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Jackson, Tritt join Jones finale

Thursday, March 7, 2013 – The performers keep coming to the final, sold-out George Jones concert in Nashville.

Alan Jackson, Travis Tritt and other performers from his hit song I Don't Need Your Rockin' Chair will join him onstage. Pam Tillis, Kathy Mattea, Tracy Lawrence, Patty Loveless, Joe Diffie, Mark Chesnutt, and T. Graham Brown were the latest additions to concert lineup.

Garth Brooks, Kid Rock, Dierks Bentley, Charlie Daniels, Jamey Johnson, Montgomery Gentry, Shelby Lynne, Sam Moore, Lorrie Morgan, The Oak Ridge Boys, Kenny Rogers, Randy Travis, Tanya Tucker, Josh Turner and Gene Watson as participating in the evening of music.

Brenda Lee, John Conlee, Lee Greenwood, Eddy Raven, The Roys, Janie Fricke, T.G. Sheppard, Dailey & Vincent, Gary Morris, Jessi Colter, Bobby Bare, Jim Ed Brown, Little Jimmy Dickens and Stonewall Jackson.

Apparently, the list is not complete because a press release said, "More stars are expected to be announced as performers gear up to pay tribute to one of the world's most accomplished recording artists."

"Alan and Denise Jackson have been friends of Nancy and I for years, so this show wouldn't be the same without him," said Jones. "I am also so grateful that my dear friend Garth Brooks is going to be on stage with me. I am not sure who will be crying more, me or him."

More news for George Jones

CD reviews for George Jones

The Hits CD review - The Hits
George Jones tends to rely on his past these days, so it's not surprising that "The Hits" is his new CD. The 24-song set does include a few previously unreleased songs, but that may not be enough to persuade all but the diehards to buy this. Jones recorded Eddy Raven's I Should Have Called and Al Anderson-Steven Bruton's I Ain't Ever Slowing Down about five years ago with Keith Stegall producing, and both appear here for the first time. The former is a bit poppy, »»»
Step Right Up 1970-1979: A Critical Anthology CD review - Step Right Up 1970-1979: A Critical Anthology
As retrospectives go, this new 28-track collection of George Jones' work from the 1970s is a bit of an anomaly. While most other compilations present chart-topping singles in chronological order, this single-disc set from the Australian reissue specialists at Raven Records provides an overview of Jones' total artistic output for the entire decade, regardless of chart position. This approach works well in this case because it covers songs not usually included on George Jones compilations. »»»
George Jones: Burn Your Playhouse Down, the unreleased duets CD review - George Jones: Burn Your Playhouse Down, the unreleased duets
There are few revelations in this George Jones duets collection culled primarily from "The Bradley Barn Sessions" (1993 recordings). Producers have their reasons. Perhaps the biggest surprise is when Jones is outsung by one of his duet partners, Georgette Jones, the only child of his marriage to Tammy Wynette. Georgette may have the best singing genes in history, but it is time as much as anything that pushes Dad into a subordinate role on You and Me and Time. The revelation, then, is a »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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