Like father, like daughter, Keith slates release
Wednesday, March 20, 2013
– The release of Krystal Keith's full length country music debut album, "Whiskey & Lace," is still a few months away, but her record label is readying the release of an EP as the song Daddy Dance With Me
is getting play.
Best known for performing a duet on national television with her father, Toby Keith, Krystal the self-titled EP is being released by Show Dog-Universal April 16.
"It was a complete surprise," Keith said of the song she wrote with Mica Roberts and Sonya Rutledge for her own wedding. "I wanted a song that honored my dad and was something special on my wedding day. So I wrote and recorded it behind his back. The idea was to have a song that no bride and father had ever danced to before; it was my gift to him."
"He actually talked all the way through the dance," she said. "I think he was kind of in shock that I pulled one over on him. When I started telling him the lyrics, he said, 'I've never heard a wedding song from the daughter's perspective.'"
Pushed to include the song on her album, Keith said, "I was just so excited to get it out there so other brides and dads could dance to it, too."
Encouraged by the early response, the label - co-owned by her father - advanced an EP release to make the song available for Father's Day and summer weddings. A video will also be released on April 16.
Can't Buy You Money
What Did You Think I'd Do
Daddy Dance With Me
More news for Toby Keith
CD reviews for Toby Keith
35 mph Town
Way back in the '90's, before millions of dollars, high profile political feuds and moguldom, Toby Keith could really sing and write a pretty good song! News flash! He still can on his nostalgic, 18th album.
You can hear an unexpected Merle Haggard influence all over this record. The title cut, "35 MPH" evokes a Haggard vibe. Think "Roots Of My Raising - 2015" as Keith laments the loss of the commonplace, now gone forever. What could've easily been an appeal »»»
Drinks After Work
If 52-year old Toby Keith has learned anything after 20 years, it is to stick with a winning formula. Working with longtime collaborators Scotty Emerick, Bobby Pinson and Rivers Rutherford, "Drinks After Work" is chock full of blue collar ethic, humor and some heartbreak.
Most of the album is driven by big hooks and country guitar, However, Keith experiments a bit stylistically with computerized hip hop on the party anthem opener, Shut Up And Hold On, a Buffet-esque steel drum on »»»
Hope on the Rocks
For most of the 2000s, Toby Keith albums have been predictable and quite honestly pretty boring. Keith's latest again is predictable, but this time around it's anything but dull. Perhaps it's the pared down selection of just 10 cuts, allowing Keith to cull and produce the best that he's written.
His themes stomp through familiar turf - cold beer, curvy girls, curvy girls who drink cold beer - but there's a more convincing vibe from start to finish. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Aldean and friends stretch it out, way out
Jason Aldean's tour, "Six String Circus," gets its name from his recent single, "Lights Come On." And titling his tour after a guitar - and more appropriately an electric guitar - makes all the sense in the world. Each act on the bill, which also included A Thousand Horses and Thomas Rhett, use a lot of guitars - but mostly in... »»»
Concert Review: The Jayhawks remain in top form
It's usually a good time to catch a band right after they've released one of their better albums, and "Paging Mr. Proust" is one of The Jayhawks' best. Comprised of smart songs, which consistently put lead singer Gary Louris' engaging vibrato to proper use and instrumental textures that oftentimes stretch the Minnesota act... »»»
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