Sign up for newsletter
 

Montgomery Gentry, Rogers, Turner, Bentley join Jones Nashville stop

Monday, February 18, 2013 – Montgomery Gentry, Kenny Rogers, Josh Turner and Dierks Bentley are the latest additions to the final Nashville concert of George Jones' career.

Taking place at the Bridgestone Arena on Friday, Nov. 22, 2013, the show also includes Charlie Daniels, Lorrie Morgan, Randy Travis, Jamey Johnson and Gene Watson.

"I am excited that my friends all want to be with me on this show," said Jones. "This is sure going to be a fun and emotional night with lots of memories, friends and great country music."

Other dates on the tour, which Jones said would be his last, are:
Feb. 22 - Greenville, TX - Greenville Memorial Auditorium
Feb. 23 - Forrest City, AR - East Arkansas Community College
March 15 - Joliet, IL - Realto Square Theater
March 16 - Muncie, IN - Emens Auditorium
March 22 - Chattanooga, TN - Memorial Auditorium
March 23 - Evansville, IN - The Centre
April 5 - Fairfax, VA - Patriot Center
April 6 - Knoxville, TN - Knoxville Coliseum
April 19 - Atlanta, GA - Fox Theater
April 20 - Salem, VA - Salem Civic Center
April 27 - Huntsville, AL - Mark C. Smith Concert Hall
May 17 - Charlottesville, VA - John Paul Jones Arena
May 18 - Spartanburg, SC - Memorial Auditorium
June 1 - North Tonawanda, NY - Riviera Theater
June 2 - Lancaster, PA - American Music Theater
Aug. 2 - Columbus, OH - Ohio State Fair
Aug. 3 - Watertown, NY - Watertown Fairgrounds Arena
Sept. 13 - Biloxi, MS - IP Casino
Sept. 27 - Prior Lake, MN - Mystic Lake Casino
Sept. 28 - Milwaukee, WI - Potawatomi Casino
Oct. 11 - Branson, MO - The Mansion Theater
Oct. 25 - Mt. Pleasant, MI - Soaring Eagle Casino
Oct. 26 - Pikeville, KY - Eastern KY Expo
Nov. 9 - Grant, OK - Choctaw Event Center
Nov. 10 - Branson, MO - The Mansion Theater
Nov. 22 - Nashville - Bridgestone Arena

More news for George Jones

CD reviews for George Jones

The Hits CD review - The Hits
George Jones tends to rely on his past these days, so it's not surprising that "The Hits" is his new CD. The 24-song set does include a few previously unreleased songs, but that may not be enough to persuade all but the diehards to buy this. Jones recorded Eddy Raven's I Should Have Called and Al Anderson-Steven Bruton's I Ain't Ever Slowing Down about five years ago with Keith Stegall producing, and both appear here for the first time. The former is a bit poppy, »»»
Step Right Up 1970-1979: A Critical Anthology CD review - Step Right Up 1970-1979: A Critical Anthology
As retrospectives go, this new 28-track collection of George Jones' work from the 1970s is a bit of an anomaly. While most other compilations present chart-topping singles in chronological order, this single-disc set from the Australian reissue specialists at Raven Records provides an overview of Jones' total artistic output for the entire decade, regardless of chart position. This approach works well in this case because it covers songs not usually included on George Jones compilations. »»»
George Jones: Burn Your Playhouse Down, the unreleased duets CD review - George Jones: Burn Your Playhouse Down, the unreleased duets
There are few revelations in this George Jones duets collection culled primarily from "The Bradley Barn Sessions" (1993 recordings). Producers have their reasons. Perhaps the biggest surprise is when Jones is outsung by one of his duet partners, Georgette Jones, the only child of his marriage to Tammy Wynette. Georgette may have the best singing genes in history, but it is time as much as anything that pushes Dad into a subordinate role on You and Me and Time. The revelation, then, is a »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Queen Taylor wears her crown well – When Taylor Swift brought Natalie Maines of Dixie Chicks on stage to sing "Goodbye Earl," it meant more than just another star guest, on an already celebrity-packed, five-night attendance record-breaking Los Angeles concert run. This duet also brought into clear focus the truth that Swift's huge success unintentionally fulfilled the... »»»
Concert Review: Mandolin Orange commands the room – Mandolin Orange presents a simple picture: two members, sharing fiddle, mandolin and guitar and two powerful voices. As Mandolin Orange, Emily Franz and Andrew Marlin command the room. The duo formed in Carrboro, N.C. a few years back, and have released an impressive series of CDs over the last few years, most recent "Such Jubilee" on Yep Roc Records.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

No matter what you say, it's The Deslondes In the spirit of hard-hitting journalism, it seemed logical to ask Deslondes vocalist/guitarist Riley Downing the Mike-Wallace-from-60-Minutes question that has to be on everyone's mind: How the hell do you say the New Orleans-based band's name? "It's pronounced 'dez lawn,'" says Downing. "I know there's different ways that people have pronounced it over the course of history...... »»»
Watkins Family make time From their first, self-titled, major label release, the Allison Krauss-produced, "Nickel Creek," two-thirds of that trio - musical siblings Sara and Sean Watkins - have been in the musical spotlight continually since 1999. As for working with her brother off and on for most of their lives, Sara says, "We have been lucky...... »»»
Milk Carton Kids find themselves on "Monterey" Joey Ryan, half of acoustic folk duo the Milk Carton Kids, is girding his loins for the long trip from the band's Los Angeles home base to Australia. Although he's made this trip before, he's yet to acclimate completely to it.... »»»
Start Here CD review - Start Here
Maddie & Tea (aka Madison Marlow and Taylor Dye) start their biggest song "Girl in a Country Song" with a warning, "No country music was hurt in the making of this song." That warning also applies to the remaining 10 songs, which is about as country sounding as music seems to get these days for most artists.  »»»
Wild Ones CD review - Wild Ones
Kip Moore's sophomore release has been a long time in coming - 3 1/2 years - a surprise considering how well he did with his debut, "Up All Night," and its big hits ("Somethin' 'Bout a Truck," "Beer Money"). Moore has said he spent time expanding his sound - and he surely has done that - although two failed singles doubtlessly didn't help. »»»
Common Law Wife CD review - Common Law Wife
Slipping into the spot vacated by Nanci Griffith, South Carolinian Angela Easterling provides her perspective on modern country music, motherhood, the state of her nation, lost love, hometown shut downs and matrimony.  »»»
Michael Ray CD review - Michael Ray
The big single from Michael Ray's self-titled album, "Kiss You in the Morning," is one of the most annoying songs of the summer. It's an unbridled lust lyric that describes one man's pursuit of a girl in a country song. Ray is better on the driving song, "Drivin' All Night," though. Maybe it's the fact that Ray name-drops both Steve Earle and Tom Petty on it. »»»
The Blade CD review - The Blade
Ashley Monroe gains more acclaim for other projects than she does for her own solo efforts. Monroe is one third of side group Pistol Annies. She sang with Blake Shelton on his hit "Lonely Tonight." She received praise for her first proper solo album, "Like a Rose," in 2013, although that was a release that stood on the strength of the songs because three singles produced zero hits. Can "The Blade" turn the trick? »»»
Bittersweet CD review - Bittersweet
Australian songwriter Kasey Chambers has never managed to gain the profile elsewhere that she has Down Under, despite consistently releasing great albums as a solo artist and as a duo with her ex-husband. Almost a full year after initially releasing "Bittersweet," Chambers is giving the strong album an official U.S. release. »»»