Sign up for newsletter
 

Capitol reissues four key albums on vinyl: Hag, Jackson, Rogers, Campbell

Tuesday, February 12, 2013 – Four key albums from Capitol Records Nashville's catalog will be reissued on 180-gram vinyl on March 12. Kenny Rogers' "The Gambler," Glen Campbell's "By the Time I Get to Phoenix," Merle Haggard's "Swinging Doors" and Wanda Jackson's "Rockin' With Wanda!" were mastered for vinyl and will be packaged in true-to-original LP sleeves with restored artwork.

Released in 1979, "The Gambler" was a pop crossover success, topping Billboard's Country Albums chart at number 1 and reaching number 12 on the Billboard 200. The album's smash hit ballad, She Believes In Me, topped Billboard's Country and Adult Contemporary Singles charts and peaked at number 5 on the Hot 100. The album's title track won two Grammy Awards: Best Country Vocal Performance, Male and Best Country Song. The album is five-times Platinum-certified by the RIAA with U.S. sales totaling more than 5 million copies.

Released in 1968, "By the Time I Get to Phoenix" was also a major genre-crossing success, winning the year's coveted Album of the Year Grammy Award and topping Billboard's Country Albums chart at number 1 and reaching number 15 on the Billboard 200. The Platinum-certified album's title track hit number 1 on the Country Singles chart and peaked at number 26 on the Hot 100, and the song earned two Grammy Awards for Campbell: Best Vocal Performance, Male and Best Contemporary Solo Vocal Performance, Male.

Oklahoma native Haggard's third studio album, "Swinging Doors," was released in 1966. It hit number 1 on Billboard's Country Albums chart, and Haggard earned the year's Top Male Vocalist award from the Academy of Country Music.

Released in 1960, fellow Oklahoman Wanda Jackson's "Rockin' With Wanda!" is still considered to be the finest collection of the Queen of Rockabilly's signature singles from the mid to late 1950s, including Jackson's Let's Have a Party, which peaked at number 37 on the Billboard Hot 100, and I Gotta Know, which hit number 15 on Billboard's Country Singles chart. Jackson has enjoyed a resurgence thanks, in part, to Jack White, who produced her.

Already announced, the Nitty Gritty Dirt Band's "Will the Circle be Unbroken" will also be reissued on 180-gram triple vinyl on March 12. Remastered by Chris Bellman at Bernie Grundman Mastering, the new release is the first vinyl reissue of the recording.

More news for Merle Haggard

CD reviews for Merle Haggard

Working in Tennessee CD review - Working in Tennessee
Read Merle Haggard's Wikipedia entry. It talks, in the second sentence, of his having helped create the Bakersfield sound, with its "rough edge." Later, it discusses, at some length, his conservative touchstones, in particular Okie From Muskogee. While, in Wikipedia fashion, that may capture the popular perception of the recent Kennedy Center honoree, it doesn't hit at the core of what made him, along with Willie Nelson and George Jones, one of country music's three most »»»
I Am What I Am CD review - I Am What I Am
It seems that the legendary country artists who survive to their later years, often make some of their best music during that time. It certainly was true with Johnny Cash and apparently Merle Haggard is primed to follow suit. The evidence of that is spread all over his new 12-song outing. Haggard has gone introspective, but he has done it in such a way that most of the songs are easy for the listeners to apply to their own experiences. The opener, I've Seen It Go Away, is about losing the »»»
Legendary Performances DVD CD review - Legendary Performances DVD
The Strangers are a talented and extremely flexible band, as Haggard's mood can vary from showing off his rich singing voice on ballads to playing the jazzy guitar hero via Western swing material. Thus, it takes a multi-faceted combo, like The Strangers, to keep up with Haggard's many moods. This disc collects 15 Haggard TV clips, and the man is definitely not lip synching his way through these performances. For instance, viewers can clearly hear The Hag clear his throat right before »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Trampled by Turtles leads stellar night – The animals ruled, for the most part, led by Trampled by Turtles, in a superb trifecta of music long on musicianship and quality songs. Trampled by Turtles, who headlined the sterling bill that also included Elephant Revival and Hurray for the Riff Raff (not animalistic unless the "riff raff" act that way), are going through some major sonic changes.... »»»
Concert Review: Goodnight, Texas gets on the map – Goodnight, Texas is a town with a small population - 28 according to the band's web site. So, if anything is going to put the unincorporated dot on the map, it may be the bi-coastal country band that stole the name. Avi Vinocur, who dwells in San Francisco, and Patrick Dyer Wolf, of North Carolina, are the mainstays of the band with them... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Trampled by Turtles get wild Trampled By Turtles is an indie folk group, an alt.-country band or a bluegrass act - depending on how you choose to look at them. Perhaps it's best to view the outfit as the ultimate combo platter consisting of just about everything that's good about American music. They play wonderfully, yet they also write intelligent songs that draw everyone from Townes Van Zandt to Nirvana to Ralph Stanley. It's all good, and some (or all) of these influences can be spotted in most of Trampled By Turtles' enjoyable sounds.... »»»
Don't try labeling Parker Millsap If you move in alt.-country/Americana circles, you simply cannot get away from the name Parker Millsap. He's certainly one of the biggest buzz artists of 2014. Better still, his self-titled album lives up to all the hype. He's a smart songwriter and a passionate singer and is essential listening for anybody looking for high quality contemporary music. Millsap also creates music appealing to a wide variety of musical tastes. You can make a case that he's a country guy, but you can also hear a lot of blues and folk. And if you attempt to put a label on him, he'll quickly tear it right off.... »»»
Simpson gets metamodern What a difference a year can make. Last year, Sturgill Simpson was overly anxious about the arrival of his debut album, "High Top Mountain." This year, Simpson is simultaneously anticipating the birth of his debut child and his just-released sophomore album, "Metamodern Sounds in Country Music," and his mood couldn't be more relaxed and joyous.... »»»
The Way I'm Livin' CD review - The Way I'm Livin'
Six years later, Lee Ann Womack is finally back. Her traditional country sounds were not quite working with Nashville, which was veering increasingly pop. Now, the Texas native returns with a new label, but the same lovely voice. Originally intended for her old label, MCA Nashville, Womack was given the marching orders to make the type of disc she wanted to listen to. »»»
Three Bells CD review - Three Bells
It must be frustrating to resophonic artists of the stature of these three that even they still have to on occasion answer the question "What is that thing you're playing?" The number of well-known Dobro players has always seemed to lag behind even the banjo, and even in the "Golden Years" of '50s and '60s country music, the only widely known names were Josh Graves and Pete "Brother Oswald" Kirby. »»»
The Earls of Leicester CD review - The Earls of Leicester
In 1946, Lester Flatt and Earl Scruggs were integral parts of Bill Monroe's Blue Grass Boys when they recorded a series of singles that most historians of the music consider the "birth of bluegrass" as we know it. Upon leaving to form their own band, The Foggy Mountain Boys (much to Monroe's consternation), they spent most of the 1950s recording one landmark single after another. »»»
The Cowboy Rides Away: Live From AT&T Stadium CD review - The Cowboy Rides Away: Live From AT&T Stadium
George Strait has been one of the most dependable country music stars for three decades. In this day and age, the Texan is a certifiable throwback. He's low key, not a self-promoter. All's he has done is churn out hit after hit for decade after decade. He has not been the kind of artist who put his finger up in the air either or trading his cowboy hat for a baseball cap. When looking up the definition of traditional country, George Strait sits at the top. »»»
Where It's At CD review - Where It's At
Dustin Lynch is a throwback on his sophomore release thanks to the good-looking Tennessee native sporting a straw cowboy hat, Now that's something you don't see these days unless you happen to be King George Strait. Instead, the hat acts of yesteryear - the moniker, in reality, was a dig at those who were part of the same milk toast country sounds that were being put out in the '90s - traded them in for baseball caps. »»»