Sign up for newsletter
 

Swift kicks off tour in Omaha

Thursday, March 14, 2013 – Taylor Swift kicked off The RED Tour last night with a sold-out show in Omaha, Neb.

Swift, along with special guests Ed Sheeran and Brett Eldredge, played to a capacity crowd of more than 13,800 fans at the CenturyLink Center for nearly 2 hours. Swift relied heavily on "Red," as 13 of the 17 songs came from that disc.

The show featured two multi-level stages, costumes, dancers, aerialists and changing sets. Swift plays electric guitar, banjo, piano and acoustic guitar and changed costumes 10 times over the course of the evening.

Swift and Sheeran did a duet on Everything Has Changed.

The Omaha World-Herald lauded the show's "super spectacle" that "turned the arena into a massive dance party," while also praising Swift's connection to her fans. "The audience told her how much they related to the songs: They started singing along immediately. For Swift, now is the time to celebrate her ability to sing in the center ring of her own circus. If she keeps writing so skillfully about her feelings, she'll still be around when the red fires of youth fade to quieter shades."

Swift is back in Omaha tonight for her second show.

The North American portion of The RED Tour will play 66 shows (including 13 stadium stops) in 47 cities in 29 states and 3 provinces spanning 6 months in 2013.

The set ilst was:

State of Grace

Holy Ground

Red

You Belong With Me

The Lucky One

Mean

Stay Stay Stay/Ho Hey (The Lumineers cover)

22 (moved to B-Stage)

I Almost Do

Everything Has Changed (with Ed Sheeran)

Begin Again

Sparks Fly

I Knew You Were Trouble

All Too Well (on piano)

Love Story

Treacherous

Encore:

We Are Never Ever Getting Back Together

More news for Taylor Swift

CD reviews for Taylor Swift

Journey to Fearless DVD
Part Behind The Music style documentary and part concert film, Taylor Swift's new Blu-ray release offers an interesting hybrid approach to the typical live performance video - an approach that hits more than it misses. "Journey To Fearless" focuses on Swift's meteoric rise from aspiring grade-school singer/songwriter to award-winning country and pop megastar while sprinkling in live performances. Hardcore Swift fans will find a lot to love on this single-disc set (which is also »»»
Speak Now CD review - Speak Now
Taylor Swift has made the best CD of her young career with her fourth CD. The biggest difference is that Swift's singing, spotty on previous releases and live performances, is far far superior here. Swift wrote all 14 songs here, which like her other albums tend to deal with relationships that have gone south. Swift's songwriting always has been one of her strengths, and that continues to be the case here - both lyrically and musically. Put simply, Swift knows a lot about penning »»»
Fearless CD review - Fearless
Taylor Swift took the county world by storm with her huge selling debut and its five hit singles. With a huge marketing push and myspace, Swift was on her way. Kind of like an Avril Lavigne for the teen female country set. Sophomore slump? There's no indication of that. Swift once again writes her material - all 13 songs here with help sometimes from Liz Rose, Colbie Caillat and John Rich. Swift writes of what she knows about - relationships and teen love come and gone in songs speak to her fans. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Long wait ends for Kitty, Daisy & Lewis – When you don't show for almost six years - Kitty, Daisy & Lewis are guilty as charged - and barely release any music unless counting one excellent disc out in late March on a British label and something almost unheard in the states in 2011, don't expect the masses to show up either. Predictably, that didn't happen for the family band... »»»
Concert Review: Mellencamp overcomes conundrum – John Mellencamp faces the predicament that artists of his stature must face as they age. Now 63 and still putting out new, quality albums, Mellencamp presumably wants to push his new highly relevant music, while the faithful, long-time supporters thrive on the old stuff. How do you rectify the two? Mellencamp tended to have it both ways before a... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Giddens takes her turn A great deal has transpired in the 10 years between Rhiannon Giddens, Dom Flemons and Justin Robinson connecting at North Carolina's Black Banjo Gathering and the release of Giddens' brilliant debut solo album, "Tomorrow is My Turn." Giddens and Flemons formed the very successful Sankofa Springs. Robinson met and was mentored by black string band legend Joe Thompson, and ultimately, Giddens, Flemons and Robinson formed the bluegrass/folk/blues powerhouse, the Carolina Chocolate Drops. ... »»»
The perfect world of Ray Wylie Hubbard A couple of years ago, while discussing various musical poet-heroes, singer-songwriter Hayes Carll mused that "in a perfect world, Ray Wylie Hubbard would be winning Grammys." With the release of his latest offering, "The Ruffian's Misfortune," a follow-up to 2012's critically acclaimed, "The Grifter's Hymnal," now might just be the time that Carll was talking about.... »»»
Nathan Stanley carries on family tradition Young bluegrass artist Nathan Stanley doesn't fall far from the branches of the family tree; he honors the legacy of his grandfather, Dr. Ralph Stanley, by delivering straight ahead traditional bluegrass music, interpreting old classics that have shaped him and his music. At the same time, young Stanley is an original, refusing to sing the old songs in the ways they've been performed before. "If it's been done," he says, "I don't think I'll do it that way."... »»»
Second Hand Heart CD review - Second Hand Heart
Dwight Yoakam appears to be a many of mystery on the cover. With two side-by-side images of himself, the Kentucky honky tonker dons a trademark cowboy hat, jeans jacket and jacket and plucking his electric, legs spread and head pointed down. But there really is no mystery about Yoakam, who has been making music longer than some of the contemporary country acts have been alive. »»»
Love Somebody CD review - Love Somebody
It's been five years since her last album - 2010's "All the Women That I Am" - but the Queen of Country Music's crown hasn't lost its luster. On her 27th album, Oklahoma native McEntire adds another jewel to her tiara with her new album that covers familiar territory: strong women, the heartbreak of breakup, the determination of a broken lover starting over and the destructive and healing power of love. »»»
Something in the Water CD review - Something in the Water

Whether Pokey LaFarge's seventh album, "Something in the Water," could be called more than "retro" is a stretch. The St. Louis musician's 21st century talent shows through his performance, compositions and writing, but some things work against him in his fight to make the album timeless. »»»

Southern Gravity CD review - Southern Gravity
With a tragic stage collapse prior to a Sugarland show and a failed marriage in his rearview mirror, one might expect Kristian Bush's solo debut to be peppered with tales of regret and heartbreak. Yet "Southern Gravity" is surprisingly anything but for the other half of Sugarland, offering up a solid dose of positive vibes, heartfelt love and strong mainstream country appeal. »»»