Sign up for newsletter
 

Swift kicks off tour in Omaha

Thursday, March 14, 2013 – Taylor Swift kicked off The RED Tour last night with a sold-out show in Omaha, Neb.

Swift, along with special guests Ed Sheeran and Brett Eldredge, played to a capacity crowd of more than 13,800 fans at the CenturyLink Center for nearly 2 hours. Swift relied heavily on "Red," as 13 of the 17 songs came from that disc.

The show featured two multi-level stages, costumes, dancers, aerialists and changing sets. Swift plays electric guitar, banjo, piano and acoustic guitar and changed costumes 10 times over the course of the evening.

Swift and Sheeran did a duet on Everything Has Changed.

The Omaha World-Herald lauded the show's "super spectacle" that "turned the arena into a massive dance party," while also praising Swift's connection to her fans. "The audience told her how much they related to the songs: They started singing along immediately. For Swift, now is the time to celebrate her ability to sing in the center ring of her own circus. If she keeps writing so skillfully about her feelings, she'll still be around when the red fires of youth fade to quieter shades."

Swift is back in Omaha tonight for her second show.

The North American portion of The RED Tour will play 66 shows (including 13 stadium stops) in 47 cities in 29 states and 3 provinces spanning 6 months in 2013.

The set ilst was:

State of Grace

Holy Ground

Red

You Belong With Me

The Lucky One

Mean

Stay Stay Stay/Ho Hey (The Lumineers cover)

22 (moved to B-Stage)

I Almost Do

Everything Has Changed (with Ed Sheeran)

Begin Again

Sparks Fly

I Knew You Were Trouble

All Too Well (on piano)

Love Story

Treacherous

Encore:

We Are Never Ever Getting Back Together

More news for Taylor Swift

CD reviews for Taylor Swift

Journey to Fearless DVD
Part Behind The Music style documentary and part concert film, Taylor Swift's new Blu-ray release offers an interesting hybrid approach to the typical live performance video - an approach that hits more than it misses. "Journey To Fearless" focuses on Swift's meteoric rise from aspiring grade-school singer/songwriter to award-winning country and pop megastar while sprinkling in live performances. Hardcore Swift fans will find a lot to love on this single-disc set (which is also »»»
Speak Now CD review - Speak Now
Taylor Swift has made the best CD of her young career with her fourth CD. The biggest difference is that Swift's singing, spotty on previous releases and live performances, is far far superior here. Swift wrote all 14 songs here, which like her other albums tend to deal with relationships that have gone south. Swift's songwriting always has been one of her strengths, and that continues to be the case here - both lyrically and musically. Put simply, Swift knows a lot about penning »»»
Fearless CD review - Fearless
Taylor Swift took the county world by storm with her huge selling debut and its five hit singles. With a huge marketing push and myspace, Swift was on her way. Kind of like an Avril Lavigne for the teen female country set. Sophomore slump? There's no indication of that. Swift once again writes her material - all 13 songs here with help sometimes from Liz Rose, Colbie Caillat and John Rich. Swift writes of what she knows about - relationships and teen love come and gone in songs speak to her fans. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Richey needn't chase any more – The opening lines of Kim Richey's "Chase Wild Horses," one of the best tracks on her excellent new CD, "Edgeland," starts with the lines: "I don't chase wild horses any more/I'm all done running from the way I was before Things I've done that I ain't proud of / I can't even stand the sound of I... »»»
Concert Review: Johnson, Mike & the Moonpies show traditional country is alive and well – Cody Johnson is not your typical mainstream country artist. He self-releases his albums, and instead of putting out rock and pop songs (disguised to look country), he records real, diehard Texas country music. And it was heartening to see and hear his loyal Los Angeles fanbase sing along with nearly ever song. His show tonight transformed this former... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Tyminski goes dark Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
Mr. Jukebox CD review - Mr. Jukebox
Apparently someone to forgot to tell Joshua Hedley that country music has passed him by. Where does Hedley, aka apparently known as the Mayor of Lower Broad, come off to incorporating honky tonk, Texas swing, western swing and countrypolitan all in the first three songs of his debut?  »»»
Volunteer CD review - Volunteer
Dave Cobb produced "Volunteer" for Old Crow Medicine Show, and while word on the street was that this promised to be a more rocking, less roots music effort, such talk shouldn't dissuade fans of the group's established sound from checking it out.  »»»
The Tree of Forgiveness CD review - The Tree of Forgiveness
Mortality is very much on the mind of John Prine on this, his first album of all-new songs in 13 years. Understandably. After all, this is a man who has survived lung cancer and squamous cell cancer, the latter of which took a toll on his vocal cords. He's also had two knee replacements and a hip replacement. »»»
Paco and Melodic Polaroids CD review - Paco and Melodic Polaroids
Paco is the name of Tim Easton's Gibson J-45, which he bought for $100 and a couple of trade-ins 30 years ago. The name was bestowed on the guitar in Paris by a Deadhead. It's been Easton's best traveling companion and songwriting aid. »»»
Find a Light CD review - Find a Light
Blackberry Smoke will never fit the mold of a mainstream country act the way, say, Midland has done. They love to rock way too much to ever tamp it down permanently. And the aptly named "The Crooked Kind" follows a rollicking, rock & roll path that feels like just the right road. »»»
Years CD review - Years
For the less informed, it might seem like the blink of an eye since Sarah Shook & the Disarmers dropped its first album but those of us paying closer attention know that last year's release of "Sidelong" was actually Bloodshot's reissue of Shook's 2015 album that she originally distributed through CD Baby. »»»