Sign up for newsletter
 

Kershaw Tippin, Diffie hit road together

Monday, February 25, 2013 – Sammy Kershaw, Aaron Tippin and Joe Diffie teamed up for the "Roots & Boots" tour.

On stage together, the trio perform acoustic versions of their more than 40 top 10hit songs, as well as share stories about the roots of their music.

"The 'Roots & Boots' tour is three friends who love country music having a good time, telling jokes about each other and telling jokes on each other," said Kershaw. "We tell stories behind all of our songs. It's a great show, so don't be square, be there."

Diffie said, "Sam, Aaron and I have a great time doing these shows, and the fans do too. It's always an adventure."

"Being onstage with Sammy and Joe is a blast," said Tippin. "I admire both of these guys so much. We have a great time together, and the show is different every night and always a lot of fun."

Tour dates are:

March 8 - Wilkesboro, NC - John A. Walker Community Center

March 12 - Palm Desert, CA - McCallum Theatre for the Performing Arts

March 13 - Modesto, CA - Gallo Center for the Arts

March 14 - Redding, CA - The Cascade Theatre

March 15 - La Mirada, CA - La Mirada Theatre for the Performing Arts

March 16 - Chandler, AZ - Chandler Center for the Arts

March 17 - El Cajon, CA - Sycuan Casino

March 18, 19 - Folsom, CA - Three Stages At Folsom Lake College

March 23 - Rising Sun, IN - Rising Star Casino Resort

March 24 - Meadville, PA - Alleghey College Auditorium

March 29 - Mahnomen, MN - Shooting Star Casino

April 6 - Biloxi, MS - IP Casino Resort & Spa / Convention Center

April 19 - Moncton, Canada - The Centre At Casino New Brunswick

May 10 - Branson, MO - RFD-TV Theatre

May 11 - Sand Springs, OK - Osage Casino - Sand Springs

May 24 - Pigeon Forge, TN - Country Tonite Theatre

More news

CD reviews

Do You Know Me: A Tribute to George Jones CD review - Do You Know Me: A Tribute to George Jones
Every male country singer worth his salt has been influenced by George Jones who died in April 2013; if not vocally, at the very least because of respect for country traditions and love of a fine song. Few, however, have the skills to sing as much like Jones as Sammy Kershaw can. If imitation is the sincerest form of flattery, Kershaw has that whole sincerity thing down pat. For the most part, Kershaw mainly sticks to the most familiar Jones songs. He even has the guts to cover "He Stopped »»»
A Sammy Klaus Christmas CD review - A Sammy Klaus Christmas
It's appropriate Sammy Kershaw decorated the CD cover of his new Christmas album with artwork that looks like it was created by a child. This is because the music contained within is equally simple and unpretentious. Kershaw never gets too fancy with the arrangements to these songs. They're all relatively basic country, with only essential and necessary instrumentation on each track. In between the opening reading of 'Twas The Night Before Christmas and the concluding »»»
Homecoming CD review - Homecoming
With a album titled "Homecoming," one may conjure up thoughts of days long gone behind us and the hopes of rekindling some of those old emotions and feelings as we go back to reminisce. That is exactly what Joe Diffie has done with his label debut. Diffie has long been a staple in country music, charting 12 number 1 songs and writing several other hit songs for other country artists as well. He did, however, cut his teeth in bluegrass as a young man. Diffie returns to this genre here, »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Cadillac Three, Sellers do it their own way – The way The Cadillac Three lead singer Jaren Johnston told it, the band could have had their choice of opening tours this year for the likes of Kenny Chesney, Dierks Bentley and Jake Owen. No go though because the long-haired singer fronting the rough-and-most-definitely ready trio said the band wanted to do it their own way. Based on this most... »»»
Concert Review: Great songs, not glitz, highlight Lynn tribute – An eclectic group of Americana artists gathered together for a relatively low-key tribute to Loretta Lynn on the eve of the glitzy Grammy Awards. In contrast to the expensive dresses and song sets displayed at Staples Center for the awards show TV broadcast, these performers were backed by a skillful traditional country music house band.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
For Shires, home is where the family lies Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today... ... »»»
The Earls of Leicester rattle and roar Something old is new again. The Earls of Leicester, fresh from their first release in late 2014 and the IBMA Entertainer of the Year Award for 2015, followed that remarkable success with "Rattle and Roar."... »»»
Notes of Blue CD review - Notes of Blue
Son Volt's "Notes of Blue" is said to be influenced by the blues (among other musical styles), and the blues is most at the fore during "Cherokee St.," a stomping, electric guitar-driven blues rocker. The song has the stripped-down sound of a Blind Willie Johnson sermon, although lead vocalist Jay Farrar is by no means the gravelly singer Johnson was. »»»
In the Ground CD review - In the Ground
The family band is a longstanding conceit of bluegrass and mountain music, including the Carters, the Osbornes, the McReynolds, the Whites, The Stanleys and even the progenitors of bluegrass Bill and Charlie Monroe. The trope continues to the present with The Gibson Brothers carrying on this tradition admirably. »»»
Brett Young CD review - Brett Young
Brett Young had a hit out of the box with "Sleep Without You," as ear candy of a song. His soulful vocals carry the percolating song that seemed designed with airplay in mind. If Young were a band, this is the type of song that Rascal Flatts might cover. In fact, the airplay bent could be said of most of the dozen songs on the Californian's major label debut after five indie releases. »»»
Faster and Farther CD review - Faster and Farther
Over five previous recordings, Darin and Brooke Aldridge have shown themselves as mainstream bluegrass's most capable duo. When exploring traditional themes, blending stunning harmony arrangements and extending praise through gospel numbers, the Aldridges have demonstrated that their mature, professional approach to their craft is second-to-none. »»»
Sing It Now: Songs of Faith & Hope CD review - Sing It Now: Songs of Faith & Hope
So, you say you don't have enough Reba McEntire spiritual music in your collection, eh? With "Sing It Now: Songs of Faith & Hope," you can fill that catalogue hole right quick. At two discs full, this ambitious set will scratch that itch, assuming you have such an itch in need of scratching. »»»
The Soul & The Heal CD review - The Soul & The Heal
Back in the '80s, Gurf Morlix turned his itinerant singer/songwriter/session ninja role into a 15-year gig with Lucinda Williams, playing guitar in her band and producing her third and fourth albums. After breaking with Williams over the endless production of "Car Wheels on a Gravel Road," Morlix became an in-demand producer, manning the board for Robert Earl Keen, Mary Gautiher, Ray Wylie Hubbard and Ian McLagan. »»»