Harris/Crowell join together finally, Mavericks return
Tuesday, February 26, 2013
– Long time friends Emmylou Harris finally joined forces to release "Old Yellow Moon," their first ever CD together. Bryan Ahern produced the dozen songs. While this may be the first time that Crowell and Harris have recorded as equals, Crowell was a member of Harri's Hot Band about three decades ago.
The Mavericks are back with "In Time," the band's first disc since reuniting and putting out "The Mavericks" in 2004. The disc contains 14 songs including a Spanish version of "Ven Hacia Mi (Come Unto Me)," sung in Spanish by Raul Malo.
Wayne Hancock goes for "Ride" out today on Bloodshot. He co-produced the music with Lloyd Maines. Hancock first burst onto the scene in 1995 with "Thunderstorms and Neon Signs."
Canadian-born, American-raised singer Jaida Dryer is out with her debut, "I Am Jaida Dreyer," produced by Tim McGraw.
It only takes hearing a few notes of Back In Your Arms Again, the lead track from The Mavericks' first new studio in nearly a decade, to realize that that band has not lost a single step during its extended hiatus. Lead singer and primary songwriter Raul Malo's voice is powerful and velvety smooth throughout the recording, and the other band members complement Malo's distinctive vocals perfectly with a blend of sounds and styles that reflects the band's diverse influences. »»»
Old Yellow Moon
The good news is that Emmylou Harris' voice is as beautiful as always. She coming up on her 66th birthday here in another month, but her mastery of a song is still as soft and supple as a warm summer breeze. So, too, is Rodney Crowell's voice in as fine form as ever.
Hanging Up My Heart is one example of Emmylou in particularly good voice, and there's some nice solo work, to boot. Black Caffeine has a distinct grittiness to it, and Dreaming My Dream is a pretty tune. »»»
The Mavericks jump all over the musical roadmap on their musically diverse fifth album. If looking for a strictly country album, no dice. The disc incorporates a Latin/mambo sound ("Dance the Night Away," "Melbourne Mambo"), blues ("Tell Me Why"), and even a tinge of country ("I Should Know" and "Someone Should Tell Her").
But nothing is straightforward here musically as horns and the Nashville String Machine are incorporated throughout in what may be considered the next step beyond the band's »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: All for the Hall: thanks to Harris, Gill, no ordinary guitar pull
This all-star benefit concert for the Country Music Hall Of Fame may have been likened to a Nashville living room guitar pull, but this was certainly no ordinary guitar pull. The evening's acoustic show featured Vince Gill, Emmylou Harris Jason Mraz and Heart. It amounted to a wonderful evening of stories and songs.
Although actress Rita Wilson... »»»
Concert Review: Lone Star Staters fortunately go beyond state lines
The idea of a Boston/Austin connection about friendships has developed over the years, but somehow it didn't seem to apply to country music.
But with the Randy Rogers Band, Wade Bowen, Stoney Larue and the Josh Abbott Band heading up from Texas (okay, not necessarily Austin) on the so-called Four on the Floor trek for two weeks, this was a rare... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
To take a page from Judy Collins' notebook, Lydia Loveless has seen life from both sides now. After a childhood in tiny Coshocton, Ohio, a move to Columbus and a gig playing bass in her family's new wave/rock band as a teenager, Loveless set out on her own musical path at the age of 17. In 2010, the 20-year-old Loveless released her debut album, "The Only Man," which was critically acclaimed but just barely heard by the general public.... »»»
Mary Chapin Carpenter's songs have always transcended the mundane, whether through the introspective songs about life and death on albums like "The Age of Miracles" or "The Calling" or in the humorous ways she laughs at fate in songs such as I Feel Lucky
or The Bug
in order to show the chinks in our mortal facades. Her music has often helped us get beyond ourselves to see the places where real meaning lies, whether we decide to embrace such meaning or not.... »»»
It's the Voice. Rhonda Vincent has been wrapping her soaring, golden-throated vocals around bluegrass tunes for a couple of decades now. The International Bluegrass Association named her Female Vocalist of the Year seven years running (2000-2006), and named her IBMA Entertained of the Year in 2001. From 2002-2006, Vincent carried home the Entertainer of the Year award from The Society for the Preservation of Bluegrass (SPBGMA). Early in her career, Vincent also recorded a couple of country albums, before returning to bluegrass. Yet, it was always her voice that gave every project its power, beauty, and character.... »»»
It would be easy perhaps even tempting - to label Alabama's Drive By Truckers as simply a rowdy and rambunctious country rock outfit that goes all out to make their insurgent sound heard. Not surprisingly, it was their landmark opus, "Southern Rock Opera," an album detailing the exploits of a fictional '70s Dixie-bred outfit called "Betamax Guillotine," that helped solidify both their sound and reputation. »»»