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Harris/Crowell join together finally, Mavericks return

Tuesday, February 26, 2013 – Long time friends Emmylou Harris finally joined forces to release "Old Yellow Moon," their first ever CD together. Bryan Ahern produced the dozen songs. While this may be the first time that Crowell and Harris have recorded as equals, Crowell was a member of Harri's Hot Band about three decades ago.

The Mavericks are back with "In Time," the band's first disc since reuniting and putting out "The Mavericks" in 2004. The disc contains 14 songs including a Spanish version of "Ven Hacia Mi (Come Unto Me)," sung in Spanish by Raul Malo.

Wayne Hancock goes for "Ride" out today on Bloodshot. He co-produced the music with Lloyd Maines. Hancock first burst onto the scene in 1995 with "Thunderstorms and Neon Signs."

Canadian-born, American-raised singer Jaida Dryer is out with her debut, "I Am Jaida Dreyer," produced by Tim McGraw.

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CD reviews

The Traveling Kind CD review - The Traveling Kind
Listening to Emmylou Harris and Rodney Crowell sing together on "The Traveling Kind," their second recent duet album together, is like visiting with old friends. Crowell is a seasoned songwriter, while Harris is relatively new - but nevertheless a quick study - to the writing game, and the songwriting is strong on this album, from start to finish. The moods range from weepy country ballads, like "No Memories Hanging Round," to more upbeat tracks, such as the chugging »»»
Mono CD review - Mono
The Mavericks returned in 2013 with an acclaimed new album and much touring after nearly a decade's absence. Here they are back again in 2015, minus one of their founding members, but with another dynamite new effort. The group announced in December 2014 that it had kicked out bassist Robert Reynolds from the band because he had developed an opiate addiction and was allegedly soliciting money from fans to support his habit. Reynolds is not listed as a contributor in the liner notes for »»»
In Time CD review - In Time
It only takes hearing a few notes of Back In Your Arms Again, the lead track from The Mavericks' first new studio in nearly a decade, to realize that that band has not lost a single step during its extended hiatus. Lead singer and primary songwriter Raul Malo's voice is powerful and velvety smooth throughout the recording, and the other band members complement Malo's distinctive vocals perfectly with a blend of sounds and styles that reflects the band's diverse influences. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Morlix overcomes album covers – Guitarist Gurf Morlix seemed ultra concerned when talking about his CD covers. Who could blame him when the two of his album covers - the just released "Eatin' At Me" and "Toad Of Titicaca" - received their share of criticism, which had nothing to do with the music contained therein? In fact, Morlix pointed out that he made... »»»
Concert Review: At Shaky Boots day 2, soggy weather doesn't dampen music – Some things are too good to last, and in Atlanta, that includes a rain-free weekend. The skies that were so clear and sunny on Shaky Boots' first day turned to rain on the second, but even that couldn't dampen the good mood of the attendees - or the good music. John and Jacob, a new group from Alabama, won the award for best-dressed... »»»
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Currently at the CST blogs

Thanks to Wills, AATW remains the king After over 40 years of touring and recording as the founder, lead guitar and front-man for Western Swing music's standard-bearers, Asleep At The Wheel, Ray Benson has a lot of irons in the fire these days. In fact, with his TV show Texas Music Scene a hit throughout the southwestern U.S. and touring in support of AATW's new release, "Still the King: Celebrating the Music of Bob Wills and His Texas Playboys," he is as busy now as ever.... »»»
Pug turns writer's block into "Windfall" In his life and career, Joe Pug has never done anything halfway. So when Pug experienced a crippling lack of creative inspiration after his punishing road schedule to promote 2012's "The Great Despiser," he didn't consider the possibility of taking a short break. Joe Pug was on the verge of throwing in the towel.... »»»
Giddens takes her turn A great deal has transpired in the 10 years between Rhiannon Giddens, Dom Flemons and Justin Robinson connecting at North Carolina's Black Banjo Gathering and the release of Giddens' brilliant debut solo album, "Tomorrow is My Turn." Giddens and Flemons formed the very successful Sankofa Springs. Robinson met and was mentored by black string band legend Joe Thompson, and ultimately, Giddens, Flemons and Robinson formed the bluegrass/folk/blues powerhouse, the Carolina Chocolate Drops. ... »»»
Monterey CD review - Monterey
The Milk Carton Kids may be one of the most unlikely Americana contenders of the past few years. Relying solely on dual acoustic guitars and close-knit harmonies, they look and sound like an introspective folk duo circa the mid '60s - think Simon and Garfunkel, Peter and Gordon, or Chad and Jeremy »»»
The Malpass Brothers CD review - The Malpass Brothers
The North Carolina-based Malpass Brothers' passion for the classic country of past decades is nicely displayed on their latest self-titled release. Christopher and Taylor Malpass are most effective when they tackle brotherly harmonies as with covers of the Wilburn Brothers' "Which One Is To Blame" and the Louvin Brothers' "Satan and the Saint," »»»
Banditos CD review - Banditos
It takes a certain raw instinct to make music that's as unhinged and unruly as that purveyed by Banditos. Originally from Alabama and now ensconced in Nashville, this scruffy looking bunch of 20-somethings makes a sound that's wholly raw, raucous and unrefined, a perfect anecdote to the polite, plaintive melodies that defines much of what's typecast as Americana these days. »»»