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Harris/Crowell join together finally, Mavericks return

Tuesday, February 26, 2013 – Long time friends Emmylou Harris finally joined forces to release "Old Yellow Moon," their first ever CD together. Bryan Ahern produced the dozen songs. While this may be the first time that Crowell and Harris have recorded as equals, Crowell was a member of Harri's Hot Band about three decades ago.

The Mavericks are back with "In Time," the band's first disc since reuniting and putting out "The Mavericks" in 2004. The disc contains 14 songs including a Spanish version of "Ven Hacia Mi (Come Unto Me)," sung in Spanish by Raul Malo.

Wayne Hancock goes for "Ride" out today on Bloodshot. He co-produced the music with Lloyd Maines. Hancock first burst onto the scene in 1995 with "Thunderstorms and Neon Signs."

Canadian-born, American-raised singer Jaida Dryer is out with her debut, "I Am Jaida Dreyer," produced by Tim McGraw.

More news

CD reviews

In Time CD review - In Time
It only takes hearing a few notes of Back In Your Arms Again, the lead track from The Mavericks' first new studio in nearly a decade, to realize that that band has not lost a single step during its extended hiatus. Lead singer and primary songwriter Raul Malo's voice is powerful and velvety smooth throughout the recording, and the other band members complement Malo's distinctive vocals perfectly with a blend of sounds and styles that reflects the band's diverse influences. »»»
Old Yellow Moon CD review - Old Yellow Moon
The good news is that Emmylou Harris' voice is as beautiful as always. She coming up on her 66th birthday here in another month, but her mastery of a song is still as soft and supple as a warm summer breeze. So, too, is Rodney Crowell's voice in as fine form as ever. Hanging Up My Heart is one example of Emmylou in particularly good voice, and there's some nice solo work, to boot. Black Caffeine has a distinct grittiness to it, and Dreaming My Dream is a pretty tune. »»»
Trampoline
The Mavericks jump all over the musical roadmap on their musically diverse fifth album. If looking for a strictly country album, no dice. The disc incorporates a Latin/mambo sound ("Dance the Night Away," "Melbourne Mambo"), blues ("Tell Me Why"), and even a tinge of country ("I Should Know" and "Someone Should Tell Her"). But nothing is straightforward here musically as horns and the Nashville String Machine are incorporated throughout in what may be considered the next step beyond the band's »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Trampled by Turtles leads stellar night – The animals ruled, for the most part, led by Trampled by Turtles, in a superb trifecta of music long on musicianship and quality songs. Trampled by Turtles, who headlined the sterling bill that also included Elephant Revival and Hurray for the Riff Raff (not animalistic unless the "riff raff" act that way), are going through some major sonic changes.... »»»
Concert Review: Goodnight, Texas gets on the map – Goodnight, Texas is a town with a small population - 28 according to the band's web site. So, if anything is going to put the unincorporated dot on the map, it may be the bi-coastal country band that stole the name. Avi Vinocur, who dwells in San Francisco, and Patrick Dyer Wolf, of North Carolina, are the mainstays of the band with them... »»»
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Elsewhere in the news

Currently at the CST blogs

Trampled by Turtles get wild Trampled By Turtles is an indie folk group, an alt.-country band or a bluegrass act - depending on how you choose to look at them. Perhaps it's best to view the outfit as the ultimate combo platter consisting of just about everything that's good about American music. They play wonderfully, yet they also write intelligent songs that draw everyone from Townes Van Zandt to Nirvana to Ralph Stanley. It's all good, and some (or all) of these influences can be spotted in most of Trampled By Turtles' enjoyable sounds.... »»»
Don't try labeling Parker Millsap If you move in alt.-country/Americana circles, you simply cannot get away from the name Parker Millsap. He's certainly one of the biggest buzz artists of 2014. Better still, his self-titled album lives up to all the hype. He's a smart songwriter and a passionate singer and is essential listening for anybody looking for high quality contemporary music. Millsap also creates music appealing to a wide variety of musical tastes. You can make a case that he's a country guy, but you can also hear a lot of blues and folk. And if you attempt to put a label on him, he'll quickly tear it right off.... »»»
Simpson gets metamodern What a difference a year can make. Last year, Sturgill Simpson was overly anxious about the arrival of his debut album, "High Top Mountain." This year, Simpson is simultaneously anticipating the birth of his debut child and his just-released sophomore album, "Metamodern Sounds in Country Music," and his mood couldn't be more relaxed and joyous.... »»»
Where It's At CD review - Where It's At
Dustin Lynch is a throwback on his sophomore release thanks to the good-looking Tennessee native sporting a straw cowboy hat, Now that's something you don't see these days unless you happen to be King George Strait. Instead, the hat acts of yesteryear - the moniker, in reality, was a dig at those who were part of the same milk toast country sounds that were being put out in the '90s - traded them in for baseball caps. »»»
I Don't Dance CD review - I Don't Dance
The cover of "I Don't Dance" features a glam shot of Lee Brice standing in a spotlight, looking more like a pop artist than a country singer. Listeners who prefer their country on the gritty side might be scared off by the pretty cover shot. The music matches the image: pop influenced mainstream country music, in the vein of contemporaries Jake Owen and Kip Moore.  »»»