Sign up for newsletter
 

Yoakam adds second Ryman show

Tuesday, February 12, 2013 – Due to demand, Dwight Yoakam added a second headlining show at Nashville's Ryman Auditorium on Saturday, April 13. Tickets go on sale Friday, Feb. 15.

Yoakam's April 12 show sold out in less than 30 minutes when it went on sale Friday.

This marks Yoakam's return to the Mother Church of Country Music's stage for the first time since 2005. "The Ryman is one of a handful of places in the world, that from the moment you step inside, you can feel that you have entered a hallowed chamber occupied by the essence of the great," said Yoakam, who is currently touring in support of "3 Pears." The Lone Bellow, a buzz band from Brooklyn, is set to open.

"3 Pears," Yoakam's 26th studio album, is his highest-charting debut on the Billboard 200 and Billboard Country Albums charts.

More news for Dwight Yoakam

CD reviews for Dwight Yoakam

Live from Austin, TX; CD review - Live from Austin, TX;
In this 1988 Austin City Limits program and nearing 32 years old, Dwight Yoakam was approaching his commercial zenith. His third album, "Buenas Noches From A Lonely Room," had just been released, bringing him his only number one country singles "Streets of Bakersfield" (included here in duet with Buck Owens along with Flaco Jimenez) and "I Sang Dixie," also included. His second ACL appearance, Yoakam delivers a generous, 14-song reminder of how freakin' unusual »»»
Second Hand Heart CD review - Second Hand Heart
Dwight Yoakam appears to be a many of mystery on the cover. With two side-by-side images of himself, the Kentucky honky tonker dons a trademark cowboy hat, jeans jacket and jacket and plucking his electric, legs spread and head pointed down. But there really is no mystery about Yoakam, who has been making music longer than some of the contemporary country acts have been alive. And Yoakam has a thing or two to show these young turks what country music used to be - and based on this sterling, »»»
3 Pears CD review - 3 Pears
It's comforting to know that in an unpredictable, fast-paced world, there are certain things that will always remain the same. Dwight Yoakam will never come up short when it comes to sharing a cool groove. Indeed, here he is, some 35 years after making his debut, still looking sharp with that cowboy hat perched low over his eyes, giving the impression he hasn't aged a single day, and back at home on Warner Bros., the label that launched him originally. It's also assuring to know »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
The Cadillac Three creates its "Legacy" William Shakespeare noted a few centuries back that a rose by any other name would be equally aromatic, and that general idea has musical implications as well. The Cadillac Three knows a thing or two about maintaining a sonic identity after a name change;... »»»
With Stanley and Watson, sound isn't elementary Those aware of the late Owsley "Bear" Stanley likely know him for one of two reasons - his pioneering work manufacturing lysergic acid diethylamide (LSD) in San Francisco during the mid-to-late 1960s and his role as an innovative sound engineer. Most notably, Bear worked...... »»»
When Was the Last Time CD review - When Was the Last Time
Darius Rucker is so darn likeable, he likely gets away with creating subpar music more than most. However, "When Was the Last Time" is a consistently good album, which is as respectable as it is likeable. »»»
Losing Sleep CD review - Losing Sleep
Chris Young has one of the best country voices, and it's always a pleasure to hear him sing. But it's disappointing when the title cut sounds more like the groove to a Justin Bieber song than anything truly country.  »»»
A Long Way From Your Heart CD review - A Long Way From Your Heart
The name Turnpike Troubadours suggests traveling music. Strap yourself in and get ready for an exhilarating ride. This Oklahoma-based roots-rock unit soars on its fourth release. Not to diminish the strong songwriting from leader Evan Felker, it's the band's pulsating musicianship with an array of electric instruments combined with fiddle and pedal steel that makes the sound so arresting. »»»
First Cigarette CD review - First Cigarette
The stunning vocal of Travis Meadows on the opening track, "Sideways," brims with honesty, pain and hard-earned wisdom as he offers a blend of confession and advice, stimulated by an experience at an adolescent addiction treatment center. Meadows, like many, is one of those Nashville songwriters ("Riser" for Dierks Bentley and "What We Ain't Got" for Jake Owen), but is finding his own voice relatively late in life. »»»