboy Carl to suddenly show up. It's also due to Lauper's love of musical kitsch.  »»»